Photo © Michele Palazzo. Jonas Blizzard in New York, 2016.
While walking through the Jonas Winter Storm that swept across the East Coast last week, photographer Michele Palazzo captured this incredible shot of the Flatiron Building against a backdrop of swirling snow. With the exception of a few minor details like logos and a food cart, the image looks like an impressionist painting right out of another another century. The cloudy atmosphere and gusty winds create patterns that appear uncannily like brush strokes. You can see more of Palazzo’s shots from the morning of January 23rd on EyeEm.
Update: The folks over at EyeEm have a nice roundup of Jonas storm photos.
Update 2: The snowflakes you see in the window of the Flatiron are part of a paper origami installation by Chelsea Hrynick Browne in the Prow Artspace.
Chinese artist DU Kun has long harbored a reverence for music and rockstars. A musician himself, the Beijing-based painter is awed by the creation of music, aspects of fame, and the intangible aura of being a revered rockstar, something he tries to capture is these temple-like portraits of famous Chinese recording artists titled “Revels of the Rock Gods”.
Each oil painting depicts the face of a musician as if it were a temple built in devotion to a god and borrows elements from Buddhist and Confucian architecture. Eyes are depicted as windows, tree branches or waterfalls as flowing hair, and the surface of skin as ornate wood facades gilded with gold.
Kun is currently exhibiting the “Revels of the Rock Gods” series as part of his first solo show in Japan at Mizuma Art Gallery in Tokyo through February 13, 2016. You can explore close-up details plus an archive of Kun’s work on his website. (via Hi-Fructose)
Martin Wittfooth transposes the temperament we typically associate with large animals to those much smaller, painting foxes and birds as the heroic victors of this works while making larger animals much more passive and calm. Each of his paintings feature these creatures in environments that deviate from the peaceful surrounding we would expect—trash and decay littering the the ground while smog fills the sky.
“As a species we share a pretty significant degree of similar reactions to the natural world: there are forms in nature that we seem to have innate responses to,” said Wittfooth in an interview with beinArt. “Like a sense of awe or respect for large mammals, and revulsion for spiders and snakes. I’m interested in this kind of shared pattern recognition and instinctive responses. I’m pretty invested in trying to imbue my paintings with some sense of ‘presence’ and hence am working with subject matter that can impart an emotional reading of it, not just a rational (strictly observing) analysis.”
The Brooklyn-based painter’s work is included with 27 other artists fascinated with the wild form in the new book Juxtapoz Wild. You can see more of Wittfooth’s work on his Facebook page here. (via Juxtapoz)
Artist Victoria Wagner works with large pieces of reclaimed wood sliced into geometric forms and painted to resemble large gemstones. Titled Woodrocks, the cut facets of each piece are covered with delicate oil paint gradients that evoke mostly natural tones found in sunsets, water, or outdoor landscapes. The incongruous nature of wood and stone is something that fascinates Wagner. “There is something confusing to the senses in combinations that vacillate between interval and tone, allowing for optical engagement and a perceptual unpredictability,” she says. You can explore more of Wagner’s work on her website and on Instagram. (via Cross Connect, Supersonic)
“Three cities and a house,” 2015
Barcelona-based Cinta Vidal (previously) produces complex architectural constructions to express how differently individuals can occupy the same world— each inhabitant carving out their own nook, cranny, and path within a similar environment. Her new acrylic on wood panels continue to serve as a metaphor for the difficulty of understanding those around us, especially while distracted by navigating our own complicated existence.
Vidal’s paintings set domestic and natural environments in their own gravity-defying orbit, making small planets out of Bauhaus homes, secluded camping spots, and cacti-filled parks. The characters included in each work seem unaffected by the others around them, many wistfully daydreaming or lost deep within a book.
This past December Vidal presented four works with Thinkspace Gallery at Scope Miami Beach and will also show a few with the same space at the LA Art Show from January 27-31. You can read more about Vidal’s process and architectural works on her blog here.
“Bauhaus neighbors,” 30×30 cm, acrylic on wood panel
“Together alone,” 2015
Commissioned painting, 2015
“Free camping,” 50×50 cm, acrylic on wood panel
“Rock neighbors,” 2015
Indonesian artist Elicia Edijanto (previously) has long been fascinated in the bond between animals and children. In her stark black watercolor paintings she depicts predatory beasts like cheetahs and bears as having a direct and intimate bond with children who accompany the animals as companions in misty, haze-filled landscapes. “Nature inspires me. My subjects are often children and animal because they are sincere, unprejudiced and unpretentious. There’s an innate relationship between them,” says the Edijanto.
Collected here are a few of her most recent paintings, several of which are currently on view at Snap! Orlando through the end of the month, and a number of her paintings are available as prints through Lumarte.