Spanish artist Miguel Ángel Belinchón or “Belin” (previously) has long practiced photorealistic murals. It was in 2016 however, that his work began to mutate with the adoption of a cubist style, elongating his subjects’ necks and segmenting their faces in ways that would make Picasso himself proud. Despite the distorted facial features, many of his new works feature recognizable subjects. Belin’s paintings honor some of his great inspirations, displaying the likenesses of painters such as Frida Kahlo, Keith Haring, and Dali, alongside famous subjects such as the Mona Lisa.
Belin’s current solo exhibition is named after his self-created style, Post Neo Cubism, which can be seen at Paris-based 24 Beaubourg through June 25, 2017. You can see more of Belin’s stylistic mash-ups on his website and Instagram. (via Juxtapoz and Arrested Motion)
Poland-based watercolor artist and architect Maja Wronska has wowed us before with her vibrant depictions of urban landscapes. Whereas most of her previous work highlighted architectural features from centuries past, recently the artist has found new focus and energy in the dense environments of more contemporary cityscapes. Hundreds of windows hover above gridded streets and prism-shaped buildings rise above bridges and freeways, while water and earth offer a subtle topographic frame. Wrońska’s confident, consistent hand and imaginative use of color capture the organic energy that makes cities come alive.
Colossal has partnered with Maja Wrońska to create three archival prints from her Modern City Series: Tokyo, Chicago, and Frankfurt. Working with the experts at ioLabs in Rhode Island, we’ve matched the artist’s original color and paper for a print that looks like it’s fresh off Wrońska’s easel. Each city is available in two sizes; all include a two inch border for convenient framing, and are printed with Moab Entrada Natural Textured 100% rag 300 gsm archival paper. Available only in The Colossal Shop.
“Bird by bird I’ve come to know the earth,” said Pablo Neruda in his book Art of Birds, a quote that has since inspired artist Dina Brodsky to begin her own exploration of birds in an ongoing miniature painting project by the same name: Bird by Bird. The artist first began the project last year as a way to explore the native birds around New York city as her now 18-month-old baby napped in a stroller. The endeavor has since grown to incorporate more rare and exotic birds depicted in everything from ballpoint pen to watercolor and gouache. The bird paintings have become so popular with fans that she’s created a dedicated Instagram account to collect them all.
Spread across the opened pages of books pinned against the wall like insect specimens, artist Ekaterina Panikanova (previously) creates ink paintings that appear like fragments of memory. As with the content of old books, the subjects of each work appear from a different era, engaged in mysterious activities or moments while accompanied by recurring images of lace, layer cakes, animals, and explosions of ink. Occasionally an image is permitted to span several book spreads, but is often interrupted by a new idea that appears to be inserted like a misplaced puzzle piece.
Panikova was born in Russia and now lives and works between between St. Petersburg and Rome. You can see more of her recent work at Z2O Galleria.
Marija Tiurina‘s fantastical watercolor painting Eden is her biggest to date, measuring approximately 30 x 10 inches. The scene captures a woman kneeling amongst the inhabitants of a mythological forest, trapped within a busy scene that contains everything from an animated ramen bowl to an eel snaking its way through the center of her torso.
The painting was inspired by the chaos of Hieronymus Bosch‘s The Garden of Earthly Delights, Tiurina creating her own take on the hedonistic 15th century work. You can see more of her illustrations on the artist’s Instagram, Facebook, and Behance, as well as a behind-the-scenes look into Eden in the video below.
Copenhagen-based artist Johan Deckmann examines the complications of life through clever titles painted on the covers of fictional self-help books that appear to tackle life’s biggest questions, fears, and absurdities. A practicing psychotherapist himself, Deckmann thoroughly recognizes the power of language in therapy and possesses a keen ability to translate his discoveries into witty phrases. “I like the idea of distilling words to compress information, feelings or fantasies into an essence, a truth,” he shares. “The right words can be like good medicine.”
Deckmann often takes his pieces beyond simple language and into the realm of visual puns, such as an LP cover titled “The very best of the voices inside my head” or the juxtaposition of smaller and larger suitcases labeled “Baggage” and “Emotional Baggage.” All of the pieces have the faded color and worn texture of 1970s era self-help guides that were popular at the time.
Deckmann’s books have been exhibited around the world since he began the series in 2015, including a solo show last March at Andenken Gallery in Amsterdam. You can follow more of his recent work on Facebook, and on his website.