Digital artists and photographers Jamie Beck and Kevin Burg, arguably the masters of cinematic animated gifs, recently shared this wonderfully executed series of images featuring locations in their native New York as viewed Armani eyeglasses. Cleverly, as objects and people move across the lenses they suddenly snap into focus, revealing the finer details of Times Square, Central Park and Grand Central Station. You can read more about the series over on Ann Street Studio. (via Ignant)
These videos by Adam Magyar are one of those things that are difficult to explain verbally, but as soon as you see it, you realize how completely amazing it is. Filmed in Tokyo, New York and Berlin, Magyar positioned himself on trains as they pulled into subway stops, filming the waiting crowds at 50 frames per second using a high speed camera. The resulting footage creates an uncanny feeling as the train is clearly moving quickly through the station, but the people seem to remain motionless. Any of these scenes wouldn’t seem out of place in a Ron Fricke film. To learn more about how Magyar filmed them, head on over to PetaPixel. (via The Fox is Black)
Update: There’s another great piece about Magyar’s work over on Medium.
Designer Cameron Moll recently announced a new Kickstarter for a letterpress print of the Brooklyn Bridge constructed entirely from typography. Moll worked entirely in Adobe Illustrator to draw the artwork, and while some sections can be copied and pasted roughly 70-80% of the characters in the artwork were positioned, sized, and rotated one by one. To give you an idea of what the final piece will look like you can see two similar works the designer previously designed, Colosseo and Salt Lake. See more over on Kickstarter.
Banksy’s website updated a few minutes ago to announce Better Out Than In, “an artists residency on the streets of New York.” The ongoing event is accompanied by a phone number (800) 656-4271 that you can call with a specific code correlating to each artwork. The current recording for #1, shown above, involves a satirical message that completely skewers typical audio tours found in museums and galleries and pokes fun of the artist as well, referring to him repeatedly as “Ban Sky”.
Do you think he’ll make a new piece every day? That seems pretty grueling. Stay tuned to www.banksyny.com to find out. Nearly 14 months have passed since Banksy’s last (known) foray outdoors prior to the 2012 Olympics in London.
Update: It appears Banksy is now tweeting from @banksyny and posting photos of new work to Instagram. There’s already a new piece for today, so it looks like we might be in for 31 new works. Wow.
Last week Minneapolis artist HOTTEA (previously here and here) stopped by NYC and created this excellent rainbow of thread atop the pedestrian tunnel at the Williamsburg Bridge. Titled Rituals the piece consisted of 2,000 strands that took the artist and his assistants some 11 hours to cut and tie. Photos above courtesy Luna Park and Patrick Sullivan. (via Hyperallergic, Animal)
Think about it, when was the last time you asked for directions? Or even used a paper map? Armed with smart phones and fancy GPS apps that map the route to your destination in milliseconds, asking a random person for directions is an increasingly rare occurrence. New York conceptual artist Nobutaka Aozaki is exploring the act of asking for directions in his ongoing art piece, Here to There, by gathering a collection of impromptu hand-drawn maps he obtains from complete strangers. Dressed as a tourist in a souvenir baseball cap and carrying a Century 21 shopping bag, the artist hits the streets around Manhattan and approaches random pedestrians to inquire about directions through the current part of the map he’s working on.
One of the most common scenarios when asking strangers for directions is their habit of pulling out a smart phone to start typing in an address, after which he insists on leaving with a drawn map on whatever written surface is available: torn sheets of notebook paper, napkins, or even paper plates. Aozaki tells Spoon & Tamago that his goal is not to make a complete map, but to instead document his daily routine and his myriad interactions with people, sort of like a mapped diary. (via Spoon & Tamago)
For the last several years photographer Chris Arnade has virtually embedded himself in an area of the South Bronx called Hunts Point, one of the poorest congressional districts in the country, where poverty and addiction has laid claim to countless struggling individuals. His unflinching and candid documentation of addicts and prostitutes in Hunts Point, Faces of Addiction (warning: graphic and occasionally nsfw), has gained international attention.
One individual Arnade has encountered over the years is a young resident named Jose Garcia, who, along with several of his friends, have a penchant for doing wildly dangerous jumps and flips off of high platforms such as broken-down trucks or buildings. The spectacular photos have grown into a small offshoot of his Hunts Point work called Jose the Amazing. Of his first encounter with Jose, Arnade shares:
Last year I was in a desolate part of Hunts Point, talking to a friend. A group of about ten teenagers came down the street, loud, filled with energy, and seemingly marauding (kicking over cones, jumping on and over stationary cars, etc). I have never had a problem in my twenty years in New York City, but that does not mean I don’t stay aware. As they passed, out of the corner of my eye I spotted Jose do a back flip over a hydrant. Amazed, I yelled out to him. He and his friends, who were also warily eyeing me, thinking I was a cop, were planning to run away but his friend Henry had a sprained ankle, so they stood their ground.
Since then I have come to grow very fond of Jose and his friends, and have done many photo shoots together. Big fans of Parkour, Hip-hop, and Anime, they are fighting against an area where the pressures of poverty, drugs, and limited opportunity weigh heavily.
For me it’s another lesson in expectations. All of my accumulated baggage from popular culture signaled for me to get away from these kids and their bad intentions, all theirs told them to get away from the cop who would treat them unfairly. Neither of us did that, and because of that I certainly have learned a bit more about the Bronx.
As often happens with documentary work like this, Arnade occasionally finds himself drawn into his subjects’ lives as he is unable to walk away after setting down the camera. One such person is Jose, who is filled with optimism, energy and possesses an uncanny physical ability, but is now dealing with extreme adversity. While putting together these photographs Arnade mentioned if anyone connected to any form of acrobatics, circus arts, or stunt work in the NYC area might know of a way to help, they can get in touch. Serious inquiries only. All photos courtesy the photographer.
I’m really enjoying these abstract city maps by Jazzberry Blue (warning: audio). The cities you see above as well as Jerusalem and New Delhi are available as Giclée prints over on Etsy. (via unknown editors)