Doors was an enormous 10-story public art installation made from 1,000 reused doors by South Korean artist Choi Jeong-Hwa. From what I can tell it appears the piece was installed somewhere in Seoul in 2009. Choi discusses his process over on the Creators Project where he talks about becoming a public installation artist because he was unable to draw or paint, but would instead spend much of his time walking around the city discovering interesting trash and discarded objects and photographing it. (via ju est fou)
For his latest exhibition at the School of the Art Institute of Chicago, German artist Wolfgang Laib poured over 30,000 piles of rice and seven piles of pollen to create one of his largest installations ever entitled Unlimited Ocean. Laib worked with several SAIC alumni during a ten day residency in October to pour each small mound resulting in an enormous grid that covers much of the expansive Sullivan North Gallery in downtown Chicago. The work will be on display to the public through December 23, 2011. Photographs by James Prinz courtesy SAIC.
Design duo Pamela Campagna and husband Thomas Scheiderbauer of L-able created these two intricate thread portraits using old family photographs. Each piece took nearly a month, beginning with the large family portrait using black thread and moving on to the multi-toned woman. I’m such a sucker for this kind of work, being drawn to the geometry that’s used to create the organic shapes. Thanks Pam for sharing your work with Colossal!
If you like this, also check out this album cover work for EKKO Recordings.
Using fake fingernails, nail polish, barrettes, false eyelashes, jewelry, walnut, and Swarovski crystals, artist (and former park ranger!) Laurel Roth assembles these amazing peacocks. Via her website:
I use art as a medium to examine biological ramifications of human behavior. My work juxtaposes traditional craft and artisanal techniques with non-traditional materials to examine mankind’s drive to modify itself as well as its environment. By playing with the convergence of biology and product design to create new cultural artifacts, I try to question social constructions of need, design, and individual desire.
Roth’s work with animals isn’t limited to peacocks, her wooden hominid skulls are also worth a gander.
Ever since photographer Noah Kalina began his Everyday portrait project 11 years ago (I had no idea he was still actively photographing himself, talk about commitment) there have been hundreds of inspired photogs snapping daily self-portraits. Flickr user clickflashwhir is one of these people, taking hundreds of portraits over the past several years. Tiemen Rapati downloaded 500 of her photos and created this beautiful composite image by finding an average RGB value for each pixel and dividing it by the total number of portraits. I have no idea how this is done, but I bet it involves computers. It’s amazing how surgically accurate she must sit, I assume using her eyes to align each shot. Really stunning. Just a note, though it says Tiemen used 400 photos on Flickr, he averaged in another 100 for this post. (via feltron)
British artist Tony Cragg unveiled a new die covered sculpture at FIAC 2011 in Paris last week (top three images). Cragg has created a number of organic figures using dice over the past several years as seen above, and you can see a few more here. (photos by charlotte mazalérat, daniel milliner, annie guilloret, frank alexander, and orlando henriques)
Using thousands of meticulously painted dots (“ten-ten” in Japanese) designer and photographer Miharu Matsunaga has been exploring the interconnectedness of people and places in these two recently completed projects. The first, a series of mottled portraits was completed as part of her graduate work at Tama Art University. The delicate white dots are meant as a visual display of the often neglected and forgotten interconnectedness between “family, parents, sister, friend, man, woman, adult, baby, race,” and people of different languages. Matsunaga continues this organic, dotted exploration in Ten-ten wherein the dots are used to cover interior walls, vehicles, and other objects. Stunning work. (via spoon and tamago)
For the past decade, I’ve randomly stopped by Las Monos Gallery in Andersonville to check out the wonderful and surprising artists shown there. Early this summer I had the opportunity to meet and chat with the gallery’s owner, Michelle Peterson-Albandoz. Michelle salvages discarded wood from construction sites and uses small, component pieces cut with a table saw to create these brilliant patterns and textures. Inspired by the rainforest of Puerto Rico where she spent her childhood, she uses her creative process to confront humankind’s ecological assault, viewing her art as a sort of reversal of discard and waste. Last week she opened her second solo show at LongView Gallery in Washington D.C., and you can see much more of her work here.