Romania-based architecture collective visualSKIN arrived at the Amsterdam Light Festival with a splash this year, installing a three-dimensional projection of a 17-century ship against a backdrop of water. Titled ‘Ghost Ship,‘ the installation makes use of two intersecting images projected onto perpendicular curtains of water that can be viewed from multiple angles. The piece is in reference to a Dutch East India Company ship, The Amsterdam, that was wrecked in a storm during its maiden voyage to Batavia in 1749.
In a fortunate coincidence, and unbeknownst to visualSKIN beforehand, Ghost Ship also rests on the former site of a large water fountain designed by sculptor Albert P. Termote that was removed more than a decade ago. You can see more views of the installation right here. (via Designboom)
With a neverending procession of distressing events in the news lately, you might be in need for a substantial dose of something absurdly happy. If so, this new music video for Cameroonian singer-songwriter Irma will surely fit the bill. The video was created by French design house SuperBien and directed by Xavier Maingon and Marc-Antoine Hélard who opted to shoot the entire piece on a single soundstage with the use of 7 digital projectors. The shoot must have been a Herculean effort on behalf of the kids who had to rock it out for 20-25 takes before getting the final version. The song is “Save Me” off her 2014 album Faces. (via Motionworks, Booooooom, and Jeff is right, this wins the award for most-fun-being-had-in-a-video)
For this year’s New Media Night Festival, media design studio Radugadesign was comissioned to set ‘Universe Mind’ in motion with this 8-minute video projection. If you’d like to get a feel for what it’s like to step inside the building under normal circumstances, check out this interactive 360° panorama. (via The Creator’s Project)
Parade is an interactive art installation concevied by ceramacist Laurent Craste and digital agency Dpt. for the Chromatic festival in Montreal. At first glance the piece looks rather mundane: two misshapen porcelain vases sit atop a pedestal inside a wood cube, lit from above by an industrial light. But move the light and suddenly the magic happens as shadows projected from the vases animate to life. What a fun piece.
Update: Of course things like this are never as simple as they appear. Dpt. explains further that the animated “shadows” are coming from a hidden projector which tracks the movements of the faux light source. We’ve been tricked! But I suppose that’s kind of the point.
Starting tonight through June 9th, the city of Sydney is hosting an annual exhibition of light and music called Vivid Sydney. Dozens of light sculptures and projections will be viewable throughout the downtown area as well as in the Sydney Harbor in an event that is completely free to the public. Looks like a lot of fun. See more on their website and over on Facebook.
German creative studio Urbanscreen have just unveiled ‘320 Licht,’ a massive light projection inside the cathedral-like interior of the 20,000 square meter Gasometer Oberhausen in Germany (the same space that housed Christo’s Big Air Package last year). Urbanscreen utilized both the ceiling and 320 degrees of the interior space of this former gas tank to project a 22-minute loop of digital animation with 21 high-powered Epson projectors.
“This experience is based on the vastness of the Gasometer,” sound designer Jonas Wiese told the Creator’s Project. “We tried to work with that expression to make the space bigger and smaller, to deform it and to change its surface over and over while not exaggerating and overwriting the original effect of the room.” He continues, “the age of the screen is coming to an end, digital interfaces will dissolve and merge into the social space […] we poetically contribute to this through art.”
320 Licht is part of the exhibition The Appearance of Beauty and will be on view through December 30th, 2014. Watch the included video above from the Creator’s Project to learn more about how it all came together.
Produced by Bot and Dolly, a San Francisco-based design and engineering studio, this amazing clip was filmed entirely in camera and demonstrates a mixture of robotically controlled monitors, projection-mapping and choreographed human interaction. Via their website:
“Box” explores the synthesis of real and digital space through projection-mapping on moving surfaces. The short film documents a live performance, captured entirely in camera. Bot & Dolly produced this work to serve as both an artistic statement and technical demonstration. It is the culmination of multiple technologies, including large scale robotics, projection mapping, and software engineering. We believe this methodology has tremendous potential to radically transform theatrical presentations, and define new genres of expression.
I can’t tell you how long it’s been since I’ve been excited by projection mapping, even if you’re skeptical this is seriously worth just a few minutes of your time. (thnx, Nick)