This blog is no stranger to stereographicprojections, but I’ve never seen anything quite like this. These wonderful aerial collages using photographs shot from atop electric towers, cranes, high rise buildings and bridges are by Netherlands-based photographer Wouter van Buuren. Captured in locations across the Netherlands, China, and New York, the projections condense panoramic horizons into compact worlds that at times look like giant glass marbles. Click the images above to see the landscapes much larger, and see more work in his portfolio. Wouter just opened a solo show at Witzenhausen Gallery in Amsterdam through February 4.
Last year artist and photographer Kien Lam quit his job and bought a one-way plane ticket to London. Camera in hand he embarked on an epic backpacking journey around the world shooting over 6,000 photographs that he compiled in this lovely short video set to music by William Lam. Resisting… urge… to buy… plane tickets. Beautiful work. (via stellar, gizmodo)
A number of extraordinary images by Poland-based photographer Lukasz Wierzbowski (previously). Check out his shop for a few limited edition prints, but you can also request prints of his other images as well via his website. (via illusion)
Artist Cassanda C. Jones has just completed a new series where she meticulously arranges long-exposure photographs of stormy skies, using small fragments of lightning strikes to form line drawings of electrified rabbits and circles. The works are yet to be titled, but will be available as large format ink jet prints in editions of two. All images courtesy the artist and Eli Ridgway Gallery, San Francisco.
Arno Rafael Minkkinen is a Finnish photographer who has lived and worked in the United States for the better part of 45 years. His work explores an uncanny juxtaposition between the human body and landscapes, where body parts function as integral parts of trees, rivers, skylines, and rock formations. Many of his photos require extreme physical risk, dangling his body from cliffs, holding his breath underwater, or at times facing his greatest psychological fears. One of his more incredible photos he shot while in school at RISD in the 1970s. It shows him leaping, nude, off a snow-covered hill toward an icy, flowing river. At the precise moment the shutter clicked he managed to contort and conceal his entire upper body behind his right leg and buttock creating what anyone today would assume is a photoshopped image. A barren, torsoless leg sticking out of the winter snow.
Nearly a year ago it struck me that I needed to write a post about him for Colossal, and on his one-page website I discovered a teaser for an upcoming redesign. So I waited. And waited. And at long last the new site is up and I was thrilled to discover Minkkinen has published dozens of his photographs organized into 10 portfolios, practically his life’s work. He also has a lovely 12-step introduction entitled How to Work the Way I Work, that details the methods he uses in his art. My favorite:
10. ACCEPT FAILURE.
Artists who believe they control everything control what they know. Artists who allow outside forces to intervene are like canoes going down rapids. The rocks are there. If you fight them, you fly off the bow. If you allow the current to take you, you can pass through swimmingly. It is a rare gift at every bend.
Minkkinen currently has a solo show at Infocus Gallery in Köln, Germany through October 30.
Shot by Paul Octavious (previously) at the Kids & Kites Festival at Montrose Harbor. Fun fact: I was out and about with Colossal Junior on this day, though it doesn’t look like we made a cameo. This is about four blocks from headquarters. It always amazes me how beautiful Paul makes our neighborhood look, or perhaps sometimes I just fail to see the beauty in it, though this was indeed a glorious day.