Here’s a lovely bit of experimental visual goodness from Swedish motion designer Anton Woll Söder in collaboration with CypherAudio. Söder shares that the animation began as an exercise to learn more about VFX software Houdini and slowly evolved into the clip you see here. In recent years, the rapid evolution of PCs and the development of software like Houdini and Cinema 4D has created new possibilities for intricate particle-based animations. Prime examples include clips seen previously on Colossal like Cycle and the dance piece from the AICP Awards. You can see more of Söder’s visual effects work on Behance. (via Vimeo Staff Picks)
All images via Duy Anh Nhan Duc
Self-taught botanical artist Duy Anh Nhan Duc uses a steady hand to arrange dandelion blossoms in artful imitations of their flight through the air. His monochrome works are each reminiscent of a universal childhood urge to scatter a dandelion’s seedlings with a single blow, eager to watch the feathery pieces take flight in the wind. With this in mind he carefully dissects a dandelion’s fluff, placing the individual seeds in concentric patterns. In many works gold leaf is used to single out some of the miniature components, adding another layer of precision to his patiently executed fields of flora.
His solo exhibition, The Imaginary Herbarium, is currently on view at Galerie Bettina in Paris through February 15, 2017. You can see more of his works on his Instagram and website. (thnx, Laura!)
If you need a dose of color (and sugar) injected into your Instagram feed, the account belonging to Adam Hillman is probably your best bet. The New Jersey-based visual artist sifts through multitudes of colorful everyday objects and foods which he organizes into zen-like patterns, towers, and gradients. Seen here are some of our favorites from the last few months, and he posts frequently on Instagram and Tumblr. (via Things Organized Neatly)
Photographer Charles Pétillon (previously) captures arranged configurations of balloons in a variety of environments—trapping the illuminated organic shapes momentarily in his photographs. The huddles of balloons are metaphors for Pétillon, a nod to the objects, buildings, and structures we often pass by in our busy lives without taking the time to really notice them. Last year he produced a 177-foot-long installation for London’s Covent Garden, a work that he titled Heartbeat.
“Each balloon has its own dimensions and yet is part of a giant but fragile composition that creates a floating cloud above the energy of the market below,” explained Pétillon about his 2015 installation. “This fragility is represented by contrasting materials and also the whiteness of the balloons that move and pulse appearing as alive and vibrant as the area itself.”
Pétillon’s words can also be applied to his current oeuvre, a selection of which is currently on display in a solo exhibition titled Invasions. The works are featured at Magda Danysz Gallery in Paris through January 14, 2017, and also includes a site-specific installation of balloons to mirror those within his photographs. You can see a behind-the-scenes shoot below, as well as more final images of his balloon series on his website and Instagram. His work is also seen in the book Public Art Now.
Nestled within a courtyard at the Hôtel de Griffy in Montpellier, France, this 2015 installation of pink and white balloons attempts to capture the feeling of spring by mimicking the color and feel of cherry blossoms as they fall from the ceiling. The 6-day installation titled “Un dixième Printemps” (The 10th Spring) was created by Margaux Rodot, Benoit Tastet, and Mickaël Martin, and draws inspiration from Hanami, a Japanese tradition of enjoying the abundance of blooming flowers across the country from the end of March to early May.
Netting secured across the courtyard ceiling effectively contained the helium-filled balloons that were gradually replenished each day as they gradually fell to a patch of grass below. Sunlight from above cast a pink hue into the space that filled windows and balconies surrounding the installation space. Un dixième Printemps was created for the 10th annual Lively Architecture Festival and went on to win the 2015 Jury Award. (via Designboom)
Working with hundreds of steel rods and pieces of piano wire, Spanish artist David Moreno constructs unwieldy sculptures that look like 2D sketches. Usually centered around a structure or row of house-like buildings, each artwork is designed to look like a haphazard collection of sticks, perhaps something easily destroyed by a big bad wolf. The link between drawing and sculpturing is very intentional as Moreno himself refers to his process as literally “trying to draw sculptures.” You can see more of his work on Behance.