Underwater photography of scuba divers, coral, or wildlife can sometimes seem commonplace regardless of the remote destination or subject, but Indonesian photographer Hengki Koentjoro (previously here and here) bucks the trend with his desaturated, dark, and often brooding images taken in and around Jakarta, Indonesia. While his landscape photography above ground is often dreamlike and mysterious, as soon as the blue is removed from the ocean it introduces a slightly menacing tone that while deeply beautiful, sets the viewer a little on edge. Oh and also the sharks. Koentjoro is one of my favorite photographers right now and you should get lost in his photos for a bit. Find him on 500px, Flickr, and Art Limited. (via my amp goes to 11)
Photographer Pierre Carreau was born in 1972 near Paris surrounded by a family of artists including a photographer, painter and sculptor, all of which would influence his creative upbringing as well as his artistic output. As a child he was always fascinated by the manifestation of waves and the diversity of color, shape, and size found in each of them. Some of his first photography projects involved work for surfing magazines and water sport equipment manufacturers.
Carreau’s work has now moved into fine art as he shoots waves with a variety of high speed cameras using various macro and wide angle lenses, capturing water shapes that appear more sculptural than liquid. These are truly some of the most remarkable wave photos I’ve ever seen and you can see many, many more over on his website. He also has a number of fine art prints available over at Clic Gallery.
As if lifted from the wreckage of the Titanic, ceramic artist Mary O’Malley creates sculptural porcelain teapots, cups, and vases adorned with barnacles, tentacles, and other living sea creatures (she refers to them as “porcelain crustaceans”). Many original works from this series titled ‘Bottom Feeders’ are available over on Etsy. (via laughing squid)
Photographer David Orias relies on slow shutter speeds, precision camera movement and the rich light of dawn or dusk to capture these amazing images just off the California coast. Of these particular shots Orias says:
I often use the camera to see our world in ways our eyes cannot see. I do this by using long shutter speeds and camera motion to achieve this goal. I am often asked where the colors on my waves come from. I shoot mostly at dawn and the geography of the location allows higher ambient light levels before the full illumination by the sun. Colors are created by different weather conditions, amount of clouds or even smoke in the air from local wildfires which are often prevalent.
You can see much more of his work over on 500px and Flickr. (via faith is torment)
Connecticut-based artist Amy Eisenfeld Genser (previously) recently completed a new series of coral reefs that she painstakingly recreates using rolled bits of paper and acrylic paint. Ahead of her upcoming exhibition at the Architectural Digest Home Show, Genser sat down with All Things Paper for a brief interview. An excerpt on her process:
These days I usually work with Thai Unryu [mulberry paper], but I have hundreds of papers in my studio from all around the world. I treat the paper almost as a pigment, layering colors one on top of the other to create different colors. My pieces are about a foot wide. Then I roll one layer on top of the other in all different thicknesses. I seal the roll with acid-free, archival glue stick, and then cut the long piece into sections with scissors or pruning shears. I have pruning shears of all different sizes to accommodate different widths.
See and learn more over on All Things Paper.
According to the New York Times sculptor Mario Ceroli is one of the least known yet most influential artists of the Italian post-war scene. His work spans over forty years and I encourage you to take a deep dive into his website to explore his wide range of installations and sculptures. Two of his most beautiful works depict crashing waves sculpted from thin layers of precisely cut wood and glass titled La Vague and Maestrale. The energy present in the works is remarkable as if any moment the materials are going to crash into the gallery floor. Also, if you’ve ever been to the Adelaide Botanic Garden in Australia you may have seen a similar piece by sculptor Sergio Redegalli called Cascade. (via connaissance des arts, claudio, and tate_ellen)
Photographer Alexander Semenov has done it again. This time the Russian biologist takes us on an up-close encounter with starfish, although looking at these neon carpets I had no idea what they were at first. Even after covering Alexander’s previous work with jellyfish, or Felix Salazar’s images of coral I’m constantly amazed at nature’s ability to create such vibrant beauty. (via flickr)
Alexander Safonov is a software architect from Voronezh, Russia who currently lives and works in Discovery Bay, Hong Kong. Not content to sit in front of a computer full-time he obtained a diving license in 2002 and started to experiment with underwater photography about two years later. He has since made numerous excursions to photograph underwater wildlife off Cocos Island, Fiji, the Galapagos and Raja Ampat. However his favorite destination is the annual sardine run off the coast of South Africa where most of the photos you see were captured over the last few years. You can see much more of his work on Flickr and 500px.