Canadian artist Guillaume Lachapelle explores the infinite in this series of mysterious 3D printed dioramas titled Visions. Sitting atop pedestals in a darkened gallery, the eerie “rooms” rely on lights and mirrors to create the illusion of vast spaces that seem to reflect into much larger open spaces. These pieces were on view last year as part of a solo show at Art Mur in Québec, and you can see more of them up close over on Artsy.
For Guillaume Amat's “Open Fields” project he placed a mirrored stand in various landscapes, reflecting the opposing environment back within the image to create a double interpretation of the surrounding scene. These reflections contain dark figures against bright fields, homes in barren landscapes, bits of foliage contained within stretches of industry, and even a horse that pops into the frame.
Each image is taken with a 4×5 inch camera, the included mirror measuring 31.5 x 47.2 inches. Amat wanted to concentrate on the double interpretation of the landscape seen outside and within the mirror, working on the concept of territory as space.
Independent curator and writer Paul Wombell compared this series to the Greek myth of Orpheus and Eurydice saying, “With the use of the camera and a mirror Guillaume Amat has made photographic images that simultaneously look forward and backwards. They create a strange dreamlike landscape where buildings and figures float in the center of the picture and suggest that he has two sets of eyes, both at the front and back of his head. Orpheus would have been impressed.”
Amat lives and works in Paris where he mostly focuses on long-term projects to produce cohesive photographic narratives existing somewhere between documentary and poetry. (via vjeranski)
Making-Off Open Fields /#2 Le Calvaire des Dunes.
It’s only been a week since we featured Daniel Rozin's new fur mirror, and lucky for us there’s also a second mirror artwork currently on view at bitforms. The Penguins Mirror is an interactive mirror constructed with 450 stuffed penguins atop rotating motors. If you think the idea sounds ludicrous, it is. Ludicrously amazing. As with many of his other kinetic mirrors, Rozin makes use of the black and white color tones found on the stuffed animals to generate moving silhouettes in response to movements captured by video cameras. You can see the Penguins Mirror through the end of the month as part of Rozin’s Descent with Modification exhibition at bitforms gallery in New York.
Iranian artist Shirin Abedinirad explores issues of gender, sexuality and human compassion through her site-specific installations, performances, and conceptual fashion designs. Seen here are two recent public works, Evocation (Iran, 2013) and Heaven on Earth (Italy, 2014) that utilize mirrors in both an urban and rural desert setting to reflect the sky above, perhaps mimicking the color or form of water. Abedinirad studied under Iranian director Abbas Kiarostami and now splits her time between Tehran and Florence. You can see more of her work on her website and on Tumblr. (via Cross Connect)
As part of an exhibition of new artworks at bitforms in New York, artist Daniel Rozin (previously) designed the PomPom Mirror. The device relies on motion sensors and 928 faux fur pom poms manipulated by 464 motors to create a mirror reflection of the viewer in real-time. The PomPom mirror is one in a long series of similar interactive installations that utilize motorized arrays of moving objects like wooden pegs, trash, or even folding fans, that generate moving silhouettes in response to movement. Descent With Modification at bitforms runs through July 1, 2015. (via Booooooom)
Created by Japanese design brand D-Bros (previously) these carefully hand-crafted coffee/tea mugs made from Hasami porcelain are painted with a thin layer of reflective palladium that allows each cup to mirror the saucer it rests on. D-Bros created many different geometric designs, some of which are available over at Spoon & Tamago.
Photographer Gray Malin was recently in Chicago where he shot a number of amazing aerial photos around the city including beaches, Navy Pier, and spots around Millennium Park. For some reason, even though it’s been on view for nearly 8 years now, I’ve never seen a photo of Anish Kapoor’s Cloud Gate taken from directly above like this. It looks almost exactly like a small lake filled with Chicago’s skyline. You can see more from Malin’s trip here. (via Art Effect)