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Art

Vibrant Sunsets Hover Inside Abandoned Scottish Castles and Homes by Andrew McIntosh

October 17, 2017

Kate Sierzputowski

Scottish painter Andrew McIntosh (previously) paints bridges, castles, and forgotten homes, repurposing the structures’ windows and arches as vibrant portals into another world. The deep red and orange sunsets found in these negative spaces serve as the heart of each work, which each cast an intense glow into the surrounding desolate landscapes. The works are centered around scenes found in his native Scotland, areas that don’t necessarily illicit awe or intrigue from the average viewer.

“McIntosh is drawn to the plain and ordinary – a Victorian lodge, a simple tower house, or an unremarkable castle set in scenery that is not immediately picturesque or inspiring – subjects that wouldn’t usually attract an artist’s attention,” writes Dr. Richard Davey in an essay about McIntosh’s paintings. “They are born from deep knowledge of the land, painted by an artist who wants to probe the limits of landscape painting, who knows that nature is much quieter than it is more usually portrayed, and that capturing the undramatic, ordinariness of nature, is more difficult than it may seem.”

The confined sunsets serve as secretive elements of power to each crumbling form of architecture. McIntosh intends for these private moments to remind the viewer of everyday wonder, and to search for these moments during the mundane aspects of the day-to-day. The painter has an upcoming solo exhibition of his work at Beaux Arts London opening October 19 and running through November 18, 2017.


 

 

 



Art

Basketball Courts Transformed Into Large-Scale Artworks by Project Backboard

October 10, 2017

Kate Sierzputowski

Project Backboard began in 2014 when Daniel Peterson, a former college basketball player and employee of the Memphis Grizzlies, noticed the neglected state of several basketball courts scattered around the city. To revive these spaces, Peterson began to refurbish the courts with small improvements—filling in cracks or repainting the basic lines needed for a regulation game.

As Peterson began updating courts across Memphis, his interest widened to include ways he could not only improve his local courts, but generate excitement in surrounding neighborhoods for their public parks. After learning local artist Anthony Lee was already designing an installation for a nearby court, he partnered with the artist to paint the park’s gray asphalt with bright blue and pink designs. The collaboration marked the beginning of Project Backboard, while also inspiring Peterson work with local artists who were already engaged within a chosen community.

“I prefer to work with artists who have a connection to the park or city where we are working,” Peterson told Colossal. “Having the artist on site is very helpful for installation and, especially if it is a city I am not as familiar with, a local artist can create a work with more meaning and context. That said, there are artists I have worked with in the past that I would love to work with again if the right opportunity comes along!”

After reviving several basketball courts in Memphis, Project Backboard has moved on to produce projects in St. Louis and Los Angeles. Currently the organization is working with cities along the East Coast, specifically Baltimore and New Rochelle, New York. To explore other updated courts, and how you might be able to collaborate on an installation in your own city, visit Project Blackboard’s website or Instagram. (via Artsy and the National Endowment for the Arts)

 

 



Art

Collaborative Acrylic Paintings That Aim to Visually Map the Perceptual Experiences of Synesthesia

October 9, 2017

Kate Sierzputowski

American artist and filmmaker Lucy Engelman has a far different experience of the world than most. Engelman has a phenomenon called Synesthesia, which crosses her perceptual pathways to allow her to taste colors, smell sounds, and even experience verbal data as a spectrum of vibrant colors. Engelman’s husband, Scottish painter Daniel Mullen, decided to translate her complex sensory world in a way that might be easier to understand for those of us who don’t see days and numbers as pockets of color.

The collaboration exists as a set of paintings titled A Different Kind of Time: Sequencing Spatial Temporal Synesthesia. The works each contain a sequence of flat rectangular shapes arranged in a variety of arches and lines. The angle of the shapes is switched in each work, some aligned with only one side facing the audience, while others seem to project right through the canvas or retreat back into the painting’s rotated plane. Engelman explains the works are the closest visual approximation to what she experiences, especially in relation to her mind’s translation of letters, numbers, and time.

You can view more of the paintings based on Engelman’s unique view of the world on Daniel Mullen’s website. (via Colossal Submissions)

 

 



Art

Lisa Ericson Imagines Fantastical Ecosystems Carried on the Backs of Turtles

August 28, 2017

Laura Staugaitis

“Migration,” acrylic on wood panel, 12″ x 16″

Portland, Oregon-based artist Lisa Ericson blends her hyperreallist painting style with a vivid imagination, resulting in fantastical combinations of plants and animals. Ericson tends to focus on one specific flora/fauna combination at a time, like hybrid mouserflies or coral fish. Her most recent series, Mobile Habitats, highlights turtles that support small ecosystems on their shells. From mossy knolls surrounded by fireflies to gnarled trees leafed with monarchs, each turtle-world evokes a specific time and place.

Ericson chronicles her work on Instagram, where she shares, “these pieces are all about turtles and what they can carry on those amazing half-a-globe shells, and about things that need saving.”

The acrylic-on-panel paintings are featured in her solo show, currently on view at Antler Gallery. All of the originals have already sold, but the gallery is offering a limited edition of 50 full-sized, signed and numbered prints.

“Island,” acrylic on panel, 12″ x 12″

“Carrier,” acrylic on panel, 16″ x 12″

“Raft,” acrylic on panel, 12″ x 12″

“Terrarium,” acrylic on panel, 12″ x 12″

“Migration II,” acrylic on panel, 12″ x 16″

 

 



Art

Giant Dabs of Thick Oil Paint Captured as Hyperrealist Colored Pencil Drawings

August 16, 2017

Kate Sierzputowski

Australian artist Cj Hendry (previously) tricks the eye with her hyper-realistic drawings, works that recreate the appearance of thick swabs of brightly colored paint. To achieve the dimensionality and sheen of fresh oil paint she layers dry pigment atop colored pencil, accurately portraying the liquid medium’s viscosity.

The series, Complimentary Colors, is far different than the artist’s previous style, which for several years had been exclusively black and white. You can view pieces from her past and present, as well as a series of billboard-sized works, on the artist’s Instagram. (via My Modern Met)

 

 



Art

New ‘Eco-Surrealist’ Paintings by Josh Keyes Observe a Post-Human World

August 3, 2017

Kate Sierzputowski

Josh Keyes (previously) paints scenes that observe the world at the brink of destruction. His works often focus on polar bears and sharks, one species which will soon lose its home as ice shelves continue to melt, and the other which is poised to take over an Earth undersea. The animals are placed in settings that suggest a post-human existence, such as a pair of fighting horses in front of a beached ship and a solitary brown bear looking over a seemingly empty metropolis.

The hyperrealistic paintings also incorporate graffiti found in unlikely places. Tags cover satellites, icebergs, and even a shark, an allusion to the lengths at which humans are willing to leave their mark.

Keyes’ solo exhibition, Implosion, opens August 5th at Thinkspace Gallery in LA and runs through August 26, 2017. You can see more of his works on his Instagram and website. (via Juxtapoz, Arrested Motion)

 

 



Art Crafts

Hand-Painted Ceramics Decorated to Match the Bright, Blue Sky

July 5, 2017

Kate Sierzputowski

Sydney-based artist Niharika Hukku translates the fine detail work she learned as an illustrator to her painted ceramics, creating natural scenes that range from fluffy white clouds to schools of swimming fish. Each vessel is thrown and fired by Hukku herself, and finished with a variety of ceramic glazes. When she’s not creating and decorating porcelain, she is an avid water color painter, often working in large-scale. You can see a more diverse range of her inspiration, including kookaburras and koi fish, on her Instagram and website. (via So Super Awesome)

 

 

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