This fun piece was painted by illustrator and muralist Mona Caron on Duboce Avenue at Church Street in San Francisco. Titled Manifest Station, the small mural was painted on a standard utility box and has to be viewed from a specific spot so that the horizon lines of the artwork match those of the actual intersection. As an added bonus, a mural in the background which was repainted in part on the utility box is actually an older piece by the same artist. Caron is currently working on a surprisngly great series of weeds and just painted a giant wildflower in Union City. (via CJWHO)
Artist Michael Aaron Williams has been working on a beautiful series of portraits painted with coffee on found sheets of used ledger paper that dates back to the 1920s and 30s. This is just a small collection of his current work, you can see more in this gallery and over on Facebook. (via Colossal Submissions)
Cleopatras Feast, after Jordeans, Detail Eyes Open Detail
Cleopatras Feast Detail
Cleopatras Feast Detail
Cleopatras Feast after Jordeans Assembled
Water after Archimboldo
Leda and the Swan, after Correggio
Madeline de France Queen of Scotland, after Corneille de Leon
Salome after Solaria
Judith with head of Holofernes, after Cranach
Wishbone, after Gysis / Lanna Woman (Wat Umong)
Artists Chadwick Gray and Laura Spector of Chadwick & Spector create detailed reproductions of historic artworks by painting them on the human body. While both artists collaborate on each artwork, Chadwick is generally the canvas while Spector does the painting. The resulting body of documentary photographs form their ongoing body of work titled Museum Anatomy. Via their artist statement:
Museum Anatomy is a collection of documentary photographs of works from museums around the world that have been recreated onto the human body. The artwork goes through a significant process until reaching the final outcome, a photograph of Chadwick, sometimes unrecognizable as a human form, with an elaborate, detailed painting covering a portion of his body. The recreated paintings of these historic portraits recapture the subjects in their own moment in history. The resulting photographs reveal a unification of art combining antiquity, history and technology in a contemporary context.
What initially starts as a bizarre attempt to visually untangle the artwork from Chadwick’s body becomes a strangely rewarding exercise as you look from piece to piece. It’s an uncanny feeling when you think an area of the artwork is a human body part but you eventually realize the opposite is true.
History of Rise and Fall. 6.5′ x 6.5′, pen & acrylic ink
History of Rise and Fall, detail
Ark. 3′ x 4′, pen & acrylic ink
Foretoken. 6′ x 11′, pen & acrylic ink
The task of Japanese artist Ikeda Manabu is seemingly impossible: a blank paper canvas larger than a person spread before him, a small acrylic pen in his hand, and hundreds of days to fill with faintly imperceptible progress from a mind brimming with explosive creativity. Manabu works in areas measuring roughly 4″ square, spending eight hours a day, often for years, on a single drawing that can eventually dominate an entire wall. Traditional Japanese architecture clashes with giant mangled tree roots, while swarms of birds and fish dart through the water or atmosphere in a complete visual cacophony that somehow results in a single cohesive image. The most unbelievable aspect being that Manabu has no idea what the final artwork will look like, but instead explores each work organically from day to day as he progresses inch by inch.
Manabu’s most recent work, Meltdown, which explores the aftermath of the 2011 earthquake was recently on view at the West Vancouver Museum, and next month will embark on a 10 by 13 foot panel in Madison, Wisconsin which the artist estimates will take upward of three years to complete.
Artist Amy Casey (previously) just unveiled a new collection of work at Zg Gallery here in Chicago. Titled Putting Down Roots the paintings continue an ongoing fictional saga of characters living in Casey’s artwork who often face great adversity from killer plants, collapsing structures, and other desperate means to keep their cities afloat or intact. From the looks of it things have improved dramatically for these little painted inhabitants who appear to have weathered the storm and are now thriving within Casey’s bizarre, suspended worlds. From the artist:
After any pendulum swing of chaos grinds to a slow halt, there will come a time when you will have to decide if you are going to wallow in the rubble or take what remains and create a new empire. Building upon recent work, I have been in search of a solid ground. A bit less kinetic than past work, I have been trying to take what was left of the world in my paintings and create a stability of sorts, thinking about community ties and the security (or illusion of security) needed to nurture growth. Cities are fascinating creatures that I am just beginning to scratch the surface of.
In the video above from Cleveland Arts Prize she talks at length about her process and the continuing narrative that weaves through years of her art. Interestingly, every building or house in each of her paintings is based on actual source materials. Casey will take photographs of some 500 individual houses, office buildings, and water towers which she then uses as reference for every small small structure you see in her artwork.
Putting Down Roots will be up through July 6th, with a smaller selection of work on view through August. All images copyright Amy Casey, courtesy Zg Gallery.
Guadalajara-based painter Omar Ortiz (nsfw) recently completed this amazing new oil painting titled Salto de Fe (Leap of Faith). Ortiz is an accomplished hyperrealistic painter and commands fine control over light and skin tone in all of his paintings which he generally paints on large canvases. You can also find him on Facebook. (via ghost in the machine)
Greek artist Nikos Gyftakis created this wonderful series of swirling self-portraits between 2004-2005. The works are made with oil pastels on canvas and are actually quite large, with a few of the pieces taller than 5′ (1.5m). You can see many more from this series and more of his recent work in his work gallery. (via empty kingdom)