Martin Wittfooth transposes the temperament we typically associate with large animals to those much smaller, painting foxes and birds as the heroic victors of this works while making larger animals much more passive and calm. Each of his paintings feature these creatures in environments that deviate from the peaceful surrounding we would expect—trash and decay littering the the ground while smog fills the sky.
“As a species we share a pretty significant degree of similar reactions to the natural world: there are forms in nature that we seem to have innate responses to,” said Wittfooth in an interview with beinArt. “Like a sense of awe or respect for large mammals, and revulsion for spiders and snakes. I’m interested in this kind of shared pattern recognition and instinctive responses. I’m pretty invested in trying to imbue my paintings with some sense of ‘presence’ and hence am working with subject matter that can impart an emotional reading of it, not just a rational (strictly observing) analysis.”
The Brooklyn-based painter’s work is included with 27 other artists fascinated with the wild form in the new book Juxtapoz Wild. You can see more of Wittfooth’s work on his Facebook page here. (via Juxtapoz)
Artist Victoria Wagner works with large pieces of reclaimed wood sliced into geometric forms and painted to resemble large gemstones. Titled Woodrocks, the cut facets of each piece are covered with delicate oil paint gradients that evoke mostly natural tones found in sunsets, water, or outdoor landscapes. The incongruous nature of wood and stone is something that fascinates Wagner. “There is something confusing to the senses in combinations that vacillate between interval and tone, allowing for optical engagement and a perceptual unpredictability,” she says. You can explore more of Wagner’s work on her website and on Instagram. (via Cross Connect, Supersonic)
“Three cities and a house,” 2015
Barcelona-based Cinta Vidal (previously) produces complex architectural constructions to express how differently individuals can occupy the same world— each inhabitant carving out their own nook, cranny, and path within a similar environment. Her new acrylic on wood panels continue to serve as a metaphor for the difficulty of understanding those around us, especially while distracted by navigating our own complicated existence.
Vidal’s paintings set domestic and natural environments in their own gravity-defying orbit, making small planets out of Bauhaus homes, secluded camping spots, and cacti-filled parks. The characters included in each work seem unaffected by the others around them, many wistfully daydreaming or lost deep within a book.
This past December Vidal presented four works with Thinkspace Gallery at Scope Miami Beach and will also show a few with the same space at the LA Art Show from January 27-31. You can read more about Vidal’s process and architectural works on her blog here.
“Bauhaus neighbors,” 30×30 cm, acrylic on wood panel
“Together alone,” 2015
Commissioned painting, 2015
“Free camping,” 50×50 cm, acrylic on wood panel
“Rock neighbors,” 2015
Indonesian artist Elicia Edijanto (previously) has long been fascinated in the bond between animals and children. In her stark black watercolor paintings she depicts predatory beasts like cheetahs and bears as having a direct and intimate bond with children who accompany the animals as companions in misty, haze-filled landscapes. “Nature inspires me. My subjects are often children and animal because they are sincere, unprejudiced and unpretentious. There’s an innate relationship between them,” says the Edijanto.
Collected here are a few of her most recent paintings, several of which are currently on view at Snap! Orlando through the end of the month, and a number of her paintings are available as prints through Lumarte.
Bar at the Folies Bergere
Adam Lister (previously here and here) recreates famous artworks with watercolor paintings that appear as if they have been pulled directly from a 1980s Atari. The modulated technique makes each image appear futuristic, even if the work is a reimagining of the late 19th century Georges Seurat piece A Sunday Afternoon on the Island of La Grande Jatte.
In addition to producing recreations of famous paintings in this nearly cubist style, Lister also paints portraits of famous pop icons, previous works including Popeye and Darth Vader. This September Lister had a solo exhibition at White Walls in San Francsico titled “Elucidation.” The exhibition featured many of his regular-sized works as well as a few miniature paintings that featured subjects from Monopoly boards to Damien Hirst’s famous tiger shark suspended in formaldehyde (“The Physical Impossibility of Death in the Mind of Someone Living“).
You can browse his limited edition prints and new releases on his website here.
The Great Wave, image provided by White Walls San Francisco
The School of Athens, image provided by White Walls San Francisco
Olympia after Manet
Lady with an Ermine after da Vinci
La velata after Raphael
bb8, image provided by White Walls San Francisco
Boba Fett and Darth Vader, image provided by White Walls San Francisco
Hirst, image provided by White Walls San Francisco
Monopoly, image provided by White Walls San Francisco
Popeye, image provided by White Walls San Francisco
Migration | oil on wood panel | 30″ x 30″
The oil paintings of Joshua Flint look like depictions of memories when one tries too hard to access the faded thoughts—worn corners, blurred faces, and transposed scenes that don’t quite make sense. Each work has a familiar element that seems to be cast in a dark and foreboding haze like Sandcastles, a dark painting that disguises whether the included children are building or destroying the miniature city that lies before them.
“There is a dynamic interplay between experience and interpretation,” says Flint about his work. “What is remembered isn’t necessarily descriptive of the actual event. Once the experience has passed through our emotional filter we assign meaning to it, changing the actualities. My paintings explore that place in-between a direct translation and the abstract of emotion.”
Flint has a current exhibition titled “The World Between” at Sumter County Gallery of Art in Sumter, South Carolina which continues until January 8, 2016. You can see more of his oil paintings and in-process sketches on his Instagram here. (via Booooooom)
Memory Palace | oil on wood panel | 24″ x 24″
The Banquet | oil on canvas | 48″ x 60″
They Feed the Earth | Oil on Canvas | 48″ x 48″
Mapping a Galaxy | oil on wood panel | 30″ x 30″
Bright Reflections | Oil on Wood | 24″ x 24″
The Wide Arena of Air | oil on wood panel | 36″ x 36″
Sandcastles | oil on canvas | 48″ x 48″