Illustrator Adrian Hogan (previously) continues to document the world around him in these detailed panoramic coffee cup sketches which he draws and shares on Instagram in these fun videos. Whether sitting in the coffee shop itself or out and about around his home in Tokyo, he incorporates buildings, streets, friends, and the minutiae of everyday life as he works his way around the edge of each cup. Hogan works as a commercial illustrator, bringing his sketchbook style to storefronts, Japanese magazines, and other editorial projects. You can find more of his work and an interview over on Mas Context.
Housed within an 40-foot inflatable dome inside of a former soy sauce factory, Oscar Oiwa‘s Oiwa Island 2 is an immersive drawings that takes up the entirety of the circular space. The drawing is a part of the 2016 Setouchi Triennale which opened March 20, 2016, a massive art festival that takes over 12 islands and includes 68 works by artists, architects, and designers. Oiwa’s own is located on the island of Shodoshima, an island with 78 miles of coastline in Japan’s Kagawa Prefecture.
The 360-degree drawing includes natural imagery, placing visitors in a black and white world with a detailed forest containing a cabin on the shore of a beach. The drawing is fairly realistic until one reaches the water, where the patterns of the waves become increasingly abstract. The door of the cabin in this elaborate mural doubles as the actual door for the dome, creating an even more immersive effect when you enter the gigantic space.
Oiwa Island 2 will be open for viewing through April 17th for its spring dates, from July 18 through September 4th for the summer, and October 8th through November 6th for the fall. (via Spoon & Tamago)
Richard Silver (previously) has a unique way of looking at architecture, building composite photographs from several images that seamlessly reveal a structure’s interior. His new series captures the insides of New York churches, and are perfectly timed for the Pope’s impending arrival on U.S. soil. These images are composed of 6-10 shots, forming a vertical panorama so cohesive that it might give you vertigo.
Although Silver has been to hundreds of churches during his career and many years of travel, it’s only recently that he figured out how to capture the expansive inner beauty of their architecture. “Finding the perfect location in the center aisle then shooting vertically from the pew to the back of the church gives the perspective that only architecture of this style can portray,” says Silver.
Silver was born and raised in New York and has visited 75 countries in his life, including 13 last year alone. His previous careers involved computer science, real estate, and a stint on Wall Street, but he embraced photography full-time in 2011. You can see more of his vertical church series on his Flickr page here.
Michigan-based photographer Vincent Brady uses an elaborate 4-camera rig and lots of software to capture what he calls Planetary Panoramas. These are somewhat similar to the tiny planet videos we’ve seen the last few months, but the results are quite a bit more dramatic. He shares about his technique:
While experimenting with different photography tricks and techniques back in 2012, I was shooting 360 degree panoramas in the daytime and long exposures of the stars streaking in the sky at night. It suddenly became clear that the potential to combine the two techniques could be a trip! Since the Earth is rotating at a steady 1,040 mph I created a custom rig of 4 cameras with fisheye lenses to capture the entire night-sky in motion. Thus the images show the stars rotating around the north star as well as the effect of the southern pole as well and a 360 degree panorama of the scene on Earth. Each camera is doing nonstop long exposures, typically about 1 minute consecutively for the life of the camera battery. Usually about 3 hours. I then made a script to stitch all the thousands of these panoramas into this time-lapse.
Before an email arrived in my inbox this week I was completely unaware that a polyhedral panoramic perspective drawing was a thing, but apparently is, though a quick google search comes up with nothing. But I’ll take artist Rorik Smith at his word and just enjoy the incredible effects achieved in his disorienting illustrations that are drawn with graphite pencils on-site without aid from photographic reference material or digital manipulation. Smith seems to introduce polarized coordinates at random locations in each drawing and then bends the perspective of the surrounding areas to match. If that makes any sense. Love these. See much more in his portfoio.
A lovely vertical panoramic shot of an electric tower entitled Necessary Sustenance by Dutch art director and photographer Yuri Winkelman. For more vertical panoramic goodness see also the first ever seamless photograph of an entire redwood tree.