Last October, photographer Johannes Holzer braved the winter cold to setup a series of long-exposure shots along the the Isar, a river in Southern Germany. To accomplish the eye-popping view of the Milky Way, a mountainous landscape, and the murky depths of the river he relied on two cameras to shoot three photos from roughly the same perspective, stitched together here in a final image. Holzer says the photo “was done with two cameras, [the] sky with a Sony A7r and Vixen Polarie Startracker, one additional shot for the landscape without [a] Startracker, [and] underwater was done with a Canon 5Dm2 with an EWA Underwater case.”
Since 2013, photographer Andreas Levers has been photographing solitary landscapes at night, capturing the streets, train platforms, and gas stations that are rarely populated in the late evening hours. Each image is haunted by an eerie glow, scenes dotted by bursts of artificial illumination. The Potsdam-based artist is a media designer by day, whose spare time is spent focusing his camera on the stark architectural elements that surround him. You can see more images from Levers’ At Night series on his website and Behance. (via This Isn’t Happiness)
Chicago-based photographer Reuben Wu (previously here and here) recently photographed the Nevada SolarReserve, a grouping over 10,000 mirrors which power nearly 75,000 homes both day and night during its peak season. Wu photographed the mass of reflective panels during nightfall, allowing the brilliant colors of the sunset to be doubled into the shining surfaces below. Wu likens the energy facility to a topographic ocean, considering it one of the greatest land art installations ever built.
One of Wu’s previous series “Lux Noctis” recently won a grand prize in Photo District News’ The Great Outdoors Photo Contest. You can see more of Wu’s natural and manmade landscapes on his Instagram and Facebook.
Photographer Reuben Wu‘s (previously) latest series attempts to bring the alien mystique of planetary exploration to our own world, creating theatrically-lit compositions with the aid of GPS-enabled drones. “Lux Noctis” is influenced by a confluence of 19th century romantic painting and science fiction which is expressed in the dramatic ways each drone lights the earthen subjects from above.
“My aim is to portray a unique perspective of the planet we live on by illuminating night landscapes with an aerial LED light,” said Wu. “Scenes which show not only the beauty of the landscape but also the versatility and awesomeness of adapting new technology to create art.”
Wu used a prototype AL250 light by Fiilex mounted on a 3DR Solo UAV. Typically known for their ability to capture visuals below rather than light them, Wu’s drones serve as flying light beams which circumvent expensive cranes or helicopters previously used to light scenes.
Tokyo is an infinitely photogenic city. And there’s no shortage of photographers capturing its vibrant landscape. But local resident and photography aficionado Masashi Wakui has a unique, surreal style of capturing Tokyo by night and making it look like an animated still from Akira or a Ghibli film.
Wakui has a penchant for the backstreets of Tokyo, specifically those with plenty of lanterns, streetlights and neon signs that only add to the surreal, cinematic quality of the scene. And those who have spent any number of nights wandering these streets will find Wakui’s photos achingly captivating.
Once the scene is captured Wakui then digitally manipulates the image, giving it a color grading effect that works perfectly with his busy nighttime cityscapes. There are tutorials that have even sprouted up, analyzing the “Masashi Wakui Look,” as its been coined. Wakui himself even points to one, admitting it’s close but not perfect.