This past weekend British artists Jamie Wardley and Andy Moss accompanied by numerous volunteers, took to the beaches of Normandy with rakes and stencils in hand to etch 9,000 silhouettes representing fallen people into the sand. Titled The Fallen 9000, the piece is meant as a stark visual reminder of the civillians, Germans and allied forces who died during the D-Day beach landings at Arromanches on June 6th, 1944 during WWII. The original team consisted of 60 volunteers, but as word spread nearly 500 additional local residents arrived to help with the temporary installation that lasted only a few hours before being washed away by the tide. (via Lustik)
Cleveland-based sand sculptor and woodworker Carl Jara (previously) just won fist-place at the Hampton Beach Master Sand Sculpting Competition with this fun sculpture titled Infinity. The piece, which also won the People’s Choice award, depicts a series of five consecutive human figures in the palm of another, each one smaller than the last. As an added bonus, he shot a time-lapse video of the entire piece coming together over a period of three days (warning: dubstep). In the various sand sculpture competitions around the U.S. Jara frequently comes in near or at first place with a imaginative range of figurative works.
You can check out more photos from the Hampton Beach event on Jara’s Flickr page. All photos courtesy Carl Jara.
Masterplan is a installation by designer and artist Chad Wright inspired by his own experiences growing up in a sprawling suburb of Southern California. The piece is meant to juxtapose the playful childhood experience of building sand castles on the beach with his brother, versus the grim, modern-day reality of our current real estate collapse. Learn more over on his website. Photographed by Lynn Kloythanomsup of Architectural Black. (via this isn’t happiness)
Youtube user Brusspup (previously here and here) who often explores the intersection between art and science just released this new video featuring the Chladni plate experiment. First a black metal plate is attached to a tone generator and then sand is poured on the plate. As the speaker is cycled through various frequencies the sand naturally gravitates to the area where the least amount of vibration occurs causing fascinating geometric patterns to emerge. There’s actually a mathematical law that determines how each shape will form, the higher the frequency the more complex the pattern.
Armed with little more than standard garden rake, environmental artist Tony Plant transforms the breathtakingly scenic beaches of England into temporary canvases for his swirling sand drawings. Each work is created below the tidal zones where the sand is flatter and wetter, allowing for greater contrast as he quickly drags the rake into various geometric patterns. The beauty however is fleeting as the artworks last only a few hours before being consumed by the incoming tide. Recently Plant’s work was used in the music video above by Light Colours Sound for recording artist Ruarri Joseph. If you liked this also check out the sand art of Jim Denevan and Andres Amadore. (via faith is torment)
Sand castle artist Calvin Seibert manages to construct nearly impossible shapes from one of the world’s most delicate mediums. While Colossal has seen its fair share of art made with sand I’ve never seen anything so perfectly angular and geometric. See much more of his work over on Flickr. (via fasels suppe)
Stumbled onto this striking 2010 photograph by Cuban artist Liset Castillo while poking around on ArtStar.
In my new body of work, “Human Studies,” from 2010, I subvert notions of enduring beauty with life-size images of women sculpted in a labor-intensive process out of sand, which I then photographed before destroying them. I create life-size sand sculptures of models typically found in high-gloss fashion magazines, photograph the works in sand and then I destroy them as a commentary on the ephemeral nature of beauty, America’s obsession with youth culture and decay.
Every once in a while, advertising is amazing. World champion sand sculptor JOOheng Tan was recently asked by ad agency Lowe in Singapore to help create these impressive backdrops for an OMO washing detergent ad campaign. In an age when something like this could have been created digitally, they asked Tan to physically build three 18-ton sand sculptures to be used as backdrops in ads encouraging kids to get dirty. I recommend clicking through to see the pieces above in full size as the details are somewhat lost when scaled down. Also, the video is pretty phenomenal as it shows the creation and behind-the-scenes execution of each photoshoot. Superb art direction by Karen Vermeulen. (via ads of the world)