We’ve added a number of creepy things in the Colossal Shop this month for Halloween. Paper Dandy’s newest DIY paper kirigami (fold & cut) book, Horrorgami, featuring 20 sinister scenes inspired by haunted houses and horror films. Take a sip from seven different Creature Cups that reveal critters lurking in your morning brew by Yumi Yumi. Lastly, some edible Chocolate Graffiti bars from UNELEFANTE. See more in our Halloween collection.
Marianne and Steve over at Wintercroft (previously) spent the last year dreaming up several new geometric paper masks that you can download as DIY templates. Last year they just had a handful of great designs, but now they have over 50, some of which have multiple components and even moving parts like an articulated elephant’s trunk, or the long body of a fish. All you have to do is download, print, and assemble, and paint or color as you see fit. See more on their Etsy site.
It’s been over a year since we last checked in with artist duo Deepti Nair and Harikrishnan Panickerof Hari & Deepti, who construct elegant cut paper dioramas inside backlit light boxes. The medium is perfect for depicting the depth of thick forests, pools of water, or subterranean caves inhabited by spirits and fantastic creatures.
Over the last year Hari & Deepti relocated from Denver to Mumbai where they just completed work for their first European show at Blank Space Gallery in Oslo titled ‘We Are All Made of Stars.’ Like previous exhibitions the event was held in a darkened gallery with the only light emitted from their artwork to better emphasize the themes of travel and adventure depicted in their light boxes.
Morgana Wallace (previously) began making cut paper collages after her interest was sparked during a monotype session in printmaking class. Wallace was most attracted to the texture of cut paper compositions, especially with unique materials like wallpaper samples. Currently her work revolves around female heroines and mystical beasts, adding detail to her characters with banners and leaves that float around the subjects’ heads and torsos.
Wallace often uses Japanese linen paper in her work because of her attraction to its texture, mixing it with Canson thin card stock to create her characters’ flowing hair. Other materials used in her works include X-ACTO knives, water colors, gouache, and pencil crayons. To create depth and shadows she also uses foam board which adds to the painterly quality of her scenes.
Istanbul-based artist Sena Runa first explored the craft of paper quilling three years ago while looking for a hobby to fill her spare time. Runa quickly discovered a talent for color and composition when working with paper and it wasn’t long before she began selling pieces online. Her distinct quilling style developed so rapidly she was soon able to quit her job in HR to pursue the craft as a full-time endeavor earlier this year. You can see more of her work on Facebook. (via My Modern Met, All Things Paper)
Straddling a line between 2D and 3D, paper artist Calvin Nicholls forms carefully cut and layered paper sculptures of animals that seem to break free from the surrounding matboard and hover just above the surface. To achieve the haut-relief effect (a process he shares online), Nicholls first works from a drawing which he uses as a template for the various paper components. Using an X-ACTO knife, scalpels, and scissors he then carefully cuts pieces of paper and glues them in place. Each piece can take anywhere from a few weeks up to two years depending on scale and complexity.
Nicholls recently sculpted five birds of paradise as part of a private commission that are currently on view at the Society of Animal Artists annual ‘Art and the Animal’ show at the Roger Tory Peterson Institute in Jamestown, NY. The pieces won both an Award of Excellence and the “Artists’ Choice” awards. You can also keep an eye out for his work at the Leigh Yawkey Woodson Art Museum later this month for the Birds in Art exhibition.