Media architect Claudio Benghi and light artist Gloria Ronchi joined together in 2006 to form Aether & Hemera, an interdisciplinary collaboration that seeks “to research the aesthetic challenges of light and its power to trigger emotions and response, creating a sense of identity or setting a mood.” Their latest installation in London’s Canary Wharf is this beautiful fleet of 300 illuminated boats called Voyage. Each floating light is reminiscent of a paper-folded origami boat that is illuminated from within, and I’m told there is a wireless network in the vicinity that allows you to join with your mobile device and somehow alter the color of the entire installation.
Voyage will be up through February 15th, 2013, and while the lights are on during the day, the viewing is probably best at night. I want to thank photographers Sean Batten and Ian Docwra for providing the images for this post.
The medium of choice for artist Robert Wechsler is U.S. pennies, tens of thousands of which (the largest uses 26,982 coins) he has carefully cut and assembled into a latticework forming perfect cubes. Weschler says of the penny:
With fifty billion currently in circulation, the penny is one of humanity’s most numerous objects, but despite its commonality, it is an extraordinarily rich artifact. As a symbol of American culture, it is on par with the Statue of Liberty. It is a monument to a beloved president. It is a proclamation of a national faith and creed. It is a time stamped record of our civilization. As much ornament as legal tender, the penny is equal parts form and function. It defines elegance just as its ubiquity, low monetary value, and high symbolic value defines humility.
Huge mounds of firewood are a common site here in the midwest, but in the capable hands of Michigan artist Michael McGillis a row of logs becomes a unexpectedly beautiful sight. Titled Wake the piece was originally installed back in 2006 at the Franconia Sculpture Park in Shafer, Minnesota and consisted of a 95-foot long trench of cut trees painted purple in the middle as if to reveal a suprising new species of plant. A simple idea, wonderfully executed. (via my darkened eyes)
What at first looks like an experiment in a psychedelic Petri dish is actually an installation by artist Ambreen Butt using hundreds of cast pink fingers and toes made of resin that seem to explode on the walls at Carroll and Sons in Boston. Titled I Am My Lost Diamond the piece will be up through December 22. All photographs courtesy Andrew Katz at New American Paintings.
I’m not sure I fully understand the meaning behind this great sculpture made of resin and recycled computer keys by Babis Cloud, but I certainly enjoy looking at it. The piece is titled Hedonism(y) Trojaner, derived from the giant mythological Trojan horse built by the Greeks that was used to sneak an elite force of soldiers into the city of Troy under the charade of presenting the city with a gift. On some level I suppose Babis is making a reference to the negative aspects of technology (viruses, irrational dependence on computers), but you can read a bit more explanation over on iGNANT. If you liked this also check out the work of Sarah Frost.
CLOUD is a large scale interactive installation by artist Caitlind r.c. Brown that appeared September 15th as part of Nuit Blanche Calgary in Alberta, Canada. The piece is made from 1,000 working lightbulbs on pullchains and an additional 5,000 made from donated burnt out lights donated by the public. Visitors to the installation could pull the chains causing the cloud to sort of shimmer and flicker, I can’t tell you how much I would have enjoyed seeing this up close or at least on video. Did anyone film it? Learn more about it on the project website, and if you liked this also check out Wang Yuyang’s Artificial Moon. (via my eclectic depiction of life)
I can’t remember the last time I saw the actual use of a rubber date stamp, most libraries exchanged them for fancy barcodes and other digital systems a decade ago. But Italian artist Federico Pietrella (previously) who lives and works in Berlin has a fantastic use for them in his paintings made from thousands of densely stamped ink dates. In his enormous ink artworks Pietrella always stamps the current date, thus each of his pieces contains a clear timeline of the days he worked on it, often spanning two months. You can see much more on his website and watch a brief interview with artist courtesy of Deutsche Welle. (via visual news)