Last year we were thrilled to discover this little paper world constructed by artist Charles Young who conceived of the idea as a 365-day creative project to explore different architectural forms through paper, every single day for a year. Except… it turns out he never stopped. The tiny paper metropolis has now grown to 635 buildings, many with moving parts that Young expertly animates and shares daily on his Tumblr. The entire papercraft city will be on view from November 10-26, 2016 at the NEoN Digital Arts Festival in Dundee, Scotland.
Japanese paper artist Chie Hitotsuyama deftly creates textured sculptures of animals using a technique involving rolled strips of wet newspaper. The compact application of each newspaper segment proves to be an elegant method of forming the wild fur of snow monkeys or the density of scales found on the back of an iguana. For Hitotsuyama, these details are critical as she seeks to create the most lifelike sculptures possible.
“More than anything else, I’m particular about the realistic feel of the animals,” she shares with Kokusai Pulp & Paper. “Animals that live in nature are equal to us in the sense that we live together on this planet. Sometimes they sleep. Sometimes they eat. They are living ordinary everyday lives just like us. I would like keep insisting on reality and producing my life-sized work as much as possible in order to convey their lives.”
Hitotsuyama is currently showing several pieces as part of a residency and exhibition at MOAH:CEDAR in Lancaster, California through January 7, 2017. You can watch a video of her at work included below, and see much more on Strictly Paper and on her website.
Artist Gunjan Aylawadi works with tiny strips of cut paper rolled into strips and pasted into elaborate mosaic-like patterns in a process she refers to as “weaving with paper.” Unlike quilling where paper is rolled into small components and viewed sideways, Aylawadi’s technique relies on long curled strips that are woven and glued in place in a process a bit more akin to working with textiles. The work is slow and practically meditative as each piece is outlined carefully on paper beforehand with a fair amount of math and geometry—although self-taught in art, she also hold degrees in engineering and product design.
Aylawadi’s paper works have been published in magazines around the world and she’s also shown in a number of group and solo shows in Sydney where she’s based. Her work was also included in CODA Paper Art 2015. You can see more on Facebook and by following her on Instagram. (via Bored Panda)
As part of a personal project exploring typography, artist Lola Dupre (previously) imagined a series of unusual structures shaped like letters of the alphabet. The artist utilized her well-known collage technique that incorporates existing photographs that are cut into tiny pieces, often in duplicate, to make each building. Dupre recently started an Instagram account where you can see some of her latest completed works. (via Soft Shock)
Influenced by a childhood fascination with botanical illustrations and collecting bits of natural ephemera, artist Kate Kato crafts detailed sculptures of the various mushrooms, flowers, and beetles found within the Welsh valley where she currently resides. The sculptures are typically built to accurately reflect the size of their subject, each constructed out of recycled bits of paper that Kato tints with natural dyes.
“For me my work can be very nostalgic, taking me back to my childhood and the curiosity that fueled my creativity,” said Kato in her artist statement. “I like to use recycled paper as it reflects that nostalgia, and gives the sculptures a history and narrative. I like people to be able to see where the materials have come from, as well as what I have turned them into, evoking that childish curiosity we all have somewhere inside!”
Kato’s work will be a part of the upcoming exhibition “Paper” at Confluence Gallery in Twisp, Washington from October 15th through November 19, 2016. You can purchase Kato’s sculptures either online through her Etsy, or in-person at The Craft Centre and Design Gallery in Leeds, UK. (via Lustik)
It’s been awhile since we’ve written about Meg Hitchcock‘s work (previously), first covering her practice in 2011 when she spent 135 hours gluing tens of thousands of individuals letters from the Koran to transcribe the Book of Revelation from the Christian New Testament. Hitchcock continues to produce religious-based text works that dissect the word of God, discouraging her audience from a literal reading by ignoring punctuation and spacing in the sentences she forms. Recently her text drawings have become a bit more figural, forming feet, scarves, and niqabs on paper with thousands of sourced letters.
“The labor-intensive aspect of my work is a meditation practice as well as an exploration of the various forms of devotion,” said Hitchcock in an artist statement. “A long history in evangelical Christianity formed my core beliefs about God and transcendence, but I later relinquished the Christian path. I now gravitate toward Eastern Mysticism, and am deeply moved by Islam. My work is a celebration of the diverse experiences of spirituality and the universal need for connection with something greater than oneself. In the end, the holy word of God may be nothing more than a sublime expression of our shared humanity.”
Hitchcock’s work is currently presented in the group exhibition “This is Not a Book” at the San Jose Institute for Contemporary Art through September 11, 2016. (via Booooooom)