Artist Scott Blake, known widely for his barcode art, recently began experimenting with the humble hole puncher. By punching different patterns that shift from page to page, he creates short animations that twist and rotate as you flip. He currently has four different versions available through his site. (via Junk Culture, Visual News, Boing Boing)
Artist Rogan Brown (previously) recently completed work on this new cut paper sculpture titled Cut Microbe. Four months in the making, the piece is a continuation of Brown’s exploration of the human biome and was inspired by the form of salmonella and ecoli bacteria (this 44″ sculpture is about half a million times bigger than the real thing). The sculpture will be on view this May as part of a commission by the Eden Project in the UK. You can see more of Rogan’s work on his website.
Seattle-based artist Isobelle Ouzman creates 3D illustrations from discarded books found in dumpsters, recycling bins, and local thrift stores. She adopts these forgotten books as a way to give them a second life, cutting and pasting the books into layered fairy tale scenes instead of letting the novels collect dust or fall prey to the elements.
Ouzman creates her whimsical and monochromatic environments with an X-Acto knife, glue, watercolors and Micron pens. Each work focuses on plants and animals, several layers of winding forestry surrounding her central characters.
Each book can take between two and three months to complete, which is why Ouzman is currently on hold with commissions until October. To submit a commission for her found book illustrations contact her here, or browse the books on her Etsy site. (via Lustik)
Not content with boring old inanimate origami, Japanese designer and maker Ugoita T. assembled this clever electromagnetic stage to bring his paper cranes to life. While the idea of moving paper creations around with magnets is fun, it’s the synchronization that really makes this hilarious. (via Digg)
Barbara Wildenboer produces sculptures pieced together from delicately cut books, thin strips of paper splaying out from each book’s spine. Wildenboer’s found books are often ones containing maps, atlases, and scientific subject matter, sometimes using images from the book as central elements to her pieces. Imagery, words, and sentences become components of the larger designs, as she crafts new visual narratives from the raw material.
By producing visual metaphors, Wildenboer attempts to capture her own wonder of complex systems in nature like fractal geometry and the interconnectedness of all beings. She works across several academic disciplines to showcase how our understanding of life is often mediated through text, stretching the world of each book she manipulates outside of its own cover.
Wildenboer lives and works in Cape Town, South Africa, where she received her Masters in Fine Art from the Michaelis School of Art at the University of Cape Town in 2007. Her latest body of work, “The Lotus Eaters“, toured South Africa after opening at The Reservoir at the Oliewenhuis Art Museum in Bloemfontein in 2014. (via Colossal Submissions)
Origami artist and chemistry teacher Adam Tram folds some incredibly beautiful objects with paper. From dinosaurs and skeletons to flowers and warriors, it seems nothing is off limits to his folding abilities. Tram is a member of the Vietnam Origami Group, and you can see many more of his pieces on Flickr.
Cast and hand-shaped abaca, embellished with cotton rag; each copy 14-18″H x 15″W x 16-18″D. Edition of 99.
(S)Edition is an installation of 99 books made to look like common Amanita Muscaria mushrooms by Chicago artist Melissa Jay Craig. The installation has been shown in a various configurations the last few years, and only once in its entirety at the Morgan Conservatory in Cleveland, Ohio back in 2010. From her statement about the installation:
Fungus is an agent of change. I’m fascinated with its myriad forms, and I love to go in search of it. I can become more excited by discovering a beautiful fungal growth than by perusing artwork ‘discovered’ for us by curators in contemporary museums. When I was a child, the first time I had the intriguing feeling that the planet carried messages (texts, if you will) for those who were curious enough to look, was when I came upon a group of Amanita Muscaria, huddled together in a dark, secret space under tall pines.