Lights at the Bus Stop. Oil on canvas. 120 x 120 cm
5ª Avenida.195 x 195 cm
Empire State. 146 x 146 cm
Afternoon From High Line Park. Oil on canvas. 120 x 120 cm.
Cristóbal Pérez García’s oil painted scenes are those found in twilight or dusk, landscapes encased in smog and the highly trafficked realities of living in an urban metropolis. The vantage points are those of the pedestrian, Garcia’s own view when embarking on a new city to paint. He recently shared a video, Traffic, that gives a short, but intimate glimpse into his process both within the studio and on the street.
Garcia’s highly textured paintings give a nice balance to the blurred masses of city inhabitants and his detailed buses, cabs, and cars. Each painting also has an emphasis on light, either natural or the reflection of vehicle and traffic lights in the crowded streets.
Garcia was born in 1976 in Álora, Málaga and studied painting and sculpture at the Universidad de Granada, Spain. Garcia has upcoming exhibitions at Galería Mar from March 5-18, and Art Expo New York from April 23-26. You can see more of Garcia’s urban landscapes on his website and frequently posted on Twitter. (via This Isn’t Happiness)
As part of this year’s DUMBO Arts Festival, sculptor Tom Fruin installed his famous plexiglass house, Kolonihavehus, in Brooklyn Bridge Park. The multi-colored house was lit from inside and temporarily inhabited by performance duo CoreAct who engaged in a collaborative physical performance that is described here by DUMBO:
The colorful glass house is inhabited by two performers, who portray everyday dilemmas and lifestyle paradoxes in a subtle manner. They have lost the ability to meaningfully discriminate, and are trapped in a long chain of procrastination, mirroring our current social patterns.
If you enjoyed Banksy’s wild romp through the streets of New York last year as part of his ‘Better Out than In’ residency, the entire 31 days is now meticulously documented in this new book from photographer Ray Mock. Available now from Carnage, Banksy in New York features over 120 photographs and illustrations organized day by day during the course of the artist’s New York escapade. Only 2,000 copies were printed and they’re selling quick. See more over on Brooklyn Street Art. (via Brooklyn Street Art)
If you visited Governor’s Island in New York last summer you most certainly saw the billowing, cloud-like structure that sits in the middle of the lawn. And if you’re anything like my kids you probably dashed up to it to see exactly what thing was. But it’s not until you get up close that you realize it’s made from many, many plastic bottles stringed together. “53,780 used plastic bottles,” says designer Jason Klimoski, “the number thrown away in NYC in just 1 hour.” Klimoski and his team at STUDIO KCA collected the bottles – a combination of milk jugs and water bottles – and lashed them together to create “Head in the Clouds,” a pavilion people can walk into, sit inside, and contemplate just how much plastic is thrown away every day.
The structure, however, was temporary and the team is now looking for its next home. If you’re interested in having this in your back yard get in touch with the designers.
How does an island in New York City’s East River go from being notoriously feared, almost 100 years ago, to being completely forgotten about today? That’s the story behind North Brother Island, the subject of photographer Christopher Payne’s new photo book.
A 10-minute boat ride from the Bronx’s Barretto Point Park, North Brother Island originally housed Riverside Hospital between the 1880s and 1930s. While in operation, the hospital served hundreds of patients who suffered from extremely communicable diseases, including smallpox, typhus, scarlet fever and even leprosy. It was also where “Typhoid Mary” was quarantined, and where she eventually died. In a 1935 profile for the New Yorker, the editor Stanley Walker described the island as “…a dismal spot. Sitting there, one may see, as the best view, the gas tanks on the Bronx shore. Now and then a ferryboat glides past. At night the dirty water of the East River laps against the rocks, making a messy, ghostly noise.”
The island’s facilities have since been decommissioned and the island itself abandoned since 1963. It sank into the depths of our memories until 2008, when Christopher Payne wrote a proposal to photograph and document the island in its current state. The New York City Department of Parks and Recreation agreed, and thus began Payne’s expeditions, which would continue for the next 5 years. His stunning photographs are now available in his new book, “North Brother Island: The Last Unknown Place in New York City.” (via Animal and Slate)
It’s almost impossible for me to select a favorite piece when looking at paintings by San Francisco painter Jeremy Mann (previously). Each of his works seems so wholly genuine, a mix of mystery and grit that brings a sublime light to iconic cities like New York and San Francisco. Above are a selection of paintings from the last two years or so, and you should also check out his recent Figures series. (via one of my favorite new art Tumblrs, Anita Leocadia)