Self-taught artist Lou Ros began his career by tagging walls and buildings with friends at the age of 17. Now 26, he’s exhibiting his paintings worldwide with no less than seven upcoming group and solo exhibitions in Miami, New York, Paris and elsewhere. Some of the pieces above are from his Faces series, many of which were shown at an exhibition earlier this spring at Tache Gallery. (via art fixx)
Ever since photographer Noah Kalina began his Everyday portrait project 11 years ago (I had no idea he was still actively photographing himself, talk about commitment) there have been hundreds of inspired photogs snapping daily self-portraits. Flickr user clickflashwhir is one of these people, taking hundreds of portraits over the past several years. Tiemen Rapati downloaded 500 of her photos and created this beautiful composite image by finding an average RGB value for each pixel and dividing it by the total number of portraits. I have no idea how this is done, but I bet it involves computers. It’s amazing how surgically accurate she must sit, I assume using her eyes to align each shot. Really stunning. Just a note, though it says Tiemen used 400 photos on Flickr, he averaged in another 100 for this post. (via feltron)
Using thousands of meticulously painted dots (“ten-ten” in Japanese) designer and photographer Miharu Matsunaga has been exploring the interconnectedness of people and places in these two recently completed projects. The first, a series of mottled portraits was completed as part of her graduate work at Tama Art University. The delicate white dots are meant as a visual display of the often neglected and forgotten interconnectedness between “family, parents, sister, friend, man, woman, adult, baby, race,” and people of different languages. Matsunaga continues this organic, dotted exploration in Ten-ten wherein the dots are used to cover interior walls, vehicles, and other objects. Stunning work. (via spoon and tamago)
Too. Much. Fun. While not particularly a new idea, Reddit user MadSon11 recently photographed a great mashup self-portrait using the lower half of Alexander Hamilton’s head from a U.S. $10 bill (top photo). An instant meme was born, and soon dozens of money faces were pouring in from all over the world. The hilarity continues on Visual News.
I’m really enjoying these vertically sliced portraits by Amanda Clyne who uses images from fashion magazines as a starting point for a rather involved process, that I’ll let her explain in her own words.
I begin my process by culling images from fashion magazines. Cropping the image into a portrait, I re-print the image on to a surface to which the printing ink does not adhere, so the image remains wet. I photograph the print as the fluid image morphs and dissolves over time. I then compose a new image from fragments of these photographs—each image each is comprised of slices of the image at various stages of dissolution. Once I have resolved the final composition, I project the basic outlines of the image onto a canvas, and use a print-out of my composition as a painting reference. Each fragment is taped off and painted separately. Because of the narrow width of the fragments (some are less than 1/4 inch wide), I usually paint every third fragment, then while I wait for those fragments to dry, I paint alternating fragments on a different painting. Some paintings require three or four rounds of painting, so I work on several paintings at once.
The results are really quite striking. Clyne will have three new works on display at Art Toronto at the end of October. Thanks Amanda for sharing your work with Colossal!