Without aid of stencils or brushes London-based artist David Walker creates elaborately explosive portraits using directly applied spray paint. Even as the colors drip and mix on large outdoor walls it’s hard to imagine the level of control and detail the artist must possess to create the shadows, lines, and textures that create each piece. The top and bottom pieces in this post are recent works seen in London and Paris, and you can see much more on his Facebook page and in his shop where he has nearly a dozen portraits available as high quality prints. (via street art utopia)
Trying to categorize or summarize the genre of Alex Andreev’s (previously) digital paintings is nearly impossible. Part science fiction, part dystopian future, the scenes are equally disturbing and beautiful, his characters inhabiting a world Andreev tells me is deeply influenced by Soviet-era literature, music and movies. Based in St. Petersburg, Russia he works primarily with Adobe Photoshop and Corel Paint and relies only on a small selection of brushes and colors to create each illustration, meaning there are no special effects or 3d-rendering of anything. Andreev recently published an art book, A Separate Reality, which is available through Blurb.com.
One of my favorite portrait artists, Andrew Salgado (previously) who lives and works in London has completed a number of new works in advance of his second solo show, The Misanthrope, which opens at Beers.Lambert on October 11, 2012. You can see see much more of his recent work on his website.
I can’t remember the last time I saw the actual use of a rubber date stamp, most libraries exchanged them for fancy barcodes and other digital systems a decade ago. But Italian artist Federico Pietrella (previously) who lives and works in Berlin has a fantastic use for them in his paintings made from thousands of densely stamped ink dates. In his enormous ink artworks Pietrella always stamps the current date, thus each of his pieces contains a clear timeline of the days he worked on it, often spanning two months. You can see much more on his website and watch a brief interview with artist courtesy of Deutsche Welle. (via visual news)
Artist Adam S. Doyle who recently relocated to Hong Kong creates beautiful gestural paintings of birds, where the seemingly incomplete brushstrokes form the feathers and other details of the animal. In some strange way it reminds me of the story of the Renaissance painter Giotto who is rumored to have been able to draw a perfect circle without the aid of a compass, as if Doyle just picks up a dripping paint brush and in a few seconds paints a perfect bird. In reality his work demonstrates a profound control of the paintbrush and careful understanding of the mediums he works with. Via email he tells me:
Yes, what you see is what it appears to be—strokes of paint. I’ve always loved unfinished paintings because you could see the alchemic process of surface and paint transforming into a living person. With my paintings, it does take quite a bit of working and reworking to arrive at the place where every brush stroke fits into a fluidly flowing whole. It’s important to me to find a balance between an elegance of form that holds both visible marks of paint and a representation of ‘energy within’. I’ll just add that the painterly craft of my images, which I consider secondary to investigating ideas and concepts, came about after a lifetime of expressive image-making, followed by doggedly exploring the aforementioned transformation in grad school. I realized during that same formative period that I was also captivated by trying to visualize energy, which I was quite familiar with having grown up with a dad who practiced Eastern medicine.
Doyle most recently had a show at Skylight Gallery in 2011 and is now currently working on a new body of work in Hong Kong. You can see much more of his work on his website.
Brazilian-born artist Harding Meyer lives and works in Berlin and Karlsruhe where he paints these stunning, large-scale oil portraits. I imagine nothing short of standing in front of these giant canvases truly does them justice, but you can see them in extremely high resolution over on Meyer’s blog. His work will appear in a number of group shows later this year at Würth and the Arts and Museum Dr. Guislain in Gent, and you can see much more of his work at Galerie Voss.
Korean artist Lee Kyu-Hak creates beautiful mixed-media paintings (mosaics?) by wrapping small wooden wedges with colored newsprint that mimic the brushstrokes of famous artists. Lee’s artworks appear mostly to be reinterpretations of pieces by Vincent van Gogh, but I think I see a few original compositions as well. See much more over at Yesong gallery.