Sales Wick is an airline pilot, photographer, and film producer based in Switzerland who photographs the journeys of his many international flights on his website BeyondClouds. For his video Meet the Milky Way, Wick created a timelapse of his nighttime trip from Zurich to Sao Paulo, capturing the starry sky and the glowing Milky Way straight ahead. The video was recorded in August during one of the few nights where shooting stars can be seen racing across the sky, and during the video several can be observed traveling across the screen.
You can view more of Wick’s adventures in aviation on his Instagram and Vimeo, or if you a want different perspective of the Milky Way, check out the timelapse video shot recently in Hawaii by Gavin Heffernan and Harun Mehmedinovic from SKYGLOW. (via Kottke)
Johannes Holzer / Caters News Agency
Last October, photographer Johannes Holzer braved the winter cold to setup a series of long-exposure shots along the the Isar, a river in Southern Germany. To accomplish the eye-popping view of the Milky Way, a mountainous landscape, and the murky depths of the river he relied on two cameras to shoot three photos from roughly the same perspective, stitched together here in a final image. Holzer says the photo “was done with two cameras, [the] sky with a Sony A7r and Vixen Polarie Startracker, one additional shot for the landscape without [a] Startracker, [and] underwater was done with a Canon 5Dm2 with an EWA Underwater case.”
Holzer specializes in Milky Way photography and landscapes, you can see much more of his work on Karwendelbilder. (via Reddit)
Since 2013, photographer Andreas Levers has been photographing solitary landscapes at night, capturing the streets, train platforms, and gas stations that are rarely populated in the late evening hours. Each image is haunted by an eerie glow, scenes dotted by bursts of artificial illumination. The Potsdam-based artist is a media designer by day, whose spare time is spent focusing his camera on the stark architectural elements that surround him. You can see more images from Levers’ At Night series on his website and Behance. (via This Isn’t Happiness)
Here’s a fun short from Lithuanian animator Ignas Meilunas who imagines nighttime as a giant character who moves around the world turning things from light to dark in Mr. Night Has a Day Off. (via Sploid)
Chicago-based photographer Reuben Wu (previously here and here) recently photographed the Nevada SolarReserve, a grouping over 10,000 mirrors which power nearly 75,000 homes both day and night during its peak season. Wu photographed the mass of reflective panels during nightfall, allowing the brilliant colors of the sunset to be doubled into the shining surfaces below. Wu likens the energy facility to a topographic ocean, considering it one of the greatest land art installations ever built.
One of Wu’s previous series “Lux Noctis” recently won a grand prize in Photo District News’ The Great Outdoors Photo Contest. You can see more of Wu’s natural and manmade landscapes on his Instagram and Facebook.
Photographer Reuben Wu‘s (previously) latest series attempts to bring the alien mystique of planetary exploration to our own world, creating theatrically-lit compositions with the aid of GPS-enabled drones. “Lux Noctis” is influenced by a confluence of 19th century romantic painting and science fiction which is expressed in the dramatic ways each drone lights the earthen subjects from above.
“My aim is to portray a unique perspective of the planet we live on by illuminating night landscapes with an aerial LED light,” said Wu. “Scenes which show not only the beauty of the landscape but also the versatility and awesomeness of adapting new technology to create art.”
Wu used a prototype AL250 light by Fiilex mounted on a 3DR Solo UAV. Typically known for their ability to capture visuals below rather than light them, Wu’s drones serve as flying light beams which circumvent expensive cranes or helicopters previously used to light scenes.
You can see more of Wu’s dramatically lit work on his Instagram and Facebook. (via PetaPixel, thnx John!)