To transform the interior of the Ahead Arena at the 2015 Habitare Design Fair in Finland (part of Helsinki Design Week), environmental artist Kaisa Berry and creative director Timo Berry of BOTH conceived of this lighter-than-air umbrella cloud suspended above a main stage. The duo used 1,1000 white umbrellas hung at various intervals, somewhat like similar outdoor installations we’ve seen in Portugal. The installation served as a backdrop for speaking events as well as live performances. You can see a few more views in this image search. (via Wallpaper)
Meticulously placing small, ornate materials in eye-dazzling patterns Suzan Drummen (previously) produces kaleidoscopic installations that appear like three dimensional textiles. Within these pieces Drummen likes to explore how artwork can seduce and repulse, drawing the viewer in to take a closer look at the specific details that form the larger installation.
“From a distance they appear clear and orderly, yet upon closer inspection, the eyes become disoriented by the many details and visual stimuli,” said Drummen. “That moment of being able to take it all in or not is explored time and time again.”
Although many of her pieces when zoomed out appear like textiles, a recent installation takes this to heart, appearing like two oriental rugs—one in the color scheme of pink and red and the other in greens and blues. The first piece subtly climbs up the wall, playing further into the illusionistic quality of how her crystal constructions are perceived. This optical trickery is also reflected in her works that involve bodies, ordinarily dressed participants bedazzled to match the pattern on which they sit or lay.
You can see more of the Netherlands-based artist’s work on her Facebook page here.
Lithuanian artist Agne Gintalaite has always been attracted to the “garage towns” of her native Lithuania—large areas filled with storage units for cars that were terribly inconvenient and often bus rides away from the owners’ homes. In her series Beauty Remains, Gintalaite explores the multitude of garage doors she has discovered on her explorations, the brightly colored wooden and metal doors that look as if time has tried to claw them to pieces, yet their vibrancy withstands each passing year.
Her project began after a recent trip to IKEA revealed a sprawling garage town near the megastore filled with hundreds of examples of these doors that outlasted the time when IKEAs were nowhere to be found. “By documenting these objects that are, most likely, about to disappear from Lithuanian society, I wished to communicate to the viewer the ambivalent, aesthetic, but also human significance of these garage doors,” said Gintalaite. “Beautifully painterly, these doors do not need be explained to the beholder. It is the fascinating play of colour and texture that I attempted to capture with my camera.”
In documenting these doors the artist also found herself documenting human dignity as the owners continue to hold onto their property in areas in which big businesses increasingly impede on the urban landscape. “As long as they last,” said Gintalaite, “this uncanny beauty remains.”
Gintalaite received her BA in Art History and Theory from Vilnius Academy of Arts in Lithuania, and is currently a freelance photographer and art director. You can find more of her work on her Tumblr and Behance. (via My Modern Met)
Billed as the largest free nautical event in the world, Sail Amsterdam is a quinquennial (every five years) gathering of 600+ boats and tall ships that sail in a circuit in the Netherland’s North Sea Canal before mooring in Amsterdam. The 2015 event was held just last week and according to the NL Times a record-breaking 2.7 million people arrived to watch the maritime spectable that included at least 50 tall ships and hundreds of smaller watercraft. This aerial photo and a timelapse filmed by Boyd Baptist really captures the enormity of the event. (via Jeroen Apers)
French artist and photographer Charles Pétillion has just unveiled a cumulus cloud composed of 100,000 white balloons illuminated from the inside at London’s Covent Garden. Titled ‘Heartbeat,’ the installation was created as part of the upcoming London Design Festival and stretches the length of the South Hall ceiling of the Market Building. Pétillion is known for his use of white balloons to fill unusual spaces, a photographic series he refers to as Invasions. This is by far his largest installation to date and his first public art piece. He shares about Heartbeat:
The balloon invasions I create are metaphors. Their goal is to change the way in which we see the things we live alongside each day without really noticing them. With Heartbeat I wanted to represent the Market Building as the beating heart of this area – connecting its past with the present day to allow visitors to re-examine its role at the heart of London’s life.
Each balloon has its own dimensions and yet is part of a giant but fragile composition that creates a floating cloud above the energy of the market below. This fragility is represented by contrasting materials and also the whiteness of the balloons that move and pulse appearing as alive and vibrant as the area itself.
The installation will be on view through September 27, 2015, and you can watch a timelapse video of its construction and an interview with Pétillion below. (via Designboom)
Baptiste Debombourg (previously here and here) has transformed a public square using the very objects that typically occupy it—taking 1,200 café chairs and forming them into an elaborate roller coaster. Although the installation is static, Debombourg created movement within the sculpture by incorporating six bright colors and four sky-high loops that twist and turn far from the ground.
The installation, titled Stellar, was built as a part of Le Voyage à Nantes, and will be located within the Place du Bouffay in Nantes, France until August 20th. Its inspiration stems from addressing the great presence of outdoor cafés and restaurants within the city center, as well as an artwork Robert Delaunay produced for the Paris World’s Fair in 1937. (via Junk Culture)
Brooklyn-based experimental studio Snarkitecture is bringing the ocean indoors, transforming water and waves into nearly one million recyclable translucent plastic balls. Covering 10,000 square feet of the National Building Museum in Washington D.C., the interactive installation titled “The BEACH” will include white beach chairs and umbrellas to simulate seaside vibes, while maintaining the monochrome feel that Snarkitecture has become known for.
Snarkitecture primarily works within the space between art and architecture, blending experience and design. The collaborative firm was started by Alex Mustonen and Daniel Arsham and they explain that their focus is “on the viewer’s experience and memory, creating moments of wonder and interaction that allow people to engage directly with their surrounding environment.”
A unique experience is achieved in their latest installation, the museum inviting visitors to wade within the sea of plastic spheres, relax in one of the many chairs at the “shore’s edge,” and grab drinks at the snack bar. You can visit The BEACH through September 7 or visit it virtually with the museum’s live stream.
All included images are by Noah Kalina, more of his work can be seen here. (via designboom)