Tag Archives: painting

Remake: Master Works of Art Reimagined, a New Book by Jeff Hamada 

Salvador Dali, "The Ship," 1942-43, watercolor on paper, remake by Justin Nunnink

Salvador Dali, “The Ship,” 1942-43, watercolor on paper, remake by Justin Nunnink


Dante Gabriel Rossetti, “The Day Dream,” 1880, oil on canvas, remake by Tania Brassesco and Lazlo Passi Norberto

Four years ago, Booooooom creator Jeff Hamada asked the internet to join in on an art challenge to recreate their favorite old master paintings as contemporary photographs. The Remake Project sparked many professional and amateur artists to create elaborate sets, paint their bodies, paint their friends’ bodies, and take their own shot at works by artists from Dali to Magritte. This collection of original paintings and their contemporary counterparts has now taken the form of a book released through Chronicle Books titled Remake: Master Works of Art Reimagined.

The book features side-by-side page layouts of a selection of works from the original contest, displaying the photographic re-interpretations next to their old-world inspiration. Photographs range from the strikingly similar to loose interpretations, a grand spectrum of re-creations represented from the project’s open call. Remake: Master Works of Art Reimagined is now available in the Colossal Shop.

Rene Magritte, "The Lovers," 1928, oil on canvas, remake by Linda Cieniawska

Rene Magritte, “The Lovers,” 1928, oil on canvas, remake by Linda Cieniawska

Ramon Casas i Carbo, "After the Ball," 1895, oil on canvas, remake by Tania Brassesco and Lazlo Passi Norberto

Ramon Casas i Carbo, “After the Ball,” 1895, oil on canvas, remake by Tania Brassesco and Lazlo Passi Norberto

Jacques Louis David, "The Death of Marat," 1793, oil on canvas, remake by Adrianne Adelle

Jacques Louis David, “The Death of Marat,” 1793, oil on canvas, remake by Adrianne Adelle

Edward Hopper, "Nighthawks," 1942, oil on canvas, remake by Bastian Vice and Jiji Seabird

Edward Hopper, “Nighthawks,” 1942, oil on canvas, remake by Bastian Vice and Jiji Seabird


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Nathan Walsh’s Unusual Urban Landscapes Painted Atop Precise Graphite Sketches 


Trying to pin down exactly what makes these urban landscape paintings by British artist Nathan Walsh (previously) so unusual is difficult, in part because of the variety of techniques he employs to get from a vision in his mind to the final, exacting artwork.

Starting with his own photographic references, Walsh first draws an elaborate blueprint of sorts by establishing a horizon line and a host of perspective strategies that varies from piece to piece. This is followed by several months of painting with oils to achieve the final landscape that appears to be a strange hybrid of both illustrative and photorealistic styles. Photography, architecture, and painting converge to create a “painted world which in some ways resembles the world we live in,” says Walsh. “The work aims to create credible and convincing space which whilst making reference to our world, displays its own distinct logic.”

Walsh is currently preparing for a group show titled “Cityscape Paintings: Looking from the Outside In” at Bernarducci Meisel Gallery in October, followed by a solo show during the same period in 2016. You can follow more of his work in progress on Facebook.









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Globalization and the Environment Collide in Mary Iverson’s Mixed Media Paintings of Shipping Containers 


Mary Iverson fills natural and manmade landscapes with colorful shipping containers, objects haphazardly stacked on each other and taking up a majority of the otherwise tranquil scenes. The containers and boxes are cross-hatched with overlaid lines, connecting them a predetermined pattern seemingly known only by the artist.

Iverson explains her work by saying, “My paintings are colorful abstractions that spring from the theme of the industrial shipping terminal. The canvases feature mass accumulations of shipping containers and container cranes in various perspectives. My work employs a network of searching perspective lines and layers of interlocking, colorful planes and rectangles that suggest both deep space and flat surface.”

Part painting and part collage (the pieces often incorporate found photography), her artworks address what happens when globalization and the environment collide, material possessions doubling and tripling until they spill into the natural world around them. The Seattle-based painter gathers the bulk of her source imagery for her sketches through yearly trips to parks across the country, camping and photographing the landscape around her.

Iverson received her MFA in Painting from the University of Washington in 2002 and currently teaches painting and drawing at Skagit Valley College in Mount Vernon, WA as a tenured faculty member. Iverson has two upcoming October exhibitions, one at Gallery FB69 in Munster, Germany and another at G. Gibson Gallery in Seattle. Check out more images of Iverson’s work on her Instagram here. (via Juxtapoz where she’s the cover artist for the August issue)

Valley 8 x 10, collage on panel, 2010, Iverson

Settlement,12 x 12 inches, acrylic, ink, found photograph on panel, 2014






Grand Canyon, 8 x 10 inches, collage on panel, 2010, Iverson

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New Ethereal Watercolor and Black Ink Cats That Fade into the Canvas by Endre Penovác 


We continue to be awed by Serbian artist Endre Penovác's ability to somehow control the unforgiving nature of water on paper to produce ghostly paintings of felines. As the mixture of water and black ink bleeds in every direction it appears to perfectly mimic the cat’s fur. In his newest pieces Penovác introduces elements of color and negative space to add a slightly new dimension. You can see more of his recent work on Facebook and Saatchi Art.








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The Meticulous 10-Month Restoration of a 355-Year-Old Painting at the Metropolitan Museum of Art 

Completed in 1660, Charles Le Brun’s painting of Everhard Jabach and His Family had seen better days. The 355-year-old family portrait was covered in a badly tinted varnish, had multiple superficial scratches and structural damage had split the painting nearly in half. This video documents the 10-month restoration at the Metropolitan Museum of Art lead by Michael Gallagher that involved retouching, structural work, re-varnishing, and numerous other conservation techniques to bring this giant painting back to life. The Met also documented the process in some 20+ blog posts over on their website. (via Sploid)







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Layered Resin Dioramas of Forest-Dwelling Characters Embedded with Flora and Fauna by Drew Mosley 

Egg thief #3 (acrylic, resin, found bowl, quail eggs, sticks and branches, 12″ diameter)

Ottawa artist and carpenter Drew Mosley paints forest-dwelling characters encased in wooden bowls filled with layers of resin. Each scene is further embellished with found bits of flora and fauna: twigs, leaves, eggs, and more, creating artworks that walk a fine line between storybook illustration and sculptural dioramas. Mosley has an extensive studio practice and also pursues a wide range of building and woodworking projects around Ottawa Valley. His paintings have been exhibited throughout Canada and Greece and he currently has a show at the Ottawa Art Gallery through July 27, 2015. You can follow him on Instagram and Flickr. (via Colossal Submissions)








A video posted by @drewmosley on

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Vincent van Gogh Possibly Identified in Newly Discovered Group Photo of Famous Artists from 1887 

JULES ANTOINE (1863-1948) ATTR. – Vincent Van Gogh in conversation with friends, Paris, 96 rue Blanche, December 1887 Melanotype, direct positive and reversed image on blackboard (carton photographique), 86×112 mm, “Gautier Martin” stamp, recto. Vincent Van Gogh in conversation with Paul Gauguin, Emile Bernard, Félix Jobbé-Duval. André Antoine is standing between them.


Some experts believe this recently discovered 1887 melainotype showing six men drinking around a table may include a rare sighting of painter Vincent van Gogh. Van Gogh famously recorded himself in numerous self-portraits, but was known to abhor photography and supposedly never sat for a photo as an adult; only two rare photos of the artist as a child are known to exist, taken when he was 13 and 19.

The image first came to the attention of French photo expert Serge Plantureux when two individuals acquired the photo at an estate sale and thought they recognized a few of the faces, among them, artists Paul Gauguin and Emile Bernard—a significant discovery in and of itself. Analyzing the photographic process, the photographer (thought to be to Jules Antoine), and pinpointing the when the photo was taken raised the chances significantly that a bearded figure who appears amongst the gathering of stoic men might be Van Gogh. Serge Plantureux writes for magazine L’Oeil de la Photographie (The Eye of Photography):

The photograph they had brought to show me was small, dark, and rather difficult to see. Six characters were around a table. The light was pale, perhaps it was a winter afternoon.

They told me, still hesitant, that they thought they recognized the people in it, artists in whom they had long been interested. They were collectors and liked the painters of the late 19th century, in particular the neo-impressionists. They also said it was possible that one of the figures around the table was someone whose true face had never been seen.

The photo went to auction just this weekend and was expected to fetch between $136,000 to $170,000, though a final sale price hasn’t been made public. Still, some experts aren’t convinced. The photo expert for the Van Gogh museum in Amsterdam feels it can’t be the artist “because it simply does not look like him,” and also mentions the artist’s desire to never be photographed. Others note that Van Gogh didn’t mention the gathering in his meticulously written letters from the time period.

Regardless, the photo is still of significant historical value and only time will tell if experts reach a consensus in the identities of everyone depicted. (via PetaPixel, Hyperallergic)

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