Artist Jeremy Miranda (previously) paints in a space between worlds: reality and memory, indoor and outdoor, past and present. Ideas and concepts bleed together within his acrylic paintings like the fuzzy edges of a dream, where powerful images exist amongst unexpected locations and backdrops. The New Hampshire-based artist is heavily influenced by his surroundings in the American Northeast, apparent in his depiction of dense woods, crashing waves, and the recurring motif of lush greenhouses—a more literal depiction of his mixing of environments.
Miranda has an upcoming exhibition next month with Michelle Morin at Nahcotta Gallery, and he has a number of works or prints available through Etsy, Nahcotta, and his online shop. (via The Creators Project)
Canadian artist Robert Gonsalves explores childlike stories of wonder through his surrealist paintings, capturing peeks of one’s internal daydreams through dual scene optical illusions. The works express both the real and the imaginative, painting a space where one can explore beyond physical limits. In his pieces inspired by the work of MC Escher and Magritte, subjects discover secret gardens hidden in carpets, forests just beyond the border of living rooms, and castles in misty lagoons. You can view more of Gonsalves paintings on Facebook. (via Booooooom)
Amethyst Mountain. Oil on panel, 14″ x 11″
In these small oil paintings, Toronto-based artist Carly Waito depicts the most minute details of minerals and crystals as they sparkle and glimmer. Waito seems to have a profound understanding of how light affects an object and gives each work an amazing sense of depth and focus. From her artist statement:
As a painter, Waito has continued to pursue this inspiration, with a focus towards geology, geometry, light, and a sense of wonder and curiosity. These themes are uniquely encompassed by the tiny mineral specimens which have become her particular obsession. With each finely detailed painting, Waito focuses the eye on a specimen’s particular qualities, showing the beauty and magic that is present even in nature’s tiniest objects, if one looks closely enough and with a curious mind.
Collected here are a number of paintings spanning 2009-2015, but you can see many more through Narwhal Gallery. (via The Jealous Curator)
Dioptase II 8 x 10″. Oil on panel. 2014
Carly Waito Rhodochrosite II 6 x 8
Tangerine Quartz, 8 x 8in. Oil on panel. 2014
Amethyst VIII, 2015. 8 x 10 in. Oil on wood panel.
Dioptase. 10 x 9 in. Oil on Masonite 2011
Vesuvianite. 8.5 x 11 in. Oil on Masonite 2011
Amethyst Mountain III . 16 x 13″. Oil on panel. 2014
Barcelona-based artist Guim Tió Zarraluki paints pieces tied to memory and how it is obscured over time, covering the faces of his subjects in bright swaths of oil paint. His research as of late has brought him to topics such as how things slip into oblivion or are saved forever on our technological devices, areas which are abstractly displayed within his work.
In his latest series No Name Project, the individuals have minimal lines that mark their faces’, while in Now, Remember swirls and concentric circles take over the entirety of each visage. You can see more of his portraits from past series on his Instagram and Facebook.
We are honored to have worked with Portland-based painter Josh Keyes on an exclusive release of the print edition of his 2016 painting, “I’ll Melt With You,” available now in The Colossal Shop.
Keyes’ ability to paint realistic renderings of our world becomes uncanny when he wields his brush in the name of environmental issues. Animals, rocket ships, and icebergs fall prey to graffiti, leaving the viewer uncomfortably wondering whether this is a painting of the future or a photograph of the present.
“I’ll Melt With You,” originally painted in acrylic on a 12 x 16 inch panel is translated to print form in its full dimensions, with an additional white border for convenient framing, for a final size of 16 x 20 inches. Printed by our friends at ioLabs in Rhode Island on Epson Hot Press Bright 300 gsm archival paper and available exclusively in The Colossal Shop.
Stev’nn Hall (previously) blends photography and painting together in an impressionistic style, often focusing his works on the rural landscapes of his Canadian home, or images of flowers he takes in his studio. The pieces are built from images shot with a 35mm camera, and feature gestures on the surface in the mediums of acrylic, ink, and pastel. These markings serve as both complements to the landscapes and abstract bits of scrawl, simultaneously pushing the underlying photograph to appear more like a painting, and Hall’s painted additions to seem like photographic errors. You can see more of his mixed media works on Tumblr and Instagram.
Image by Alejandro Collados Nunez