Paper artist Yulia Brodskaya (previously) continues to produce elegant paper portraits, mixing geometric and organic forms through paper quilling to establish the details of each face. Over the last few years Brodskaya has been commissioned to create pieces for dozens of corporate clients from Starbucks to the New York Times, but still pauses to work on this portrait series that has slowly evolved over time. You can see new works and process photos on her Instagram and she’ll be speaking at the Reasons To: conference in Brighton this September.
Mumbai-based illustrator and “paper typographer” Sabeena Karnik produces spectacular letterforms utilizing quilled paper. Her crisp and angular approach relies on precise geometry and perfectly cut strips of paper to produce logos, book covers, and various editorial layouts. Karnik shares her work regularly on Instagram and she occasionally sells original pieces in her shop.
Utilizing vibrantly colored paper, artist and illustrator Yulia Brodskaya (previously here and here), creates unique three-dimensional portraits that reflect the beauty found in old age. Each work contains a palette of colors that remain at the center of her focus, recently concentrating on precious jewel tones that also serve as the title for each portrait. Previously Brodskaya had referred to these quilled pieces as drawings, but the more expressionistic her style becomes, the more her work reflects a painterly approach.
“I used to say that I was drawing with paper, but I believe with this technique I’ve found a way to paint with paper,” said Brodskaya to Colossal. “I mix strips of paper as I would mix paints on a palette. These artworks are all about color and the unique, tactile feel that paper strips add to it. The portraits resemble oil and acrylic painting (especially from a distance), but with a textured paper twist.”
You can find more images of Brodskaya’s quilled paper paintings on her blog and Facebook, and see a step-by-step demonstration of her process in the video below.
Jardin, 2016. Japanese mulberry paper, gilt edged paper. 27.5″ x 34.25″ x 2.5″
Working with compact rolls of Japanese mulberry paper in a myriad of colors, artist Lisa Nilsson painstakingly creates anatomical figures and textile patterns using a centuries-old technique called quilling. In her latest artworks Jardine and Gospel, Nilsson was inspired by the patterns of an Islamic carpet and an 8th century gospel cover. The carpet piece alone was nearly 8 months in the making as she created ornate figures of flowers, stars, and other patterns to fill a 27″ by 34″ inch frame, much of which was improvised as she worked outward from the center. For Gospel she in incorporated bright gilt edged paper to mimic the actual gold used for traditional religious book covers.
You can see more views of these artworks on Nilsson’s website, and she was recently intereviewed about the new pieces on All Things Paper.
Gospel, 2016. Japanese mulberry paper, gilt edged paper. 19 3/8″ x 22 3/8″ x 2 3/8″
Istanbul-based artist Sena Runa first explored the craft of paper quilling three years ago while looking for a hobby to fill her spare time. Runa quickly discovered a talent for color and composition when working with paper and it wasn’t long before she began selling pieces online. Her distinct quilling style developed so rapidly she was soon able to quit her job in HR to pursue the craft as a full-time endeavor earlier this year. You can see more of her work on Facebook. (via My Modern Met, All Things Paper)
These astonishing renderings of symmetrically designed carpets are the beginning of a new paper sculpture series by artist Lisa Nilsson (previously) who arranges quilled strips of hand-cut mulberry paper at remarkably small scale. The new paper works are a departure from her earlier exploration of anatomical cross-sections and show a marked leap in her nearly unbelievable vision of paper quilling, something All Things Paper’s Ann Martin boldly states “has never been seen in its hundreds of years as an art form.” Unlike a traditional rug that might be woven row by row, Nilsson instead starts at the very center and progresses slowly outward, a tedious process that takes several months to complete a single piece. If you want to learn more, head over to All Things Paper to read an interview with Nilsson about her process.