If you have a late-night hankering for some felty gefilte fish or a bottle of fermented fabric, be sure to stop by 8 ‘Til Late, the newest temporary installation by British artist Lucy Sparrow known for her felt recreations of everyday objects. Located in Manhattan at The Standard, High Line, the bodega is filled from floor to ceiling with thousands of objects you might find at a typical corner store from breakfast cereals, a deli counter brimming with meats, frozen foods, and spirits—all made from felt and a bit of paint. And just like a real store, every last thing is for sale.
Over the last few years Sparrow has exhibited her felt objects in galleries and art fairs around the world including Art Basel, Scope Miami, and the New York Affordable Art Fair. 8 ‘Til Late is a companion piece to her 2014 installation in London titled The Corner Shop with a similar concept but with Eurocentric products. We have word that lines stretched around the block the last few days and every object in the store has since sold. While originally scheduled to be open through June 30th, the exhibition is ending early, specifically 10pm tonight. So if you’re nearby, now’s your chance. Maybe?
You can see the finer details of some 400 individual items from 8 ‘Til Late on Sparrow’s website.
Graffiti artist Greg Suits (aka Suitswon) completely nailed the placement of this skull mural in New York’s Greenpoint neighborhood, the giant holes work perfectly as enormous eye sockets. Photos here provided courtesy Raphael Gonzalez.
If you happen to walk by the famous bronze Charging Bull statue in New York’s financial district today you’ll discover a fantastic new addition: a small girl in a defiant and unflinching pose now stands just feet away from the tip of the wild bull’s horns. The bronze sculpture was installed on Tuesday morning as part of a joint effort between State Street Global Advisors (a $2.5 trillion asset manager) and city officials just ahead of International Women’s Day. The artwork is part of a campaign to pressure companies to add more women to their boards, but will surely speak more broadly as symbol of women’s rights and empowerment within society as a whole.
Lori Heinel, the deputy global chief investment officer at State Street shares with Business Insider:
“One of the most iconic images on Wall Street is the charging bull. So the idea of having a female sort of stand against the bull or stand up to the bull just struck us as a very clever but also creative and engaging way to make that statement. Even though it’s a little girl, her stance is one of determination, forwardness, and being willing to challenge and take on the status quo.”
The statue, officially titled The Fearless Girl, was created by Delaware-based bronze sculptor Kristen Visbal and will remain for at least a month. The piece is already drawing large crowds and extensive coverage in the press. Charging Bull was originally an act of guerrilla art by Arturo Di Modica, and only became permanent after its soaring popularity, leaving some to wonder if Visbal’s statue could follow the same story. You can watch a video about its creation below.
Designer Rafael Esquer of Alfalfa New York created this amazing print of New York inspired by patterns found in artworks by Austrian symbolist painter Gustav Klimt. Titled Iconic New York Illuminated, the piece incorporates more than 600 iconic destinations around the city rendered in a combination of gold and silver foils as well as metallic inks. You can pick up a limited edition print in their shop. (via Coudal)
Monuments and vaguely descriptive plaques are commonplace around cities and heavily trafficked tourist areas, giving just enough insight into an historic event or landmark. The Staten Island Ferry Disaster Memorial blends in with these weathered monuments, except for the fact that all details on the work are completely false. The monument, which is located in Battery Park, Manhattan, was created by artist Joe Reginella and honors the 400 victims who perished during a giant octopus attack of a Staten Island ferry named the Cornelius G. Kolff on November 22, 1963, the same day as the assassination of JFK.
The elaborate hoax was six months in the making, and is also seen by Reginella as a multimedia art project and social experiment. The website, and fliers distributed around Manhattan by his team, give a false location for a museum, ironically a place you must get to by ferry. You can see more tourist reactions and find real information about the fake event on the Staten Island Ferry Octopus Disaster Memorial Museum’s Facebook. (via Hi-Fructose)
On July 2, 1978 the New York Times made a significant technological leap when they scuttled the last of 60 manually-operated linotype machines to usher in the era of digital and photographic typesetting. When working at 100% efficiency with an experienced operator the Linotype machines could produce 14 lines per minute cast on the spot from hot lead. That number would increase to 1,000 lines per minute the very next day using an array of computers and digital storage.
Typesetter Carl Schlesinger and filmmaker David Loeb Weiss documented the last day of hot metal typesetting in a film called Farewell — ETAOIN SHRDLU (the obscure title is poignantly explained in the film). This amazing behind-the-scenes view not only captures the laborious effort to create a single page of printed type, but also the the emotions and thoughts of several New York Times employees as they candidly discuss their feelings about transitioning to a new technology. One man decides he’s not ready for the digital age and plans to retire on the spot after 49 years, while others seem to transition smoothly into the new methods of production.
This historically significant documentary was digitized in 2015 and made available online in HD from Linotype: The Film, another documentary about linotype printing that includes portions of Farewell. While I’ve always been somewhat familiar with the history of typesetting and printing, I didn’t fully grasp the absurd mechanical complexity and scale required to print a newspaper before the digital age. Each newspaper page was cast in a 40 lb. block of lead!? A huge number of employees were deaf!? If you’re a graphic design or typography professor, here’s a great way to spend 30 minutes.