Tag Archives: porcelain

Densely Textured Sculptures Produced From Thousands of Porcelain Spines by Artist Zemer Peled 

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Using thousands of handcrafted porcelain shards, Israeli born artist Zemer Peled (previously here and here) produces large-scale sculptures that are densely textured. The works change depending on one’s stance, at once looking as if they are made with soft feathers or sharp spines. In either circumstance the pieces reflect the natural world, imitating swirling wind patterns or rolling planes of grass.

“The forms are never static; the visual dance of sharp ceramic parts conveys a sense of constant movement,” explains Mark Moore Gallery. “Like a murmuration of starlings, the sculptures appear to shift shapes as you move around them, an identity becoming and unbecoming in front of you.”

A solo exhibition of Peled’s work, “Nomad,” is currently on display at Mark Moore Gallery in Los Angeles through October 29. You can see more of the artists work on her website and Instagram. (via Colossal Submissions)

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Porcelain Vessels Pummeled in Unfortunate Accidents by Laurent Craste 

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Montreal-based artist Laurent Craste (previously) has a penchant for decorative objects, exploring their meaning by more or less beating up the porcelain sculptures. Craste intervenes with history, morphing the staid and decorative nature of each vase or dish into a moment of comical misfortune. These accidents that are not necessarily happy ones, but ones that involve knives, bats, and nails penetrating each piece.

“I regard the inventory of original models from the main 18th and 19th century European porcelain manufacturers and use these models as a basis for research on the status of the collectibles, by subjecting them to a practice of deconstruction and violent alteration of their formal structures, or by contaminating their traditional decorations through a subversive process of subject substitution,” said Craste in his artist statement.

Some of Craste’s work was recently featured by Back Gallery Project at the Seattle Art Fair from August 4-7. You can see more damaged vessels on his website. (via Fubiz)

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New Surgically Sliced Porcelain Dishes Reveal Vibrant Floral Insides 

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With layers of porcelain surgically peeled back like skin, UK artist Beccy Ridsdel (previously) reveals the colorful internal workings of ceramic dishes. The artist refers to the pieces as “dissections in progress” and displayed earlier iterations alongside actual surgical implements to further heighten their anatomical nature. Titled “Under the Surface,” the ongoing series suggests each porcelain cup or plate has an internal biology of floral decorations that can be explored by removing bits of exterior. Many of Ridsdel’s latest pieces are currently available in her online shop.

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Porcelain Female Forms That Blur the Line Between Humans and Nature by Juliette Clovis 

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All images via Juliette Clovis

French artist Juliette Clovis produces hybrid works that merge nature, history, and myth with the female form, covering simple porcelain busts in wildlife, flora, and spikes. Her additions are either painted on or applied to mask the face, obscuring features like abnormal growths. These ambiguous females question the power that is split between humans and nature, toeing a line between being gentle and unnerving. You can see more images of Clovis’ porcelain three-dimensional forms on her Instagram and website. (via Artist a Day)

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Shattered Porcelain Fragments Fused With Gold by Artist Yeesookyung 

Translated Vase (TVW5), 2013, ceramic shards, epoxy, 24k gold leaf, 24 x 20 x 18 inches

Translated Vase (TVW5), 2013, ceramic shards, epoxy, 24k gold leaf, 24 x 20 x 18 inches, all images via Locks Gallery

Korean artist Yeesookyung masterfully produces imperfect sculptures, bulbous yet elegant works composed from mismatched porcelain. The series, titled “Translated Vase,” was first inspired by the Korean artisan tradition of destroying porcelain works that are not deemed pristine, and she has continued to make the fused pieces since 2001. Intrigued by these tossed aside works and shards, Yee began saving fragmented tea cups and pots rejected by contemporary masters. Honoring the works’ dismantled states, she traces each crevice in 24-karat gold leaf in the style of Japanese kintsugi, merging the unwanted works together in a way that heightens the beauty of their distress. In this way she blends diverse methods to form a contemporary process that evokes both the elegant designs of her homeland and the delicate rebuilding of damaged works in Japanese tradition.

Yee received her undergraduate degree and MFA in painting from the National University in Seoul. She is represented by Kukje Gallery in Seoul, Locks Gallery in Philadelphia, and Ota Fine Arts in Tokyo. This spring she was in the group exhibition “Earth, Fire, and Soul – Masterpieces of Korean Ceramics” at the Grand Palais in Paris. You can see more works from her Translated Vase series on her website.

Translated Vase (TVWG1), 2014, ceramic shards, epoxy, 24k gold leaf, 71 x 35 1/2 x 31 1/2 inches

Translated Vase (TVWG1), 2014, ceramic shards, epoxy, 24k gold leaf, 71 x 35 1/2 x 31 1/2 inches

Translated Vase (TVW5), 2013, ceramic shards, epoxy, 24k gold leaf, 24 x 20 x 18 inches

Translated Vase (TVW5), 2013, ceramic shards, epoxy, 24k gold leaf, 24 x 20 x 18 inches

Translated Vase (TVWG1), 2013, ceramic shards, epoxy, 24k gold leaf, 61 1/2 x 36 x 27 1/2 inches

Translated Vase (TVWG1), 2013, ceramic shards, epoxy, 24k gold leaf, 61 1/2 x 36 x 27 1/2 inches

Translated Vase (TVWG1), 2013 (detail), ceramic shards, epoxy, 24k gold leaf, 61 1/2 x 36 x 27 1/2 inches

Translated Vase (TVWG1), 2013 (detail), ceramic shards, epoxy, 24k gold leaf, 61 1/2 x 36 x 27 1/2 inches

Translated Vase (TVW8), 2013 (detail), ceramic shards, epoxy, 24k gold leaf, 52 x 28 1/2 x 27 1/2 inches, Collection of the Philadelphia Museum of Art

Translated Vase (TVW8), 2013 (detail), ceramic shards, epoxy, 24k gold leaf, 52 x 28 1/2 x 27 1/2 inches, Collection of the Philadelphia Museum of Art

Translated Vase (TVW8), 2013, ceramic shards, epoxy, 24k gold leaf, 52 x 28 1/2 x 27 1/2 inches, Collection of the Philadelphia Museum of Art

Translated Vase (TVW8), 2013, ceramic shards, epoxy, 24k gold leaf, 52 x 28 1/2 x 27 1/2 inches, Collection of the Philadelphia Museum of Art

Translated Vase (TVG4), 2012 (detail), ceramic shards, epoxy, 24k gold leaf, 42 x 29 x 29 inches

Translated Vase (TVG4), 2012 (detail), ceramic shards, epoxy, 24k gold leaf, 42 x 29 x 29 inches

Translated Vase (TVG4), 2012, ceramic shards, epoxy, 24k gold leaf, 42 x 29 x 29 inches

Translated Vase (TVG4), 2012, ceramic shards, epoxy, 24k gold leaf, 42 x 29 x 29 inches

Translated Vase (TVW 6), 2013 (detail), ceramic shards, epoxy, 24k gold leaf, 27 x 26 x 27 1/2 inches

Translated Vase (TVW 6), 2013 (detail), ceramic shards, epoxy, 24k gold leaf, 27 x 26 x 27 1/2 inches

Translated Vase (TVW 6), 2013, ceramic shards, epoxy, 24k gold leaf, 27 x 26 x 27 1/2 inches

Translated Vase (TVW 6), 2013, ceramic shards, epoxy, 24k gold leaf, 27 x 26 x 27 1/2 inches

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Ultra Satisfying Porcelain Carving Videos by Abe Haruya 

・ #ceramics #pottery #porcelain#carving #うつわ #器 #しのぎ#飯碗#帳尻合わせ #阿部春弥 ・・

A video posted by Haruya Abe 阿部春弥 (@abe_haruya) on

・ #ceramics #pottery #porcelain #うつわ#器#面取#阿部春弥 #帳尻合わせ

A video posted by Haruya Abe 阿部春弥 (@abe_haruya) on

Japanese ceramic artist Haruya Abe shares short clips of a ceramic carving technique where top layers of porcelain are gently scraped away using a scalpel-like instrument. Not only does it create beautiful results, the process is just satisfying to watch. Given the same tools, I’d scrape these pieces into oblivion. You can see more photos and videos of Haruya’s studio work here. (via @StreetArtGlobe)

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