Tag Archives: painting

Vincent van Gogh Possibly Identified in Newly Discovered Group Photo of Famous Artists from 1887

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JULES ANTOINE (1863-1948) ATTR. – Vincent Van Gogh in conversation with friends, Paris, 96 rue Blanche, December 1887 Melanotype, direct positive and reversed image on blackboard (carton photographique), 86×112 mm, “Gautier Martin” stamp, recto. Vincent Van Gogh in conversation with Paul Gauguin, Emile Bernard, Félix Jobbé-Duval. André Antoine is standing between them.

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Some experts believe this recently discovered 1887 melainotype showing six men drinking around a table may include a rare sighting of painter Vincent van Gogh. Van Gogh famously recorded himself in numerous self-portraits, but was known to abhor photography and supposedly never sat for a photo as an adult; only two rare photos of the artist as a child are known to exist, taken when he was 13 and 19.

The image first came to the attention of French photo expert Serge Plantureux when two individuals acquired the photo at an estate sale and thought they recognized a few of the faces, among them, artists Paul Gauguin and Emile Bernard—a significant discovery in and of itself. Analyzing the photographic process, the photographer (thought to be to Jules Antoine), and pinpointing the when the photo was taken raised the chances significantly that a bearded figure who appears amongst the gathering of stoic men might be Van Gogh. Serge Plantureux writes for magazine L’Oeil de la Photographie (The Eye of Photography):

The photograph they had brought to show me was small, dark, and rather difficult to see. Six characters were around a table. The light was pale, perhaps it was a winter afternoon.

They told me, still hesitant, that they thought they recognized the people in it, artists in whom they had long been interested. They were collectors and liked the painters of the late 19th century, in particular the neo-impressionists. They also said it was possible that one of the figures around the table was someone whose true face had never been seen.

The photo went to auction just this weekend and was expected to fetch between $136,000 to $170,000, though a final sale price hasn’t been made public. Still, some experts aren’t convinced. The photo expert for the Van Gogh museum in Amsterdam feels it can’t be the artist “because it simply does not look like him,” and also mentions the artist’s desire to never be photographed. Others note that Van Gogh didn’t mention the gathering in his meticulously written letters from the time period.

Regardless, the photo is still of significant historical value and only time will tell if experts reach a consensus in the identities of everyone depicted. (via PetaPixel, Hyperallergic)

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Timelapse of Lorraine Loots Creating a Miniature Painting

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Over the last few months we’ve marveled at the precision of South African artist Lorraine Loots' tiny paintings (previously here and here). In this new process video shot by Gareth Pon, we finally get to see how she blends pencil and paint to execute the most minute details of a wee hotdog no larger than a coin. Loots is exhibiting no less than 730 of her ‘Paintings for Ants’ at Three Kings Studio in New York starting July 8, 2015.

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New Book Spanning Wayne Thiebaud’s Career Gives a Peek Into His Slanted and Heavily Shadowed Landscapes

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Bright, thick, and severe, Wayne Thiebaud‘s landscapes veer far from his well-known paintings of common objects and sweets. These works feature steep inclines and long shadows, providing a dramatic new perspective to seemingly banal landscapes and cityscapes.

Thiebaud was born in Mesa, Arizona in 1920 and during his early career spent time in the animation department of Walt Disney Studios and the Special Service Department as an artist and cartoonist in the Air Force. Thiebaud studied at both San Jose State University and California State University in Sacramento, and had his very first solo exhibition at the Crocker Art Gallery in Sacramento.

Although Thiebaud is often associated with the Pop art movement, many of his early works pre-date classic pop pieces and he personally rejects the association. “I don’t care for pop art at all,” Thiebaud told The Wall Street Journal last year.  “Pop artists just appropriate. They steal too much for me.”

A new book scheduled for publication this fall by Rizzoli will span the length of Thiebaud’s career, covering his work from the 1950s until today. The 94-year-old artist selected all the works in the monograph and also wrote a reflective introduction. The book will include his dessert, candy, and common object still lifes while also taking a look at as his landscape and cityscape paintings that tend to focus on the Sacramento River valley and San Francisco. You can pre-order the book “Wayne Thiebaud” on Amazon now, and see more of his work on Artsy. (via B-sides)

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Jim Darling’s Airplane Window Seat Paintings Frame Landscapes From Mile-High Perspectives

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Often I use the windows of airplanes as frames in which to view the landscapes just beyond the thick glass— scenes featuring rolling clouds, rich gradient skies, and patchwork fields. Jim Darling has taken this idea of the window as frame and created paintings that place the audience as passenger, showcasing vague yet nostalgic landscapes within his constructed airplane windows.

Darling’s paintings are from this sky-high perspective, painted cities, clouds, and oceans with the occasional wing creeping into the painting from the far edges. Each work includes layered woodwork, acrylic, and aerosol to build the tromp l’oeil nature of the piece, allowing one to finally experience these atmospheric views without the turbulence. (via Stop, Drop & Vogue)

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A Technicolor Swimming Pool Painted by HOTTEA on New York’s Roosevelt Island

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In a departure from his large-scale color field yarn installations, Minnesota-based artist HOT TEA is back in New York and was given the opportunity to transform a swimming pool on Roosevelt Island with whatever colors he saw fit. Apparently he took the ambitious approach and decided to use them all, spread between 120 gallons of paint.

The private commission produced by K&CO and Pliskin Architecture is called Asylum, a title the artist chose “because the act of creating it pushed my mental and physical endurance so far that I wasn’t sure I could complete the task,” he shares with Brooklyn Street Art. For almost a century starting in 1839, the island was also home to the New York City Lunatic Asylum. The vibrantly luminous gradients that define the area around the pool contrast starkly when viewed against the rest of the surrounding landscape, creating a surprising oasis of color.

The pool, located in Manhattan Park, opens for swimming Memorial Day weekend. You can read a bit more about it on Brooklyn Street Art.

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Photo by Jamie Rojo for Brooklyn Street Art

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Photo by Jamie Rojo for Brooklyn Street Art

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New Historical Portraits on Flattened Cans by Kim Alsbrooks

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Kim Alsbrooks (previously) began painting historical portraits on crushed cans in 2004 while living in the South. The series “My White Trash Family” was born out of the frustration of prevailing ideologies of class distinction, ideas she decided to challenge by placing portraits of the past onto everyman’s consumerist leftovers. These paintings are typically depicted straight from 17th to 18th centuries, and tend to match the material environment they are placed upon (either through color choice, content, or both).

For each painting a gesso layer is applied first, followed by a drawn image in graphite, and finally oil paint and varnish. Alsbrooks only uses detritus she finds on the streets, faithfully sticking to cans that have already been trampled and crushed flat. Difficulty comes in finding the perfect cans, as they must be free of wrinkles that would impede upon on the paintings she places within the center of each surface.

Alsbrooks estimates that she has painted more than 700 of these portraits over the last 11 years, and the series will culminate with an exhibition at the Racine Art Museum in September of this year alongside jewelry maker Nikki Coupee. Alsbrooks often elaborates on the background of the portraits she paints, descriptions behind the portraits’ selection can be found on her blog here.

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Photographic Portraits of Famous Artist’s Paint Palettes by Matthias Schaller

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Palette of Marc Chagall

Since 2007 photographer Matthias Schaller has photographed raw, abstract paintings. The paintings however are not found on canvas, but rather smeared onto the tools used to craft each work of art—the palettes. His series, Das Meisterstück (The Masterpiece), claims these behind-the-scene objects as portraits of the artist, while also giving a direct insight into the detailed techniques performed by each painter.

Schaller was first inspired to begin his photographic collection during a visit to Cy Twombly’s late studio. During the visit he stumbled upon the artist’s palette, which he discovered to be an accurate reflection of the artist’s paintings. Encouraged to further discover the similarities between palette and painting, Schaller has gone on to photograph over two hundred of these historic portraits. His search has led him to collect palettes from all across Europe and the United States, finding the objects in major museums and private foundations and in the custody of artists’ relatives and collectors. The palettes he’s photographed so far in the series belong to seventy painters from both the 19th and 20th century, and include such artists as Monet, van Gogh, Matisse, and Picasso. To accurately analyze the details from paint hue to brushstroke, Schaller presents the images in large format, each work existing at approximately 190 x 150 cm.

Schaller’s practice focuses on non traditional portraits, which he considers “indirect portraits.” Other subject matter has included children’s rooms in Naples, Italy, 150 Italian opera houses, astronaut suits, and early punk vinyls. Through June 8, the Giorgio Cini Foundation will present Schaller’s Das Meisterstück alongside the Venice Biennale, an exhibition that will focus on 20 of Schaller’s palette photographs. (via Hyperallergic)

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Palette of Paula Modersohn-Becker / Palette of Henri de Toulouse-Lautrec

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Palette of Wassily Kandinsky, 2007, 190x156cm, Copyright: Matthias Schaller,Lenbachhaus, München;

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Palette of Claude Monet / Palette of Édouard Manet

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Palette of Edgar Degas

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Palette of Eugene Delacroix / Palette of Georges Seurat

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Palette of J.M.W. Turner, 2013, 190x156cm, Copyright: Matthias Schaller, The Royal Academy of Arts, London;

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Palette of Francis Bacon, 2007, 190x156cm, Copyright: Matthias Schaller, Dublin City Gallery The Hugh Lane, Dublin.

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Palette of Cy Twombly, 2007, 190x156cm, Copyright: Matthias Schaller, Collezione Nicola del Roscio, Gaeta;

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Palette of Pablo Picasso / Palette of Henri Matisse

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Palette of Vincent van Gogh, 2007, 190x156cm, Copyright: Matthias Schaller, Musée d’Orsay, Paris;

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