Tag Archives: painting

Globalization and the Environment Collide in Mary Iverson’s Mixed Media Paintings of Shipping Containers

iverson-new

Mary Iverson fills natural and manmade landscapes with colorful shipping containers, objects haphazardly stacked on each other and taking up a majority of the otherwise tranquil scenes. The containers and boxes are cross-hatched with overlaid lines, connecting them a predetermined pattern seemingly known only by the artist.

Iverson explains her work by saying, “My paintings are colorful abstractions that spring from the theme of the industrial shipping terminal. The canvases feature mass accumulations of shipping containers and container cranes in various perspectives. My work employs a network of searching perspective lines and layers of interlocking, colorful planes and rectangles that suggest both deep space and flat surface.”

Part painting and part collage (the pieces often incorporate found photography), her artworks address what happens when globalization and the environment collide, material possessions doubling and tripling until they spill into the natural world around them. The Seattle-based painter gathers the bulk of her source imagery for her sketches through yearly trips to parks across the country, camping and photographing the landscape around her.

Iverson received her MFA in Painting from the University of Washington in 2002 and currently teaches painting and drawing at Skagit Valley College in Mount Vernon, WA as a tenured faculty member. Iverson has two upcoming October exhibitions, one at Gallery FB69 in Munster, Germany and another at G. Gibson Gallery in Seattle. Check out more images of Iverson’s work on her Instagram here. (via Juxtapoz where she’s the cover artist for the August issue)

Valley 8 x 10, collage on panel, 2010, Iverson

Settlement,12 x 12 inches, acrylic, ink, found photograph on panel, 2014

Mary_Iverson_TorreyPinesContainers_32x50_oil_2014_sm.jpg

Mary_Iverson_TipsooAfter_12x12_oil_2014_sm.jpg

Mary_Iverson_ShipbreakingTorreyPines_32x50_oil_2014_sm

detail

Mary_Iverson_NaturePreserveChina_12x12_collage_2014_sm.jpg

Grand Canyon, 8 x 10 inches, collage on panel, 2010, Iverson

See related posts on Colossal about , , .

New Ethereal Watercolor and Black Ink Cats That Fade into the Canvas by Endre Penovác

ink-1

We continue to be awed by Serbian artist Endre Penovác's ability to somehow control the unforgiving nature of water on paper to produce ghostly paintings of felines. As the mixture of water and black ink bleeds in every direction it appears to perfectly mimic the cat’s fur. In his newest pieces Penovác introduces elements of color and negative space to add a slightly new dimension. You can see more of his recent work on Facebook and Saatchi Art.

ink-2

ink-3

ink-4

ink-5

ink-6

ink-8

ink-9

See related posts on Colossal about , , , .

The Meticulous 10-Month Restoration of a 355-Year-Old Painting at the Metropolitan Museum of Art

Completed in 1660, Charles Le Brun’s painting of Everhard Jabach and His Family had seen better days. The 355-year-old family portrait was covered in a badly tinted varnish, had multiple superficial scratches and structural damage had split the painting nearly in half. This video documents the 10-month restoration at the Metropolitan Museum of Art lead by Michael Gallagher that involved retouching, structural work, re-varnishing, and numerous other conservation techniques to bring this giant painting back to life. The Met also documented the process in some 20+ blog posts over on their website. (via Sploid)

painting

restore-1

restore-2

restore-3

restore-4

switcher

See related posts on Colossal about , .

Layered Resin Dioramas of Forest-Dwelling Characters Embedded with Flora and Fauna by Drew Mosley

drew-1
Egg thief #3 (acrylic, resin, found bowl, quail eggs, sticks and branches, 12″ diameter)

Ottawa artist and carpenter Drew Mosley paints forest-dwelling characters encased in wooden bowls filled with layers of resin. Each scene is further embellished with found bits of flora and fauna: twigs, leaves, eggs, and more, creating artworks that walk a fine line between storybook illustration and sculptural dioramas. Mosley has an extensive studio practice and also pursues a wide range of building and woodworking projects around Ottawa Valley. His paintings have been exhibited throughout Canada and Greece and he currently has a show at the Ottawa Art Gallery through July 27, 2015. You can follow him on Instagram and Flickr. (via Colossal Submissions)

drew-2

drew-7

drew-3

drew-8

drew-4

drew-5

drew-6

A video posted by @drewmosley on

See related posts on Colossal about , , .

Vincent van Gogh Possibly Identified in Newly Discovered Group Photo of Famous Artists from 1887

vincent-is-it-you
JULES ANTOINE (1863-1948) ATTR. – Vincent Van Gogh in conversation with friends, Paris, 96 rue Blanche, December 1887 Melanotype, direct positive and reversed image on blackboard (carton photographique), 86×112 mm, “Gautier Martin” stamp, recto. Vincent Van Gogh in conversation with Paul Gauguin, Emile Bernard, Félix Jobbé-Duval. André Antoine is standing between them.

close

Some experts believe this recently discovered 1887 melainotype showing six men drinking around a table may include a rare sighting of painter Vincent van Gogh. Van Gogh famously recorded himself in numerous self-portraits, but was known to abhor photography and supposedly never sat for a photo as an adult; only two rare photos of the artist as a child are known to exist, taken when he was 13 and 19.

The image first came to the attention of French photo expert Serge Plantureux when two individuals acquired the photo at an estate sale and thought they recognized a few of the faces, among them, artists Paul Gauguin and Emile Bernard—a significant discovery in and of itself. Analyzing the photographic process, the photographer (thought to be to Jules Antoine), and pinpointing the when the photo was taken raised the chances significantly that a bearded figure who appears amongst the gathering of stoic men might be Van Gogh. Serge Plantureux writes for magazine L’Oeil de la Photographie (The Eye of Photography):

The photograph they had brought to show me was small, dark, and rather difficult to see. Six characters were around a table. The light was pale, perhaps it was a winter afternoon.

They told me, still hesitant, that they thought they recognized the people in it, artists in whom they had long been interested. They were collectors and liked the painters of the late 19th century, in particular the neo-impressionists. They also said it was possible that one of the figures around the table was someone whose true face had never been seen.

The photo went to auction just this weekend and was expected to fetch between $136,000 to $170,000, though a final sale price hasn’t been made public. Still, some experts aren’t convinced. The photo expert for the Van Gogh museum in Amsterdam feels it can’t be the artist “because it simply does not look like him,” and also mentions the artist’s desire to never be photographed. Others note that Van Gogh didn’t mention the gathering in his meticulously written letters from the time period.

Regardless, the photo is still of significant historical value and only time will tell if experts reach a consensus in the identities of everyone depicted. (via PetaPixel, Hyperallergic)

See related posts on Colossal about , , .

Timelapse of Lorraine Loots Creating a Miniature Painting

tiny-blog

Over the last few months we’ve marveled at the precision of South African artist Lorraine Loots' tiny paintings (previously here and here). In this new process video shot by Gareth Pon, we finally get to see how she blends pencil and paint to execute the most minute details of a wee hotdog no larger than a coin. Loots is exhibiting no less than 730 of her ‘Paintings for Ants’ at Three Kings Studio in New York starting July 8, 2015.

See related posts on Colossal about , , , .

New Book Spanning Wayne Thiebaud’s Career Gives a Peek Into His Slanted and Heavily Shadowed Landscapes

thiebaud-1

Bright, thick, and severe, Wayne Thiebaud‘s landscapes veer far from his well-known paintings of common objects and sweets. These works feature steep inclines and long shadows, providing a dramatic new perspective to seemingly banal landscapes and cityscapes.

Thiebaud was born in Mesa, Arizona in 1920 and during his early career spent time in the animation department of Walt Disney Studios and the Special Service Department as an artist and cartoonist in the Air Force. Thiebaud studied at both San Jose State University and California State University in Sacramento, and had his very first solo exhibition at the Crocker Art Gallery in Sacramento.

Although Thiebaud is often associated with the Pop art movement, many of his early works pre-date classic pop pieces and he personally rejects the association. “I don’t care for pop art at all,” Thiebaud told The Wall Street Journal last year.  “Pop artists just appropriate. They steal too much for me.”

A new book scheduled for publication this fall by Rizzoli will span the length of Thiebaud’s career, covering his work from the 1950s until today. The 94-year-old artist selected all the works in the monograph and also wrote a reflective introduction. The book will include his dessert, candy, and common object still lifes while also taking a look at as his landscape and cityscape paintings that tend to focus on the Sacramento River valley and San Francisco. You can pre-order the book “Wayne Thiebaud” on Amazon now, and see more of his work on Artsy. (via B-sides)

thiebaud-8

thiebaud-7

thiebaud-6

thiebaud-5

thiebaud-4

thiebaud-3

thiebaud-2

See related posts on Colossal about , , , , .

Page 1 of 271234...»