In a unique collaboration between French fashion brand Pigalle and design agency Ill-Studio, the Paris Duperré basketball court was recently redesigned and repainted with a vibrant new color scheme. The narrow basketball court is nestled between two apartment buildings in the 9th arrondissement and has become a backdrop of sorts for unconventional color schemes, the first of which appeared in 2015. Photos courtesy Alex Penfornis and Sébastien Michelini. (via It’s Nice That)
As part of his ongoing series titled Flying Houses, French artist Laurent Chéhère (previously) imagines a world without gravity where unusual architectural structures seem to float midair, tethered only by loose strands of power lines. Each house seems dense with details, telling the story of fictional inhabitants through purposeful details that allude to much deeper stories behind each image. Chéhère draws influence from Jules Verne to Hayao Miyazaki, but most poignantly brings attention to marginalized communities found in Paris, specifically Gypsies and immigrants. By uprooting the houses he hopes the viewer focuses more clearly on them, an act he refers to as “releasing them from the anonymity of the street.”
Each house is actually an extremely detailed photomontage and begins life as a series of sketches. Chéhère then photographs hundreds of elements like antennas, walls, roofs, graffiti, and birds which he then assembles digitally into the pieces you see here.
The newest installation by Chiharu Shiota (previously here and here) is composed of nearly 300,000 yards of white yarn, woven to encapsulate the center, ground floor, and ten windows of Le Bon Marché. The exhibition, titled Where are we going?, will feature 150 boats within the French department store’s center, and the ground-floor exhibition will house a giant threaded wave that visitors are encouraged to walk through. Despite boats being a common theme in Shiota’s work, this installation will mark the first time she has used white yarn, previously creating installations with only black or red thread.
The title of the exhibition, Where are we going?, refers to the mysterious destinations that pinpoint each of our individual and collective lives. Therefore the boats in this installation represent vessels sailing towards unknown locations, the works expressing both a sense of poetry and a sense of unease over what is to come.
“I am struck by the multiplicity of interactions that we experience every day, by their connections with the past and the future,” said Shiota in an interview with Le Bon Marché. “The creation of this indecipherable mesh and its plasticity are a mystery, just like our brain, the universe, and of course, life. I have no answers, only questions. These questions are the foundations of my work.”
Last year Le Bon Marché organized a large exhibition of Ai WeiWei's work which featured a 65-foot bamboo and silk dragon in the store’s atrium. Shiota’s Where are we going? will be displayed at Le Bon Marché through February 18, 2017. (via Fubiz)
Artist Levalet (aka Charles Leval) has been extremely busy this year, bringing his unique brand of nonsensical wheatpastes to locations all over Paris. His temporary interventions show a wide range of disheveled characters caught in a world of mischief and misfortune, as they appear to interact with the building facades onto which they are pasted. Levalet’s artworks first began to appear outdoors in 2012, but he’s since begun to produce entire shows of paintings, sculptures, and various assemblage pieces for display indoors that are no less enchanting.
Projected onto the ceiling of Saint-Eustache Church in Paris, Voûtes Célestes is a work by Miguel Chevalier that turned the ancient chapel into the backdrop for a constantly morphing sky chart produced in real time. Cycling through 35 different colored networks, the ceiling glowed with each successive pattern, highlighting the grand architecture that laid below the swirling universes above.
The work, accompanied by musical improvisations played by Baptiste-Florian Marle-Ouvrard on the organ, was produced for Nuit Blanche 2016 on the first of October. Visitors to the virtual reality artwork were invited to wander or lie down beneath the false sky above, aesthetically immersed in a wash of sonic and visual splendor.
Chevalier was born in Mexico City in 1959 and has lived in Paris since 1985. His work has focused almost exclusively on the digital since the late 1970s, often combining themes such as nature and artifice. You can see a more of his work on his website, and a video of his Paris installation below. (via designboom)
German photographer Sebastian Erras (previously) made his mosaic-focused Instagram @parisianfloors famous by capturing the detailed floors beneath the feet of Parisians, one perspective shots that featured his feet transposed against colorful tiles. Now Erras does not limit himself to capturing only Paris’s tiles, and has been capturing some beautiful patterns found in the buildings of London. The above shot from London’s Royal College of Art is one of our personal favorites.