I’ll be honest in that I’m not quite sure what’s going on here. Created by Berlin-based artist Sebastian Bieniek, Doublefaced is an ongoing series of experimental portraits where a second (or third), rudamentary face is painted with makeup products on the side of a subjects face. While the idea seems ridiculously simple, the actual result is a super bizarre, off-kilter series of photos. Kind of gives you the heebie jeebies. See much more here. (via My Modern Met)
This outrageous display of facial hair configurations made an appearance at the 4th Annual National Beard and Mustache Championships in New Orleans earlier this month. Luckily Las Vegas-based photographer Greg Anderson was on-hand to give us a front-row seat as the bizarre spectacle of facial hair paraded in front of his camera lens. The championships involved some 150 contestants from the U.S., U.K., and Canada who competed in 17 different categories. If this isn’t enough, here’s a giant gallery of 164 portraits from the event. (via PetaPixel, Twisted Sifter)
Artist Andre Salgado (previously here and here) wows us again with a new body of work completed in the last few months for exhibitions at Le Petite Mort Gallery, and an upcoming solo show titled The Acquaintance at the Art Gallery of Regina. Salgado’s large-scale figurative paintings are comprised of deftly placed smears and drips of spray paint that charge each work with gritty, almost intangible hints of energy. You can see much more over on Saatchi Online and Facebook.
Last Thanksgiving, Cerniello traveled to his friend Danielle’s family reunion and with still photographer Keith Sirchio shot portraits of her youngest cousins through to her oldest relatives with a Hasselblad medium format camera. Then began the process of scanning each photo with a drum scanner at the U.N. in New York, at which point he carefully edited the photos to select the family members that had the most similar bone structure. Next he brought on animators Nathan Meier and Edmund Earle who worked in After Effects and 3D Studio Max to morph and animate the still photos to make them lifelike as possible. Finally, Nuke (a kind of 3D visual effects software) artist George Cuddy was brought on to smooth out some small details like the eyes and hair.
The final result is pretty remarkable, if a little bizarre. Not quite out of the uncanny valley, and yet pause the movie at any moment and it feels like you’re looking at a plain portrait. While it plays the transitions are just slow enough that you’re only vaguely aware anything is happening. It’s amazing as it is weird. He tells me via email:
I wanted to make a person, I felt like I could tell a story with that, but it ended up feeling slightly robotic, like an android. I’m OK with that. Things never come out the exact way you plan them, but that’s the fun. The score I imagined would tell this woman’s life, with events speeding by as she aged, but in the end I thought it would be more interesting to go with an abstract piece of sound, and my friend Mark Reveley really came through because I love how it sounds.
Cerniello normally edits commercials and music videos for the likes of 30 Seconds to Mars and Kings of Leon, you can see much more of his work over on his website.
When first encountering this body of photographs Madrid-based advertising and industrial photographer Miguel Vallinas it’s easy to view it as a familiar “animals dressed as people” project. But as you look closer you realize it’s quite a bit more than that. Aside from the solid retouching, lighting and overall execution, Vallinas took this anthropomorphic project a bit further and imagined what the fully-realized wardrobe of each animal might look like if it were wearing human clothes.
Titled Segundas Pieles (Second Skins), the ongoing series includes some 50+ animals whose personalities seem to be perfectly amplified by their pitch-perfect attire, making the portaits just a bit more human than animal. I’m pretty sure the hipster bird in the cardigan works at a coffee shop by my house. The work is a sister project to another series called simply Pieles where the photographer portrays himself in a wide range of professions. (via lustik)
Mother + Daughter is an ongoing portrait project by artist Carra Sykes who dresses and poses identically to her mother in various photographs. Sykes was looking for a way to lift her spirits while struggling with a long job hunt and was struck by her mom’s penchant for occasionally raiding her Goodwill donation bags to wear her old clothes. While the photos are not meant to be perfectly identical in composition or form, Sykes says the project has become an interesting study of their relationship and physical traits. You can follow the series over on Flickr. For similar projects check out the work of Irina Werning. (via My Modern Met, DesignTAXI)
Artist Michael Aaron Williams has been working on a beautiful series of portraits painted with coffee on found sheets of used ledger paper that dates back to the 1920s and 30s. This is just a small collection of his current work, you can see more in this gallery and over on Facebook. (via Colossal Submissions)
Retired gym teacher Dale Irby posed for his first yearbook photo back in 1973 at Prestonwood Elementary school. The next year, completely by accident, Irby wore the exact same outfit. At first he was horrified to discover the faux pas, but then his wife made a dare: do it again the next year. Before you knew it a 40-year tradition was born; from 1973 to 2012 the teacher, now 63, wore an identical sweater vest and collared shirt for every single yearbook portrait. You can see a slideshow of the photos over at the Dallas Morning News. (via peta pixel)