In this fun series of painted objects titled “It’s not what it seems” by artist Hikaru Cho, common foods are transformed with deftly applied acrylic paints to look like other foods. A banana is turned into a near photo-realistic cucumber, a tomato becomes a tangerine, and even an egg is made into a glistening eggplant. These are actually some of Cho’s “tamer” artworks, as she’s used these same skills with a paintbrush to alter human faces and body parts by adding extra eyes, zippers and mouths. (via Visual News)
Architect and freelance illustrator Maja Wrońska (previously) continues to amaze with her beautifully executed watercolor paintings of iconic cityscapes from around the world. From London and Paris to Prague and even Disney Land, the Polish artist brings a colorful, dreamlike perspective to everything she paints. Wrońska has been extremely active since we first covered her work here back in 2012, see much more on Behance, and pickup prints and other things on Society6.
As part of her MA work at the Design Academy Eindhoven, artist and graphic designer Echo Yang created a series titled Autonomous Machines where common analog devices like tin windup toys, a Walkman, an alarm clock and other machines were connected to writing and painting instruments. As each machine was set loose on a canvas its specialized motions were translated into brush strokes, paint blobs, and pencil marks resulting in self-generated artworks somewhat reminiscent of spirographs. While conceptual artists have long been recording the actions of machines, plants, wind and other moving objects to generate artwork, Yang’s painting wind-up chicken toy stands out as a superbly executed idea. It would be great to see a whole series of those. You can see many more painting vacuum cleaners, hand mixers and electric razors on her website. (via MOCO LOCO)
Using self-portrait photographs and watercolors, artist Aliza Razell has been exploring several abstract narratives by merging the two mediums in Photoshop. Her first series, Anesidora , involves the story of Pandora’s Jar (Pandora’s box was actually a jar, a detail misinterpreted in the 1400s), while the second is inspired by the Finnish word ikävä, meaning the feeling of missing someone or something. You can see much more of her work over on Flickr, and you might interested to know Razell is the older sister of young photographer Fiddle Oak, featured here last year.
Currently in production at Oscar-winning studio BreakThru Films, Loving Vincent will be the first feature-length animated film made solely through hand-painted canvases. The movie will examine the life of post-Impressionist painter Vincent Van Gogh and the circumstances surrounding his violent and mysterious death some 123 years ago. Understandably, the production for Loving Vincent is no easy task and requires the help of 70 (!) painters who will help create the numerous hand-painted oil canvases required to bring the story to life. The team is currently appealing to the public on Kickstarter to help raise funds to complete the movie. (via The Awesomer)
Artist Paco Pomet who lives and works in Grenada, Spain posesses a wonderfully bizarre sense of humor that manifests itself in each of his oil paintings which contain a strange or humorous visual twist. His subverted landscapes and portraits often borrow from sepia-toned photographs that look like historical documents or vintage vacation photos. Pomet opens his second solo show, Scapelands, at Richard Heller Gallery on January 11, 2014.
Artist Samantha French was born raised in Minnesota where she attended the Minneapolis College of Art and Design and now lives and works in Brooklyn. Her current body of work explores nostalgic memories from her childhood spent swimming in lakes of northern Minnesota. The underwater portraits portray people both in and out of water in the midst of perfect tranquil moments captured gracefully with oil paints. She says of her work:
My current body of work is focused on swimmers underwater and above. Using vague yet consuming memories from my childhood summers spent immersed in the tepid lakes of northern Minnesota, I attempt to recreate the quiet tranquility of water and nature; of days spent sinking and floating, still and peaceful. These paintings are a link to my home and continual search for the feeling of the sun on my face and warm summer days at the lake. They are my escape, a subtle reprieve from the day-to-day. At the same time, I am drawn to an idealistic time before my own, where swim caps and wool swimsuits were commonplace. This combination of memory, observation and photography has allowed me to preserve the transitory qualities of water and remembrance.