Swing is a 2007 kinetic sculpture by Luxembourg musician, artist and photographer Su-Mei Tse. If you’re like me you can’t wait to jump on for a ride, however it would all be over before it started as the entire piece is essentially a rigid light made of white neon tubes and controlled by a motor embedded in the ceiling. Watch the video above to see it installed at Peter Blum gallery back in 2009 along with her neon bird cage. (via 2headedsnake, mithril, yiping lim)
Like a freak midnight rainbow, this ongoing series of lit waterfalls titled Neon Luminance is part of a collaboration between Sean Lenz and Kristoffer Abildgaard over at From the Lenz. The duo dropped high-powered Cyalume glow sticks in a variety of colors into various waterfalls in Northern California and then made exposures varying from 30 seconds to 7 minutes to capture the submerged trails of light as the sticks moved through the current. To accomplish some of the more complicated shots they strung several sticks together at once to create different patterns of illumination. For those of you concerned about pollution, the sticks (which are buoyant) were never opened and were collected at the end of each exposure, thus no toxic goo was mixed into the water. See more from the project on their website.
Portland artist Eric Franklin (previously) just completed three new works, a trio of neon glass skulls lit internally by ionized neon, krypton, and mercury. The structure of each human skull is deviously complex, made from a network of glass tubes that have to be perfectly sealed to create the vacuum necessary to light them, a process that leaves the figures somewhat misshapen and admittedly a bit creepy. A completely amazing sort of creepy. All three artworks are currently available for acquisition through Chris Forney over at Artworks Gallery. All images courtesy the artist.
Portland-based sculptor Eric Franklin constructs stunning (if not slightly disconcerting) anatomical light structures that are fully hollow and filled with ionized krypton, causing them to glow similar to a neon light. The glass skeleton above, Embodiment, is my jaw-dropping favorite of this series. The piece took over 1,000 hours of work over a two year period and is actually built from 10 separate units of glass formed from borosilicate glass tubing. The process of creating something like this is unbelievably painstaking as Franklin shares via email:
Every glass seal has to be perfect, and this piece contains hundreds. Everywhere one tube joins another, or a tube terminates, glass tubes were sealed together. They have to be perfect in order to preserve the luminosity of the krypton. If one rogue molecule gets inside the void of the glass tubing it can eventually contaminate the gas and it will no longer glow. There are times when the holes in the seals are so small that you cannot actually see them with your eyes without the help of a leak detector. Once the glass pieces are ready to get filled with gas, I pull a high vacuum while the glass is hot in order to evacuate any dust or water vapor from the interior surface until there are literally no molecules inside the void of the glass. Then the krypton can be introduced and the glass sealed off. It’s an extremely tedious process, one I have somewhat of a love/hate relationship with.
Anatomical Neon is a series of blown glass lights by North Wales-based artist Jessica Lloyd-Jones meant to focus attention on how energy is used by the human body. Describing the four pieces via her website she says:
Brain Wave conveys neurological processing activity as a kinetic and sensory, physical phenomena through its display of moving electric plasma. Optic Nerve shows a similar effect, more akin to the blood vessels of the eye and with a front ‘lens’ magnifying the movement and the intensity of light. Heart is a representation of the human heart illuminated by still red neon gas. Electric Lungs is a more technically intricate structure with xenon gas spreading through its passage ways, communicating our human unawareness of the trace gases we inhale in our breathable atmosphere.
The pieces were funded in part by awards from Arts Council Wales and Wales Arts International and executed at Urban Glass in New York in 2010. (via pinterest)
This is a pretty fun viral advert for Bon Yurt (a brand of yogurt from Columbia) where a group of artists are set loose in a gallery space armed with tons of blenders, paint, and over 700 small glasses and build a sort of audio equalizer with gallons of toxic goo extracted from neon glow sticks. I’m hungry!