Rise And Fall | Aerosol on Concrete, approx: 62’x62′, Berlin, 2015. Photo by Sabine Winge via Street Art Germany
In his towering public murals, Canadian visual artist Li-Hill paints ghostly depictions of angels, fencers, and animals with a sweeping sense of motion and energy. The works’ transparent strokes seem to be frozen in mid-air, the lightness emanating from the works causing the murals to appear more like projections than painted figures.
In his large-scale pieces Li-Hill merges graffiti, graphic design, painting, and drawing to create complex images, often revealing an unsettling nature within his paused narratives. Li-Hill hopes to represent the effects that capitalist culture can have on the individual, and in his artist statement he explains “the work mirrors the perception of the westerner attempting to comprehend, disentangle and redress. Born out of suppression, it becomes a manifestation portraying the skewed image of the imprint our culture has globally.”
The Brooklyn-based artist studied Fine Arts at OCAD University in Toronto, Ontario and has had works shown in several national institutions such as the National Gallery of Victoria, The Art Gallery of Ontario and the Portsmouth Museum of Art in New Hampshire. You can see more of Li-Hill’s ghostly murals in the new book Mural XXL by Thames & Hudson, and on his Instagram here.
Casting Shadows | Aerosol on Brick, approx. 9’x8′, Brooklyn, 2015
Fox | Aerosol + Latex on Wood, approx: 14’x9′, Toronto, 2014
Nothing Wild 2 | Aerosol + Latex on Brick, approx. 10’x32′, Brooklyn, 2015
Nothing Wild 1 | Aerosol + Latex on Brick, approx. 10’x32′, Brooklyn, 2015
Rise & Fall
Deacon Of Dark River | Aerosol + Latex on Plaster, approx. 26’x39′, Reykavijk, 2015