Colourblind is the latest stop-motion short from Australian animation firm Oh Yeah Wow (previously here and here). While the animators have previously worked with light, textiles, clay and other materials, this piece was constructed from geometric wood pieces to tell the story of two beautifully imagined characters. The video was created for alternative rock band Elliot the Bull’s latest single by the same title, Colourblind.
This is a stunning new music video for American indie band Hundred Waters latest single Cavity directed by Michael Langan. Langan previously worked on the wildly popular experimental film Choros featured here last year. Amazingly Cavity was filmed without the use of CG, but instead relies on simple lighting effects. He shares via email:
The video is a kind of pas de deux between the woman (Nicole Miglis), and light − evading it, summoning it, and ultimately being consumed by it. We’re playing with the idea of hollowness, attempting to define emptiness by its edges, visually.
There’s no CG in the video, just practical effects. Most of the video is lit by a single flashlight, drawn slowly over the landscape and later “echoed” up to 500 times to create patterns that fill the scene with light. We used a projector mounted to a motorized lazy susan to achieve the “sliver” shots of Nicole.
It helps that the stunning visuals are paired with such a great song. Miglis has an amazing voice. (via Colossal Submissions)
No, you’re not on drugs, or maybe you are, in which case you might want to wait a while before watching this. Overstepping Artifacts is the latest fractalized music video from French animator and musician Alexandre Lehmann (aka Ricardo Montalban or Zzzzra) as part of his ongoing Musicians with Guns series. The clip is the definition of ‘otherworldly,’ and was created using special fractal software that results in morphing forms that seem part organic and part architectural. Overstepping Artifacts is a follow-up to his 2011 video Astroblast which is similar in tone but visuall quite different and also worth a watch. Lehmann talks a bit about his process in a 2012 interview over on Empty Kingdom. Best viewed HD, full-screen, headphones, etc.
I’m such a sucker for these clips of outmoded technology making music. In the first video by MIDIDesaster we listen as Eye of the Tiger by Survivor is played on a dot matrix printer. In the second video by Gigawipf, a box of hard drives plays ‘Tainted Love’ by Soft Cell. Gigawipf has dozens of other songs recorded with hard drives you can listen to here, and if you liked these you should also check out Polybius, and still my all-time favorite House of the Rising Sun which I managed to turn into a ringtone because I’m like that. (via Laughing Squid)
In this superbly shot stop-motion music video for Chet Faker’s latest single Talk is Cheap, creative directors Toby and Pete create a striking visual of the four seasons. It gets a tad macabre at the end, but it’s still beautifully executed. If you liked this, check out Emma Allen’s makeup stop-motion short Ruby.
Plastic Infinite is a 7″ animated picture disc by UK-based duo Sculpture made to accompany a new track by the same name. Created like a zoetrope, the disc animates when played under a strobe light or filmed at 25fps. Pick one up here. (via Vimeo Staff Picks)
Composer Johnnyrandom just released a new track recorded entirely by sampling sounds from a bicycle and its related components. Titled Bespoken, the track was created without the aid of synthesizers, samplers or drum machines (if you’re skeptical he even provided every sound broken down into component parts over on SoundCloud). The video above is just a teaser, but you can downloaded the whole thing off iTunes and it’s actually pretty great. If you’re a fan of ambient/electronic music it’ll be up your alley. If you liked this, also check out the work of Diego Stocco.
This fantastic bit of filmmaking blends music video and documentary in a new clip for British rock group Django Django’s 2010 track WOR. The subjects of the video are Allahabad’s Well of Death riders who risk life and limb daily to earn money at local melas (fairs) by driving cars and motorcycles inside a temporary cylindrical structure about 25 feet high and 30 feet across. The cars are held in the air by centripetal force and needless to say there’s very little room for error. The Well of Death is extremely risky for both performers and audience members, but regardless, it frequently draws a huge crowd as evidenced in this video. Directed by Jim Demuth, based on an original concept by Vincent Neff. More music video documentaries, please. (via Vimeo)