Mirror 11, 2017
Since 2003, Australian photographer Murray Fredericks has made at least twenty journeys to the center of Lake Eyre, a desert lake with an extremely high concentration of salt. Fredericks drags all of his equipment out into the barren landscape, capturing the dramatic sky reflected in both the inch-deep water and his rectangular mirror. The images are breathtaking color-based works, my favorites featuring a double horizon locked within the mirror and the water below.
“In the ‘Vanity’ series, rather than reflecting our own ‘surface’ image, the mirror is positioned to draw our gaze out and away from ourselves, into the environment, driving us towards an emotional engagement with light, colour and space,” said Fredericks about the series.
Images from Vanity are included in his solo exhibition titled Salt:Vanity at Hamiltons Gallery in London through June 14, 2017. You can see a behind-the-scenes look at Fredericks’ photographic process and journey into Lake Eyre in the short video above. (via Ignant)
Mirror 13, 2017
Mirror 30, 2017
Mirror 6, 2017
Mirror 12, 2017, all images © Murray Fredericks
Mirror 18, 2017
Reflecting the architecture of the former St. John’s Church in North Lincolnshire, UK is Liz West‘s site-specific pool of over 700 multi-colored orbs titled “Our Colour Reflection.” These circular mirrors installed onto the floor of the now 20-21 Visual Arts Centre project hues of yellow, purple, red, blue, and 11 other colors onto the beams that surround them, adding a colorful dimension to the 125-year-old building.
“The work changes constantly, depending on what time of day it is,” West told The Creators Project. “As darkness comes, the gallery spotlights reflect off the colored mirrors and send vivid dots of color up into the interior of the former church building, illuminating the neo-Gothic architecture.”
Visitors can peer into the reflective pool to see how it refracts their own image, inserting themselves simultaneously into the history and artistic intervention of the space. The installation is also a reference to stained glass, as West focused on the history of the arts center as a former place of worship before starting the installation. You can catch the multi-colored light refractions of “Our Colour Reflection” through June 25, 2016. (via The Creators Project)
A few years ago photographer Viktor Egyed accidentally stumbled upon the town Szödliget a few miles outside of Budapest, and to his delight found this small abandoned fishing village filled with clusters of A-frame huts. Deciding the weather was not ideal, Egyed came back a few years later when he was able to capture the town in a hazy fog, the perfect condition to highlight the glasslike reflections of the structures in the lake below.
The feeling of the small lakeside town is just as dreamlike as the imagery suggests. “This small abandoned fishing lake has its own very unique atmosphere,” said Egyed to Colossal. “It is an idyllic place for people who want to escape from the rushing of life for a little while.”
You can see more of Egyed’s photographs on his Behance page here.
Artist Chris Wood works with colored glass to create colorful, prism-like mazes and mandalas of light installed vertically on walls. Her most common material is dichroic (meaning ‘two color’) glass, a material invented by NASA in the 1950s that has a special optical coating meant to reflect certain wavelengths of light while letting others through. At some angles the glass appears completely reflective, somewhat like a mirror of gold. Wood has constructed a number of different glass, mirror, and other light installations which have been carefully documented on her website. (via My Modern Met)
If you enjoyed learning about Soo Sunny Park’s Unwoven Light installation at Rice Gallery earlier this month, you’ll like this new documentary short by filmmaking duo Angela and Mark Walley of Walley Films. The film covers the installation period and opening of Park’s chain-link fence installation and you learn quite a bit more about the artist’s process and intent behind her imaginative, surreal artwork. If you’re unable to make it to Houston to see this in person, this is the next best thing.
As part of her Mobile Mirrors exhibition at Christian Larsen gallery in Stockholm, artist Lilibeth Cuenca Rasmussen created a series of four reflective mannequins clad in shards of mirrors. Light was projected onto each sculpture creating a twinkling halo effect not unlike a disco ball, as a person wearing a similarly reflective body suit moved through the space. The exhibition was intended as commentary on consumerism; just as we project ourselves onto mannequins, Rasmussen’s is attempting to use the same object to reflect back on ourselves. Via Christian Larsen Gallery:
The mirror surfaces of the mannequins turn our gaze back onto ourselves, forcing us to become aware of our own bodies and consumption habits. This way revealed, we can see ourselves as part of a much larger system, as complex and chaotic as ever the sculptures’ reflections on the walls.
You can see many more images from the exhibition over on Facebook. (via ex-chamber)