Berlin-based artist Matthew Davis creates these surreal images by using his brush to slowly drip oil paints into small pools. After each color dries over a period of several days a new layer is added resulting in a dense, multi-dimensional surface. The understanding and control of color that goes into this is beyond me. You can see more of his paintings and read an article about Davis in the German magazine Art (nsfw). (via this isn’t happiness)
New York-based artist Molly Rausch paints the extended scenes around the edges of postage stamps, imagining the continued horizons and broader stories told by stamp artwork. Via her website:
Each stamp painting begins with an actual postage stamp that is glued down to the paper. Then Rausch paints around the stamp, extending the scene, with watercolor and gouache. As a result, the paintings are quite small – usually around 3 inches tall. Everything is done freehand with a brush; she does not use pens or pencils. She does not paint on the stamp itself. And she does not research the subject, so the extension is completely invented and should not be tested for accuracy.
It’s fun to think how many stories a single postage stamp has, the story of the image printed on it, the story of its physical journey through the postal system, and now a third story told though Rausch’s brush strokes. You can see a gallery of many more via her website. Thanks Molly for sharing your work with Colossal.
Artist Federico Pietrella was born in Rome and now lives and works in Berlin. He creates art using a number of different methods involving resins, flashlights, photocopies, and other found objects, but most striking to me are these lovely paintings made with rubber date stamps. Pietrella opens a exhibition starting this weekend at Galleria Civica G. Segantini in Arco, Italy.
Photorealistic painter Steve Mills sold his first painting at the age of 11 and has been known to sell entire shows in about ten minutes. Using oil paints he examines some of life’s most mundane moments as if through a magnifying glass. Via his website:
Influenced by the works of Andrew Wyeth, his early paintings consisted mostly of landscapes. After seeing the work of Richard Estes at a show in Boston, MA, Photorealism became his passion. Today his interests are somewhat varied though his main focus is on the “extraordinarily-ordinary”. Mills takes your eye to a place where most would need a magnifying glass. Getting in so tight the viewer can see the stressed metal in a bottle cap or the texture of a newspaper.
Mills has numerous paintings scanned at a pretty high resolution that you can check out here. (via limber)
First: watch the video. Japanese artist Riusuke Fukahori paints three-dimensional goldfish using a complex process of poured resin. The fish are painted meticulously, layer by layer, the sandwiched slices revealing slightly more about each creature, similar to the function of a 3D printer. I really enjoy the rich depth of the pieces and the optical illusion aspect, it’s such an odd process that results in something that’s both a painting and sculptural. Wonderful.
Poland-based painter, illustrator, and animator Robert Proch has a style unlike anything I’ve seen before. His figures are often dramatically skewed, standing alone against vibrant planes of color or surrounded by hints of geometric patterns and shapes. See much more over on Behance.
Washington-based painter Tyree Callahan modified a 1937 Underwood Standard typewriter, replacing the letters and keys with color pads and hued labels to create a functional “painting” device called the Chromatic Typewriter. Callahan submitted the beautiful typewriter as part of the 2012 West Prize competition, an annual art prize that’s determined by popular vote. I don’t know how practical painting an image with a color typewriter is, but if Keira Rathbone can do it… (via dark silence in suburbia)