Created by Najla El Zein Studio in conjunction with lighting designer Maurice Asso from Hilights, The Wind Portal is a new interactive artwork of 5,000 paper windmills installed in an imposing 8 ft. doorway inside the Victoria and Albert Museum in London. Visitors can pass through the hand-folded windmills as they move from the old part of the museum into a new extension, the Day-lit Gallery, which currently showcases preserved fragments of the city from the Medieval Renaissance. The Wind Portal is part of the London Design Festival, and will be on display through November 3, 2013. (via My Modern Met, Dezeen)
London-based Lobulo Design (who is actually just a single designer who goes by Lobulo) creates wonderful, vibrant designs using paper. From pop culture to anatomy and the natural world it seems like nothing is off limits. Check out much more over on Behance.
Tokyo-based designer Duncan Shotton, known for his whimsical functional objects like the magnetic cloud keyholder and his Lochness monster pins, just launched a Kickstarter Project for a new kind of pencil that makes rainbows when you sharpen it. Each pencil has a 6-layer rainbow core of recycled paper (not wood) and either a white or black exterior. Shotton says the pencils will ship before Christmas.
Update: Rainbow Pencils are now available in the Colossal Shop.
This accomplished king cobra designed by Ronald Koh was recently folded by origami artist Matthieu Georger from a single piece of specially treated tissue paper. The detail is amazing, especially the hundreds and hundreds of scales that individually require multiple folds to create. The artist also folds a wide range of other exotic animals, mythological beasts, and insects worthy of a quick look.
Artist Rogan Brown creates intricate sculptural forms reminiscent of microorganisms, plant life, and topographical charts by deftly cutting patterns in layer after layer of paper. A single work can take upward of five months to complete, and just like the organic forms he seeks to emulate the piece evolves as he works without a preconceived direction or plan. Via his artist statement:
I want to communicate my fascination with the immense complexity and intricacy of natural forms and this is why the process behind my work is so important. Each sculpture is hugely time consuming and labour-intensive and this work is an essential element not only in the construction but also in the meaning of each piece. The finished artefact is really only the ghostly fossilized vestige of this slow, long process of realisation. I have chosen paper as a medium because it captures perfectly that mixture of delicacy and durability that for me characterizes the natural world.
You can see much more of Brown’s work in higher resolution over in his portfolio, blog, and several original works and prints are currently available at Saatchi Online. If you liked this you might also enjoy the work of Eric Standley, Tomoko Shioyasu, and Noriko Ambe. (via My Modern Met and My Amp Goes to 11)
The Human Body is the first release from design studio Tinybop as part of their Explorer’s Library series that seeks to “help children develop a foundational understanding of the world.” The immersive anatomy app for kids features some great artwork work from illustrator and designer Kelli Anderson who created 200+ illustrations of bones, veins, muscles and other components that comprise the interactive environment as well as the stop motion video above. The app is extraordinarily well conceived and designed, every attempt to pry the iPad out of my son’s hands so I can actually try it myself have failed. Get it here. (via Kottke, Swissmiss)
Brooklyn-based artist Mark Wagner (previously) has been referred to as “the greatest living collage artist” and even “the Michael Jordan of glue”. The artist has a wide variety of artistic pursuits from writing and artist bookmaking to drawing and assemblage, though he is probably best known for his intricately cut and assembled currency collages using the one dollar bill. From his artist statement:
The one dollar bill is the most ubiquitous piece of paper in America. Collage asks the question: what might be done to make it something else? It is a ripe material: intaglio printed on sturdy linen stock, covered in decorative filigree, and steeped in symbolism and concept. Blade and glue transform it-reproducing the effects of tapestries, paints, engravings, mosaics, and computers—striving for something bizarre, beautiful, or unbelievable… the foreign in the familiar.
Wagner had a solo show late last year at Western Exhibitions here in Chicago and is currently preparing for a large exhibition at Pavel Zoubok Gallery in NYC that opens September 6th. (via Faith is Torment)