Starting with a recording of raindrops hitting the skylight in his old apartment, this track titled Order from Chaos from London-based artist Max Cooper‘s newest album Emergence is the culmination of three years work merging his interests in science, music and visual arts. French visual effects artist Maxime Causeret was asked to provide the visuals and the result is a mesmerizing blend of biological simulations and music video. Cellular forms appear to collide, merge, and even compete for resources while brain-like structures explode and crash across the screen. Cooper explains a bit of the science behind the art:
Maxime Causeret selected this track to work with, under the brief to map the emergent rhythm to an exploration of emergence in living form. His video shows the raindrops initially, then going into simple cellular forms and then showing the important idea of cooperation between simple cells to form more robust colonies of life. This develops into a visualisation of the idea of endosymbiosis, where simpler smaller organisms can live inside larger cells, each providing a benefit to the other, and eventually forming parts of the same organism as they evolve to be entirely dependent on each other.
Fullscreen, headphones, you know the drill. This is definitely worth getting lost in for a moment. You can listen to Cooper’s full album here.
Artist Carine Khalife (previously) just completed work on this swimmingly beautiful music video for Great Headless Blank, the title track of a new EP from Makeunder. The video was created using a paint-on-glass method where each frame is lit from behind and photographed, a technique popularized by Russian animator Aleksandr Petrov. Khalife occasionally pushes the tactile aesthetic even further by allowing the film to transform into three dimensions using sculpted claymation. You can read more about the film’s premise on the Creator’s Project.
Please take a few moments to immerse yourself in this lovely new music video for folk country trio Jane Bordeaux’s ‘Ma’agalim.’ The animated short transports us inside a device inspired by components from an old penny arcade device that contains a perpetually moving landscape where people go about their daily lives. The attention to detail in color and texture of every frame is breathtaking, but isn’t surprising given director Uri Lotan's previous work at Pixar and Disney. You can see full credits for the film here. (via Vimeo)
This new music video for composer Ralf Hildenbeutel's track Disco was created from over 1,200 individually hand-painted frames. Directed by Boris Seewald, the clip uses an animation technique called rotoscoping to turn the real-life movements of dancers Althea Corlett and Simone Schmidt into a series of drawings and paintings to make each scene. Despite the wild variety of mediums and techniques used in the hundreds of sketches, the frame to frame continuity almost serves to enhance and accentuate the motions of the dancers.
Rotoscoping is a form of animation where live video is translated into hand-drawn animation stills with the help of a projector or transparencies. Some more notable examples from pop culture include several scenes from both of Disney’s Snow White and Peter Pan, or the 1984 music video for Ah Ha’s Take On Me.
Disco was animated by Boris, Mina, and Mihwa Seewald, and filmed by Georg Simbeni. (via Vimeo Staff Picks)
The masters of meticulously choreographed music videos, OK Go, just released their latest: a three-minute clip for their new single Upside Down & Inside Out shot entirely in zero gravity. The video was filmed aboard a reduced gravity aircraft at the Yuri Gagarin Cosmonaut Training Center near Moscow over a period of three weeks. It’s being billed around the web as the ‘first music video shot entirely in zero gravity,’ but to be fair, I think astronaut Chris Hadfield beat them to it with his rendition of Bowie’s Space Oddity filmed on the ISS in 2013. Still, a ridiculously fun new music video.
Although the money face trend swept the internet back in 2011, that doesn’t make this new video from Darwin Deez any less hilarious. Almost every shot was created by aligning Deez’s mouth or other facial features with the subjects of world currencies in real time. Fun fact: because of Photoshop’s impressive currency detection algorithm it was almost impossible to edit a single screenshot from this video. Directed by Oscar Hudson. (via Vimeo Staff Picks)