Last year artist Miya Ando traveled to Puerto Rico where she released 1,000 non-toxic resin leaves coated with phosphorescence into a small pond. During the day the leaves would “recharge” and at night would give off a ghostly, ethereal glow much like the light of a firefly. Titled Obon, the installation was inspired by a Japanese Buddhist festival of the same name that honors the spirits of one’s ancestors. The leaves were also meant to simulate Puerto Rico’s bioluminescent bays, a natural phenomenon caused by dinoflagellates, photosynthetic underwater organisms that emit light when agitated.
You can learn more about Ando’s artwork over at Spoon and Tamago who stopped by for a studio visit not to long ago. You can also follow her on Tumblr and if you’re in the NYC area next month she’ll have a solo exhibition at Sundaram Tagore Gallery starting June 20th.
Singapore-based artist Keng Lye creates near life-like sculptures of animals relying on little but paint, resin and a phenomenal sense of perspective. Lye slowly fills bowls, buckets, and boxes with alternating layers of acrylic paint and resin, creating aquatic animal life that looks so real it could almost pass for a photograph. The artist is using a technique very similar to Japanese painter Riusuke Fukahori who was featured on this blog a little over a year ago, though Lye seems to take things a step further by making his paint creations protrude from the surface, adding another level of dimension to a remarkable medium. See much more of this series titled Alive Without Breath over on deviantART. (via ian brooks)
Update: I have some additional details from the artist that I’d like to add here, as this post seems to be getting a lot of attention. Via email Lye shares with me:
I started my first series in 2012 where all the illustrations were “flat” and depth was created using the layering of resin and acrylic over the different parts of the illustration. This year, I started on the octopus and it was purely an experiment; I just wanted to see whether I could push this technique to a higher level. After applying acrylic paint straight onto the resin, I incorporated a 3-D element in this instance, it was a small pebble for the ranchu and octopus. For the turtle, I used an egg shell for the turtle shell and acrylic paint for the rest of the finishing. The whole idea here was to give the art work an even more 3D effect therefore you can have a better view from any angle. I think there are still many other techniques to explore.
So to be clear the elements that extrude from the top of the resin are actually physical pieces that have been painted to match the layers of acrylic and resin below.
What at first looks like an experiment in a psychedelic Petri dish is actually an installation by artist Ambreen Butt using hundreds of cast pink fingers and toes made of resin that seem to explode on the walls at Carroll and Sons in Boston. Titled I Am My Lost Diamond the piece will be up through December 22. All photographs courtesy Andrew Katz at New American Paintings.
First: watch the video. Japanese artist Riusuke Fukahori paints three-dimensional goldfish using a complex process of poured resin. The fish are painted meticulously, layer by layer, the sandwiched slices revealing slightly more about each creature, similar to the function of a 3D printer. I really enjoy the rich depth of the pieces and the optical illusion aspect, it’s such an odd process that results in something that’s both a painting and sculptural. Wonderful.
Fukahori just closed an exhibition at ICN Gallery in London titled Goldfish Salvation, and you can see many more images via the gallery’s Facebook, but probably the best resource is this set of photos by Dominic Alves. (via the awesomer)