German creative studio Urbanscreen have just unveiled ‘320 Licht,’ a massive light projection inside the cathedral-like interior of the 20,000 square meter Gasometer Oberhausen in Germany (the same space that housed Christo’s Big Air Package last year). Urbanscreen utilized both the ceiling and 320 degrees of the interior space of this former gas tank to project a 22-minute loop of digital animation with 21 high-powered Epson projectors.
“This experience is based on the vastness of the Gasometer,” sound designer Jonas Wiese told the Creator’s Project. “We tried to work with that expression to make the space bigger and smaller, to deform it and to change its surface over and over while not exaggerating and overwriting the original effect of the room.” He continues, “the age of the screen is coming to an end, digital interfaces will dissolve and merge into the social space [...] we poetically contribute to this through art.”
320 Licht is part of the exhibition The Appearance of Beauty and will be on view through December 30th, 2014. Watch the included video above from the Creator’s Project to learn more about how it all came together.
Produced by Bot and Dolly, a San Francisco-based design and engineering studio, this amazing clip was filmed entirely in camera and demonstrates a mixture of robotically controlled monitors, projection-mapping and choreographed human interaction. Via their website:
“Box” explores the synthesis of real and digital space through projection-mapping on moving surfaces. The short film documents a live performance, captured entirely in camera. Bot & Dolly produced this work to serve as both an artistic statement and technical demonstration. It is the culmination of multiple technologies, including large scale robotics, projection mapping, and software engineering. We believe this methodology has tremendous potential to radically transform theatrical presentations, and define new genres of expression.
I can’t tell you how long it’s been since I’ve been excited by projection mapping, even if you’re skeptical this is seriously worth just a few minutes of your time. (thnx, Nick)
Bristol-based visual artist Joanie Lemercier has been experimenting with light projected onto 3D canvases. This lastest work created for a Birmingham gallery space was created using sheets of A4 paper folded into pyramids onto which he projected light resulting in an interesting organic effect. No video unfortunately, but you can learn more about his work here.
Cambodian Trees is a digital projection work by French artist Clement Briend who traveled to Cambodia to photograph these sculptural representations of deities and spirits from Cambodian culture overlaid on trees in several urban areas. Of the series Briend says:
It’s a beautiful surprise when the projected spirits awaken and reveal themselves at night as though they are made of the towering trees themselves. The photographic light installations echo the spirituality of the few sprouts of nature in the predominantly urban landscapes. It is a visual imagining of the divine figures that inhabit the world, as seen through an environmentally aware spiritual eye.
Though I’m generally not a fan of digital projection, I really enjoy Briend’s utilization of tree branches to lend volume to the photographs of sculptures, in essence giving them life. To see several more images from this series, head over to his website. All images courtesy the artist. (via empty kingdom)
I’ve tried to lay low on the abundance of video projection mapping projects that have flooded art and design blogs the past year or so, and I think I surrendered only once to Macula’s Prague clock. And then this awesome project appeared in my inbox this morning. A collaboration between Sober Industries and Studio Rewind who decided to point the video projectors elsewhere, onto customized wood-paneled sculptures of animals.
Both sculptures were projected with mapped visuals. New in this project was the interactive part. The spectators were able to control the visuals projected by a custom made cubicle with motion sensors and buttons. By tilting the cubicle the color of the visuals changed and the buttons were used to skip through the visuals and to create other effects like blending and scratching. The sculptures are made entirely out of wood and can be disassembled to smaller pieces which are more easy to transport.
The Prague astronomical clock turned 600 this week, and why not celebrate one of the worlds most complex clocks with a craaaazy projected animation. I walked past this clock almost every day in 2004, wish I could have seen this first-hand. Projection work by Macula. (via kottke)