“Roca del elefante, Heimaey, Islas Vestman, Suðurland, Islandia, 2014-08-17, DD 036” by Diego Delso. Licensed under CC BY-SA 4.0 via Wikimedia Commons
Apropos of nothing, here’s a few photos of a natural rock formation off the coast of Iceland that looks like an imposing elephant with its trunk dipped in the Atlantic. Located on the island of Heimaey, the mountainous shape appears to be formed mostly from basalt rock that has the uncanny appearance of wrinkled elephant skin. You can see few more shots over on Flickr. (thnx, Amber!)
Splitting his time between Kanagawa, Japan and Dusseldorf, Germany, artist Ramon Todo (previously) is known for his small sculptures of rocks and books embedded with polished layers of glass. Todo’s decision to seamlessly introduce disparate materials into a single object creates an unusual intention, as if these objects have always existed this way. The random pieces of obsidian, fossils, volcanic basalt, and old books are suddenly redefined, or as Beautiful/Decay’s Genista Jurgens puts it: “By inserting something alien into these pieces, Todo is effectively rewriting their history, and the place that these objects hold in the world.”
Todo will have a number of new pieces on view with MA2 Gallery at EXPO CHICAGO starting next week. He also has a number of atworks available through Artsy and you can flip through additional glass books clicking the small arrows on MA2 Gallery’s website.
Surrounding an exhibition at Maker City LA, artist Paige Smith A.K.A. a common name (previously), began to install new crystalized rock formations around the streets of LA. The geodesic rock formations which she refers to as urban geodes are created mostly with paper and spray paint or cast resin in random cracks and crevices around the city. She’s also installed geodes in Spain, Istanbul, Jordan, South Korea, and elsewhere around the world over the last few years. For the most up-to-date news on her geological street art you can follow smith on Instagram.
Working only with rocks, gravity, and patience, artist Michael Grab (previously) builds precarious towers and bridges that seem to defy gravity. Grab first tried stone balancing during the summer of 2008 while exploring Boulder Creek in Boulder, Colorado, and quickly discovered an innate ability to build increasingly complicated, free standing stacks of rocks. While his stone sculptures rely heavily on intuition and experience, there’s actually a method he uses in most of his work involving hidden “tripods” found on the surface of any rock. He shares in detail:
Balance requires a minimum of three contact points. Luckily, every rock is covered in a variety of tiny to large indentations that can act as a natural tripo for the rock to stand upright, or in most orientations you can think of with other rocks. By paying close attention to the vibrations of the rocks, you will start to feel even the smallest “clicks” as the notches of the rocks are moving over one another. In the finest “point-balances,” these clicks can be felt on a scale smaller than millimeters, and in rare cases can even go undetected, in which case intuition and experience become quite useful.
You can watch the video above to see Grab at work over the last year, and also see more photography of his stone balancing in his online portfolio or on Facebook. Grab survives mostly off print sales, so if you’re in need of a fancy new calendar for 2015, he’s got you covered.
Stone Field 00 / exp00 – simple attractor exponential field. Digital rendering.
Stone Field 05 / three attractors field. Digital rendering.
Stone Field 04 / field based on vert dist from horizontal axis. Digital rendering.
StoneFields 02 / polar 2d Perlin field. 3D-printed sculpture.
Stone Field 00 / exp00 – simple attractor exponential field. 3D-printed sculpture.
Stone Field 07 /simple 1d linear polar field. 3D-printed sculpture.
Stone Field 07 /simple 1d linear polar field. 3D-printed sculpture, detail.
Back in 2009, Italian designer Giuseppe Randazzo of Novastructura released a series of generative digital “sculptures” that depicted carefully organized pebbles and rocks on a flat plane. Titled Stone Fields, the works were inspired in part by similar land art pieces by English sculptor Richard Long. As the images spread around the web (pre-dating this publication entirely) many people were somewhat disheartened to learn the images were created with software instead of tweezers, a testament to Randazzo’s C++ programming skills used to create a custom application that rendered 3D files based on a number of parameters.
Fast forward to 2014, and technology has finally caught up with Randazzo’s original vision. The designer recently teamed up with Shapeways to create physical prototypes of the Stone Fields project. He shares about the process:
Starting from 2009 project “Stone Fields”, some 3dmodels were produced from the original meshes. The conversion was rather difficult, the initial models weren’t created with 3dprinting in mind. The handling of millions of triangles and the check for errors required a complex process. Each model is 25cm x 25cm wide and was produced by Shapeways in polyamide (white strong & flexible). Subsequently they were painted with airbrush. […] The minute details of the original meshes were by far too tiny to be printed, however despite the small scale, these prototypes give an idea of the complexity of the gradients of artificial stones.
Watch the video above to see the sculptures up close, and you can see a few more photos over on Randazzo’s project site. If you liked this, also check out Lee Griggs.
Mineral Admiration is a new series of watercolor paintings by Vienna-based artist and illustrator Karina Eibatova. The juxtaposition of using a water-based medium to create images of stone is in line with Eibatova’s desire to only create images from nature, an exploration that has lead to dozens of publications in magazines, newspapers, and journals around the world. These new paintings are available as prints in her online shop.
Zen rock gardens are typically composed of carefully placed rocks, surrounded by sand that is raked to represent water ripples. They’re supposed to inspire a meditative state of calm and relaxation. They’re not supposed to inspire hunger and a sudden urge to put it in your mouth. Except this one does because it’s made of entirely edible ingredients. “In cities today, people do not have the luxury of gazing at gardens,” says Japanese designer Tomonori Saito, lamenting the loss of one his nation’s most relaxing pastimes. So he decided to create “Shin-an-ji Rock Garden” made from black sesame (the rocks) and sugar (the sand). Now you can have your garden and eat it too. (syndicated from Spoon & Tamago)