Australian artist Cj Hendry (previously) tricks the eye with her hyper-realistic drawings, works that recreate the appearance of thick swabs of brightly colored paint. To achieve the dimensionality and sheen of fresh oil paint she layers dry pigment atop colored pencil, accurately portraying the liquid medium’s viscosity.
The series, Complimentary Colors, is far different than the artist’s previous style, which for several years had been exclusively black and white. You can view pieces from her past and present, as well as a series of billboard-sized works, on the artist’s Instagram. (via My Modern Met)
As part of an ongoing project titled “Ice Cream,” Portuguese visual artist José Lourenço photographs swirls of thick paint atop brushes in a form reminiscent of melting ice cream cones. The rainbow-hued brushes ooze with layers of sherbert-y color that look good enough to eat. Lourenço documents a wide range of colorful interventions and artworks on his Instagram account. (via Designboom)
Happy Accident – Mini Happy Face (Pink). Paint bottle, resin casting and enamel. 12″ x 7″ x 5.5″ in.
In this ongoing series of works by artist Joe Suzuki, pools of paint appear like maniacal smiles as they drip from cans and bottles. The colorful sculptures often pay tribute to artists like Warhol, Basquiat, and Keith Haring by referencing symbols used in their own works. The pieces are constructed with resin casting material and enamel, but give the appearance of freshly spilled paint.
“I consider my work to be artifacts of my own particular culture, which is not the generalized Japanese American culture, but that which formed as a direct result of being a first generation immigrant,” Suzuki shares in an artist statement. “Through a long assimilation process, I found myself not fully belonging to either culture, but rather somewhere in between, which I began to call Japamerica.”
You can explore additional works by Suzuki at Reem Gallery and on his website. (via Artsy)
Misako Shirasu. 7″h x 3″w x .75″d · Oil on Carved Paintbrush · 2017.
Drawing inspiration from across centuries, mediums, and cultures, artist Rebecca Szeto (previously) identifies both anonymous and historically significant women to depict atop the carved handles of old used paint brushes. From the first woman to graduate with a degree in architecture from MIT to a Chibok schoolgirl kidnapped by Boko Haram in 2014, or an anonymous face lifted from a 17th century Baroque painting, each portrait presents the face of a woman who has come in and out of focus throughout history.
“I am interested in things that fall between the cracks of place and language,” says Szeto in her artist statement. “Rust, dead bees, beaten up paintbrushes and scrap materials from my immediate surroundings all become a starting point. Play and chance are integral parts of my process; they’re a way for me to detach from preconceived ideas about the materials so I can freely explore their inherent qualities and investigate their deeper implications.”
You can explore the individual stories of all the women featured in the works seen here on Szeto’s website, and she’ll have work on view at Root Division in San Francisco as part of an exhibition titled Bizarre Bizarre curated by Michael Arcega starting in July.
Musical Notation. 7.25″h x 2.5″w x .1″d · Oil, Plaster on Carved Paintbrush · 2016.
Marion Mahony. 8″h x 3″w x 1″d · Oil on Carved Paintbrush · 2015.
Angela Isadora Duncan. 6″h x 2″w x .5″d · Oil on Carved Paintbrush · 2015.
Chibok Girl: Salamatu Bulama Usman. 5.5″h x 3″w x .5″d · Oil on Carved Paintbrush · 2017.
Violet Jessep. 5.25″h x 2.5″w x .5″d · Oil on Carved Paintbrush · 2015.
Emilie du Chatelet (2 for Squared). 8″h x 4″w x .5″d · Oil on Carved Paintbrush · 2015.
Margaret Roper (1500). 7″h x 3.5″w x .5″d · Oil on Carved Paintbrush · 2015.
Canadian artist Annette Labedzki specializes in abstract figurative painting, but she’s also discovered the internet’s insatiable taste for the unusual and obscure with her Instagram account where she shares paint mixing videos. If watching paint dry is the most boring thing in the world, watching paint mix might be one of the more interesting things. For some of her clips Labedzki makes symmetrical versions, where the palette knife is obscured and everything seems to happen like magic. You can see more here. (thnx, kim!)
While working in the studio, paint is bound to drip, splatter, and brush up against an artist’s clothes, transforming a studio uniform into a chaotic collection of attractive mishaps. Designer Olya Glagoleva in collaboration with Russian artist Lisa Smirnova (previously) captured this look with an elegantly designed twist. All of the clothing included in their collection is embroidered in the style of Smirnova, with the markings of accidental paint drips and doodles adorning each of the jumpsuits, dresses, and smock-like blouses. The pieces are all one-of-a-kind, transforming the clothing into unique artworks that have taken nearly 100 hours to make. You can see more of Glagoleva’s designs with her line GO on her Instagram @go_with_olya, and more of Smirnova’s embroidery and illustrations on her own @lisa_smirnova. See more from this collection on Behance.