Artist Federico Uribe (previously here and here) just released a lovely new collection of work made from electrical and a/v cables called, appropriately, Contectado. Uribe works almost exclusively with multitudes of repurposed objects to create vibrantly colored sculptures and 2D artworks like this. Via Now:
Uribe creates sculptures which are not sculpted but constructed and weaved, in all kinds of different ways, curious and unpredictable, repetitive and almost compulsive. They follow the classics canons of figurative and abstract art, but the result is absolutely unusual, whimsical, of enormous efficacy and communicability. When observed from close, his works reveal various kinds of interpretations; they invite us to touch them, to discover the detail and connection between one element and another. When viewed form further away, they offer volumes, forms, textures and color. Distance, proximity and perception are key factors in the interaction between Uribe’s work and its viewers.
You can see many more artworks from this series on his website.
Los Carpinteros is a Havana-based artist collective currently comprised of Marco Castillo and Dagoberto Rodríguez (a third member, Alexandre Arrechea, left in 2003) who produce a wide range of works including sculpture, installation, and film. My favorite of their works are these lovely abstract paintings of Legos and other structural or architectural pieces. Via Sean Kelly Gallery:
Interested in the intersection between art and society, the group merges architecture, design, and sculpture in unexpected and often humorous ways. They create installations and drawings which negotiate the space between the functional and the nonfunctional. The group’s elegant and mordantly humorous sculptures, drawings, and installations draw their inspiration from the physical world—particularly that of furniture. Their carefully crafted works use humor to exploit a visual syntax that sets up contradictions among object and function as well as practicality and uselessness. For Los Carpinteros, drawing has played an integral role as a mock technical draft or form of a blue print that suggests not only a process of artistic elaboration but also a form of architectural or carpentry plans.
You can explore over 100 of their paintings in high resolution on their website, and don’t miss this interactive 360 degree walkthrough of an exploded room at Hayward Gallery in 2008. (via faith is torment)
Every single day in 2013 San Francisco-based artist Klari Reis is creating an abstract painting inside the confines of the humble petri dish, a cylindrical container used by biologists to culture the growth of cells and algae, something the paintings seem to directly resemble. Called ‘Daily Dish 2013‘ the project is a continuation of a series Reis completed back in 2009, but at a cursory glance I’m already enjoying the 2013 series much more. Despite the limitation of medium and space, it’s amazing to see the variation of color and depth each painting has, for some reason it reminded me of Jason Fried’s 2007 SvN post about the variation of watch faces. (via coudal)
I’m really enjoying the perspective and mood in these oil paintings by Valerio D’Ospina. Born in southern Italy but now living and working in Pennsylvania the artist paints gritty scenes from industry including ship yards, trains, and factories as well as broad “urbanscapes” that are captured from a dramatic, almost blurred perspective. His most recent solo show was at Hall Spassov Gallery back in October. (via cosas cool)
San Francisco-based artist Jeremy Mann executes these sublime, moody cityscapes using oil paints. To create each work he relies on a wide range of techniques including surface staining, the use of solvents to wipe away paint, and the application of broad, gritty marks with an ink brayer. The resulting paintings are dark and atmospheric, urban streets seemingly drenched in rain and mystery. Mann’s work is in no way limited to cityscapes, he also paints the human figure, still lifes, and landscapes. He currently has work at John Pence Gallery and you can see many more of his cityscapes here. (via my darkened eyes)
When first viewing the artwork of Shintaro Ohata up close it appears the scenes are made from simple oil paints, but take a step back and you’re in for a surprise. Each piece is actually a hybrid of painted canvas and sculpture that blend almost flawlessly in color and texture to create a single image. The cinematic figures are sculpted from polystyrene while the backgrounds are made from traditional painting techniques. Via his artist statement:
Shintaro Ohata is an artist who depicts little things in everyday life like scenes of a movie and captures all sorts of light in his work with a unique touch: convenience stores at night, city roads on rainy day and fast-food shops at dawn etc. His paintings show us ordinary sceneries as dramas. He is also known for his characteristic style; placing sculptures in front of paintings, and shows them as one work, a combination of 2-D and 3-D world. He says that it all started from when he wondered “I could bring the atmosphere or dynamism of my paintings with a more different way if I place sculptures in front of paintings”. Many viewers tend to assume that there is a light source set into his work itself because of the strong expression of lights in his sculpture.
Artist and camouflage extraordinaire Liu Bolin just opened a new exhibition at Galerie Paris-Beijing in Paris featuring a number of new works that depict the artist perfectly hidden amongst urban backdrops. Remarkably the effect is achieved without the use of special effects or Photoshop, rather Bolin is painstakingly painted head-to-toe by a group of assistants using photographs of the area behind him as a guide. “My intention was not to disappear in the environment but instead to let the environment take possession of me”, he says. Bolin’s intent is not to simply hide himself as an individual but suggests the works are statement regarding damage caused by economic and urban development. The show runs through March 10th. (via designboom)
Do not adjust your web browser, these distorted watercolor and gouache portraits were painted just as they appear by New Zealand-based illustrator Henrietta Harris who says her style “can only be achieved by having occasionally dipped one’s paintbrush accidentally in one’s coffee.” A pretty apt description for these dreamy portraits that seem to convey the precise moment when one becomes lost in thought or memory, an ethereal wind of distortion whirling temporarily through the subjects’ mind. Harris graduated in 2006 from the Auckland University of Technology and his since done work for Amnesty International, Vice Magazine, and BITE. She has a number of prints and several of the original paintings you see above available for sale through her website. (via flavorwire, ignant)