Self-taught chef Rhiannon over at Cakecrumbs has been working on a fun series of planetary cakes that are designed to be scientifically accurate with different types of cake representing various layers within Earth and Jupiter. For her Jupiter Cake the center is the theoretical rock/ice core (mudcake), followed by a layer of liquid metallic hydrogen (almond butter), and finally the liquid molecular hydrogen (colored vanilla). She layered her Earth Cake similarly and finished it off with some absurdly detailed continent design made with marshmallow fondant.
Due to high demand she just posted an extremely detailed tutorial including a video that explains how to make spherical concentric layer cakes. Which is now a thing. That I will have at my birthdays now and forever. (via I F’ing Love Science)
No these aren’t incredible new high-resolution photographs of newly discovered rainbow worlds beamed back from Hubble, they’re just soap
bubbles, captured by the extremely talented photographer Jason Tozer in his London studio. Armed with a Hasselblad camera and a 135mm lens, Tozer has developed a his lighting technique that requires a giant dome of perspex to illuminate the reflective surface of each bubble. The more patterned surfaces on the bubbles are manipulated with a straw to create the various swirls and textures that might as well be the surface of Jupiter or Neptune. All of the colors and details you’re seeing are 100% genuine as Tozer very rarely relies on any sort of retouching or color correction. You can explore his website to see a few more photos, several of which have a fancy zoom feature giving you the full macro effect, he’s also done similar work with smoke and ice. All images
courtesy the artist. (via the super awesome shop)
Sydney-based artist Catherine Nelson refers to herself as a painter with a camera, in that she doesn’t see the world as a photographer does but instead uses photos as a medium with which she creates these fantastic miniature worlds. Each work is comprised of hundreds of photographs which she digitally stitches together, drawing from an extensive background in visual special effects having worked on such films as Moulin Rouge, Harry Potter and 300. Of her work Nelson says:
When I embraced the medium of photography, I felt that taking a picture that represented only what was within the frame of the lens wasn’t expressing my personal and inner experience of the world around me. With the eye and training of a painter and with years of experience behind me in film visual effects, I began to take my photos to another level. The ‘Future Memories’ series comprises of 20 floating worlds, meticulously composed with thousands of assembled details. Visual poetry, nature photography and digital techniques blend together to give shape to these transcendental landscapes. The result is a contemporary pictorial mythology that subtly reminds the viewer of a profound truth: that it is in the flourishing variety of the local that the fate of the world resides.
Although the pieces are quite gorgeous to look at right here on Colossal, it’s hard to convey the resolution and scale of each piece which measures about 40×40″ (100x100cm), a level of detail that requires Nelson to spend nearly a month on each piece. It was my assumption based on the perspective and detail that some of these works must be somehow partially rendered in 3D, however she assured me via email that this is not the case. Though she uses digital editing to assemble them, they are almost purely based in photography. Incredible.
I’m loving these liquid planets by German photographer Markus Reugels. Using large satellite photos as a backdrop and a high speed camera he captures the background’s refraction through water drops. The perfectly timed shots result in these spherical representations of the Earth, Moon and Jupiter. See much more of his work here and also here. Thanks Markus for sharing your work with Colossal!