Designed by Italian firm Act Romegialli Architects, Green Box is a small camouflaged garage for a private residence situated on the Raethian Alps. While the interior is organized into a gardening room, cooking area, and a small dining/hang out space, it’s the exterior that makes this contemporary hobbit home pretty remarkable. The architects created a lightweight skeleton of galvanized metal and steel wire for the sole purpose of promoting a habitat for climbing vegetation. From a distance only a glowing light would suggest the space was even habitable. I could write Colossal from a space like this for an extremely extended period of time. See more photos over on iGNANT.
In her Harm Less series artist Sonia Rentsch defuses the powers of modern weaponry by constructing guns, grenades and bullets completely from organic objects. The shape and form of each piece are really convincing, yet I also enjoy the obviousness of each plant chosen to resemble various gun parts. If you’re reminded of Sarah Illenberger’s work, you’ll be happy to know Rentsch has had the opportunity to work with Illenberger in Berlin. Take a deep dive into her extensive portfolio of work over on her website. (via not shaking the grass)
The Book vase by YOY Design Studio (previously) is a house planter camouflaged as a book. Made of PMMA and PVC for water proofing the vase can be opened up to reveal the dirt inside and when closed can be inserted amongst the rest of your books to save desk space. (via fuck yeah book arts)
Portland-based photographer Sarah K. Byrne recently wrote and filmed a detailed tutorial on how to make multiple exposure photographs using a Cannon 5D Mark III camera and accompanied the article with some great examples of her own work. You can see more of her photography over on Tumblr, and if you liked this you can see many more examples of multiple exposure photography right here. (via fstoppers)
In his continued forays into experimental botany that blur the lines between art and science, artist Makoto Azuma (previously) has reimagined the bonsai tree, one of the oldest Japanese artforms. This latest work titled Water and Bonsai, began with a dead branch from a juniper tree which was carefully attached to java moss meant to simulate the form of leaves. The entire piece was then submerged into a modified hydroponic environment similar to some of his earlier aquatic plantscapes replete with LEDs, a filtration system, and C02 emissions that encourage photosynthesis. See more over on Spoon & Tamago.
Andy Ellison works at the BU medical school in Boston where he frequently works with a research-only MRI scanner. Over the past few months he’s been sharing some fantastic animated gifs of his calibration and quality control scans using assorted fruits, vegetables and other plants. As you can see the results are absolutely mesmerizing and I urge you to check out his blog, Inside Insides, for many more scans and hi-res images. Thanks to Ellison for exporting some slightly larger images for this post, sorry for the extra load! (via quipsologies)
In his Broken Flower series photographer Jon Shireman soaked various kinds of flowers in a liquid nitrogen bath for up to 30 minutes before using a special spring-loaded contraption to slam them against a surface at high speed. He then photographed the hundreds of fragments spread across a white surface like sharp glass shards. Beautiful work. See the rest over on Flickr. (via photojojo)
Artist and designer Azuma Makoto (previously here and here) was born in 1976 and runs a haute couture flower shop called JARDINS des FLEURS in Moto-Azabu, Tokyo. His work with plants and flowers also extends into personal artistic practice and client work where he creates a wide variety of sculptures, installations and objects using tress, leaves, moss, and other plants both organic and artificial. One of his most recent exhibitions, Collapsible Leaves at Eye of Gyre Gallery involved a remarkable collection of suspended and mounted sculptures made of tightly folded and layered leaves. The pieces are unique in that I imagine they must have required rapid assembly a single leaf at a time, and yet look as if they are naturally occurring objects. If you’re just learning about Makoto’s work for the first time, be sure to also check out his suspended trees and other private works.