Tag Archives: multiples

Designers Construct Crayon-Inspired Looks for New York City Bloomingdale’s

"Unmellow Yellow" by Nanette Lepore

“Unmellow Yellow” by Nanette Lepore

For spring 2015, Bloomingdale’s reached out to several designers to create pieces that both matched and were constructed by iconic Crayola colors. The pieces are designed with playful colors, yet have a sharp edge, the points of the crayons adding 3D elements to many of the elaborate pieces. The most dynamic, a bright yellow dress designed by Nanette Lepore, showcases a bustier of organized pinwheel crayon segments extending from the ornate neckline.

Other designers chosen were Rebecca Taylor, Clover Canyon, Rebecca Minkoff, Torn by Ronny Kobo, and Parker. Parker added a creative spin to the project, incorporating the Jungle Green crayon wrappers as faux-fabric within their designed romper. Designers Derek Farrar and Laurieanne Gilner explained that not only was the piece environmentally sound, but also gave them a serious case of spring fever.

The pieces, photographed by Matthew Carasella, are currently on display at the 59th Street Bloomingdale’s location in New York City, and more detailed shots can be found on Carasella’s portfolio site here. (via Laughing Squid)

Update: It should also be noted that another artist, Herb Williams (previously), has been creating similar Crayon fashions since 2007.

"Unmellow Yellow" by Nanette Lepore

“Unmellow Yellow” by Nanette Lepore

"Bittersweet" by Torn by Ronny Kobo

“Bittersweet” by Torn by Ronny Kobo

"Clover Canyon" by Mountain Meadow

“Clover Canyon” by Mountain Meadow

"Midnight Blue" by Rebecca Taylor

“Midnight Blue” by Rebecca Taylor

"Banana Mania" by Rebecca Minkoff

“Banana Mania” by Rebecca Minkoff

"Banana Mania" by Rebecca Minkoff

“Banana Mania” by Rebecca Minkoff

"Jungle Green" by Parker

“Jungle Green” by Parker

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Hand-painted Ceramic Plate Installations by Molly Hatch

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Quand on Aime Tout est Plaisir: After Fragonard, USA, 2013

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Quand on Aime Tout est Plaisir: After Fragonard, USA, 2013

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Recite, USA, 2014. 199 hand-thrown porcelain porcelain plates with glaze and underglaze, acrylic paint, hardware.

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Recite, detail.

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Covet Project, 2012.

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Covet Project, 2012.

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Deconstructed Lace: After Royal Copenhagen, USA, 2014. 93 hand-thrown and hand-painted porcelain plates with glaze and underglaze.

Massachusetts-based artist Molly Hatch creates immense installations of hand-built ceramic plates painted with a variety of patterns and scenes. Hatch frequently re-contextualizes historic images used centuries ago by old porcelain manufactures as well as paintings and textiles. Her largest artwork to date, Physic Garden, was installed last year at the High Museum of Art in Atlanta, a monumental installation of 475 plates depicting imagery used on Chelsea Factory plates dating back to the 1750s. Hatch is represented by Todd Merrill Studio, and you can see more work on her website. (via Design*Sponge, My Amp Goes to 11)

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New Moon: An Interactive Light Installation Made from 5,500 Repurposed Light Bulbs

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New Moon is an interactive shadow and light sculpture from artists Caitlind r.c. Brown and Wayne Garrett (previously) that was installed twice in Lexington, Kentucky back in February of last year. Built from 5,500 burnt out incandescent bulbs donated by the community, the sculpture allows viewers to manipulate phases of the moon using a large turnstyle. The piece is the fourth in a series of installations using re-appropriated light bulbs, more of which you can explore on their website.

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Heirloom: A Tablecloth Created with Lace-like Patterns of Collected Seeds by Rena Detrixhe

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Heirloom is a 2013 installation by artist Rena Detrixhe created from thousands of collected seeds that were applied in lace-like patterns to a large piece of sheer fabric. The resulting tablecloth makes it appear as if the seeds are hovering just above the surface. You can see much more of her environmental and textile-based artwork here.

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Explosive Moleskine Doodles by Kerby Rosanes

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Philippines-based illustrator Kerby Rosanes began his career as an artist by doodling away in Moleskein notebooks and sharing the results online. Rosane’s imagination runs wild in his composite images of cartoony characters that morph into familiar faces of animals and pop-culture characters. After a number of art and design blogs picked up the story last year, his career took off, and the self-taught 23-year-old found himself creating illustrations for Nike, Mazda, and Ford. Seen here are a number of recent sketchbook spreads, but you can see more by scrolling through his archives. (via My Modern Met)

Only Nails, Always Different: Artist John Bisbee’s Life of Sculpting with Nails

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While in college, artist John Bisbee was scavaging in an abandoned house looking for items to incorporate into a series of found-object sculptures when he kicked over a bucket of old rusty nails. To his astonishment, the nails had fused together into a bucket-shaped hunk of metal. He had an epiphany. Bisbee has since spent nearly 30 years using nails as his sole medium to create geometric sculptures, organic installations, and unwieldy objects from thousands of nails that are hammered, bent, welded, or fastened together in a seemingly limitless procession of forms. His mantra: “Only nails, always different.” He shares with American Craft, “A nail, like a line, can and will do almost anything. What can’t you draw with a line? The nail is just my line.”

Bisbee is currently an artist in residence at Bowdoin College in Brunswick, Maine, and had an exhibition at Shelburne Museum earlier this year. He was recently profiled in American Craft’s Material Crush issue featuring 30 artists working in unusual mediums, almost half of which have been featured right here on Colossal. Definitely worth a look. (via American Craft)

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Bathroom Fixtures at Alcatraz Transformed into Porcelain Floral Bouquets by Ai Weiwei

Ai Weiwei, Blossom, 2014 (installation detail, Alcatraz Hospital)

Ai Weiwei, Blossom (2014). All photos by Jan Sturman

Ai Weiwei, Blossom, 2014 (installation detail, Alcatraz Hospital)

Ai Weiwei, Blossom, 2014 (installation detail, Alcatraz Hospital)

Ai Weiwei, Blossom, 2014 (installation detail, Alcatraz Hospital)

Ai Weiwei, Blossom, 2014 (installation detail, Alcatraz Hospital)

Ai Weiwei, Blossom, 2014 (installation detail, Alcatraz Hospital)

Ai Weiwei, Blossom, 2014 (installation detail, Alcatraz Hospital)

Ai Weiwei, Blossom, 2014 (installation detail, Alcatraz Hospital)

Ai Weiwei, Blossom, 2014 (installation detail, Alcatraz Hospital)

The Chinese artist and activist Ai Weiwei currently has an exhibition on Alcatraz, the notorious island used as a military fortress and federal penitentiary. Amongst a large body of work created specifically for Alcatraz is “Blossom,” which has been installed in several hospital ward cells and medical offices. And as its name suggests, intricately detailed encrustations of ceramic flowers are blossoming out of sinks, toilets and tubs that were once used by hospitalized prisoners.

The curator offers two possibilities in interpreting Ai’s porcelain blossoms: a symbolic offering of comfort to the imprisoned or perhaps an ironic nod to China’s famous Hundred Flowers Campaign of 1956. But to understand the piece we think this quote by Ai himself is all you really need: “The misconception of totalitarianism is that freedom can be imprisoned. This is not the case. When you constrain freedom, freedom will take flight and land on a windowsill.”

Ai Weiwei’s exhibition on Alcatraz will be open through April 26, 2015. (via My Amp Goes to 11)

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