Artist Carine Khalife (previously) just completed work on this swimmingly beautiful music video for Great Headless Blank, the title track of a new EP from Makeunder. The video was created using a paint-on-glass method where each frame is lit from behind and photographed, a technique popularized by Russian animator Aleksandr Petrov. Khalife occasionally pushes the tactile aesthetic even further by allowing the film to transform into three dimensions using sculpted claymation. You can read more about the film’s premise on the Creator’s Project.
Bangkok-based illustrator and graphic designer Sunga Park embraces the unpredictable nature of watercolors in her drippy depictions of architectural landmarks. In her extensive travels throughout Europe, Park stops to consider the finest details of Gothic cathedrals or the antennae-laden rooftops of residential streets in Croatia, but allows entire paintings to fade away into a wash of ghostly color. The mixture of detailed elements and watery abstraction results in hazy, dreamlike imagery that seems to constantly surprise and intrigue as if lifted directly from a memory. You can follow more of her work on Instagram and on Behance.
Early Morning in Manhattan, 2014, oil on canvas, 84x55in.
As if viewing cityscapes from the vantage point of a bird swooping through the sky or from the window of a speeding car, Italian artist Valerio D’Ospina (previously) sets the world in motion through quick and expressive brushstrokes. The artist imbues the streets of Italy, New York, and Paris with a bold sense of energy that can appear both exciting or foreboding depending on your perspective. D’Ospina also finds beauty in industrial transportation, specifically oil tankers and old locomotives that lumber into rail yards or sit docked in harbors with a captivating sense of dignity.
Floating around mysterious galaxies lie Nicole Gustafsson's futuristic ecosystems, angular planets that contain crystals, luminescent waterfalls, and alien plant life. These worlds, sometimes lit by two or more moons, contain the same pastel shades found in 80s sci fi and video games, yet depict visuals unlike any our own solar system has seen. Gustafsson paints her otherworldly illustrations using Acryla Gouache, applying each one directly to wood panel.
The works included are from two series of Gustafsson’s titled “Celestial Spaces” and “Fantastic Spaces,” each of which was inspired by her interest in space and mineral studies. You can purchase postcards and prints of these celestial paintings on her Etsy shop Nimasprout, and read more about her process on her blog. (via The Creators Project)
In this new series of paintings, Miami-based artist Jason Seife deftly renders the intricate patterns of old Persian carpets with a mixture of acrylic and ink. While the paintings utilize familiar motifs in rug design like leaves and geometric shapes, Seife introduces colors not normally associated with the heavy textiles, creating his own interpretations that reflect his mood or thoughts while executing the painting. Via Robert Fontaine Gallery:
What initially drew him to these works was not only the aesthetic but the dense history and meaning behind the imagery. The way the weavers were able to link each rug’s particular pattern, palette, and style with a specific and identifiable geographic area or nomadic tribe really stood out to him. Jason aims to mirror this practice with his take on the carpets by having each color and pattern specifically correlate to what state of mind and emotion he was in while creating the specific work.
Seife has exhibited internationally and his work was recently incorporated into a special facade projection artwork with The Bronx and Brooklyn Museum. He’s currently represented by Robert Fontaine Gallery and you can see more of his new carpet paintings on Instagram.
To avoid becoming prey, leaf insects use mimicry to blend into their surroundings. But in Takumi Kama’s imagined future, when the insect’s natural environment has been completely destroyed, these masters of camouflage will have no choice but to move in with those who took away their home.
Animals and insects are no stranger in the work of Japanese painter Takumi Kama, who recreates them in acrylics with astonishing accuracy and realism. For a recent exhibition at BAMI gallery in Kyoto, Kama came up with 2 different, imaginary leaf insects that camouflage themselves in the city. One is the Hide-mushi, which gets its name from Hideo Noguchi, who appears on the 1000 yen bill (mushi means insect). The Hide-mushi camouflages itself amongst Japanese currency and feeds on paper, which can affect its color.
Then there is the Comi-mushi, which camouflages itself amongst comic books and comic strips. It can often be spotted in bookstores, convenience stores but have also been known to come out on days when garbage trucks pick up paper for recycling.
Kama has painted these imaginary insects with such realism that it can be hard to tell if they’re 2 or 3-dimensional. But rest assured, no currency has been defaced in the name of art. Everything from the insects to the specimen boxes have been painted on canvas. (Syndicated from Spoon & Tamago)