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For the better part of three decades multidisciplinary artist Guy Laramee has worked as a stage writer, director, composer, a fabricator of musical instruments, a singer, sculptor, painter and writer. Among his sculptural works are two incredible series of carved book landscapes and structures entitled Biblios and The Great Wall, where the dense pages of old books are excavated to reveal serene mountains, plateaus, and ancient structures. Of these works he says:
So I carve landscapes out of books and I paint Romantic landscapes. Mountains of disused knowledge return to what they really are: mountains. They erode a bit more and they become hills. Then they flatten and become fields where apparently nothing is happening. Piles of obsolete encyclopedias return to that which does not need to say anything, that which simply IS. Fogs and clouds erase everything we know, everything we think we are.
Laramee’s next show will be in April of 2012 at the Galerie d’Art d’Outremont in Montreal. (via kastormag)
Using binder clips, playing cards, paperclips and many other household objects, mathematician Zachary Abel pieces together intricate geometric structures. One of his most recent pieces, the Impenetraball (top) is made from 132 binder clips and Abel suspects its sturdy enough to support his own weight (though he has yet to confirm). Dizzying mathemetical how-tos and patterns available via his website. (via make)
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Shawn Smith (previously) has a number of new pixelated animal sculptures on display at Craighead Green Gallery in Dallas, Texas. Smith works primarily with balsa and bass wood that he meticulously cuts, dyes, and assembles to create these beautiful animals. Smith via the gallery:
For the past few years, I have been creating a series of “Re-things.” These whimsical sculptures represent pixelated animals and objects of nature. I am specifically interested in subjects that I have never seen in real life. I find images of my subjects online and then create three-dimensional sculptural representations of these two-dimensional images. I build my “Re-things” pixel by pixel to understand how each pixel plays a crucial role in the identity of an object. Through the process of pixelation, color is distilled, some bits of information are lost, and the form is abstracted. Making the intangible tangible, I view my building process as an experiment in alchemy, using man-made composite and recycled materials to represent natural forms.
Smith’s work is on display through December 29th. All images courtesy Craighead Green Gallery.
I love these little pencil rectangles from Amsterdam-based Flickr user bisybackson. See more of her collections here.
Photographer Thomas Jackson (previously) has been working on a new series of images based on the idea of swarms, shooting large hovering masses of objects in locations around New York. He says the idea is still a work in progress and that some of these photos should just be considered “sketches,” but I think they’re really fantastic already. See them a bit larger on his site.
Love this heart made of rubberbands by Francis Baker. Don’t miss the molotov version. (via job’s wife)
Measuring Angst is a robotic sculptural installation by artist Jonathan Schipper that simulates the mundane act of throwing a glass bottle across a room into a brick wall. The event happens in slow motion, taking nearly 12 minutes to complete as the bottle rotates slowly through the gallery space and then gradually explodes into smaller fragments before rewinding and starting again. Schipper also famously (and somewhat infamously if you’re a car aficionado) crashed two muscle cars over a period of six days in his pieces entitled The Slow Inevitable Death of American Muscle.