Danish artist Thomas Dambo works on large-scale sculptures with recycled materials, having completed 25 wooden works around the world in just under three years. His latest project, The Six Forgotten Giants, is based in his hometown of Copenhagen, a project that builds and hides friendly giants throughout the city’s forests. Using a treasure map, visitors can find the oversized creatures, each of which comes with a poem that describes a bit of their personality.
All of the giants are produced from recycled wood, material that was gathered by Dambo and his team from 600 pallets, a shed, an old fence, and various other sources. Using local volunteers to build the works, Dambo then names each sculpture after one of the builders, such as Teddy Friendly seen below. You can see more images of the oversized sculptures on Dambo’s website. (via Bored Panda)
Stretched like a digital glitch, these distorted chairs by Dutch artist Sebastian Brajkovic appear more like a product of Photoshop than a physical object. The Paris-based sculptor has been turning heads (and twisting necks) at art museums and galleries for over a decade with his ongoing Lathe series that imparts elements of the digital world onto classical furniture designs. Brajkovic extrudes the seats, backs, and even the designs printed on them to form wild new chairs with varying degrees of functionality.
Brajkovic’s work is now part of the permanent collections at the Victoria and Albert Museum in London and the Museum of Arts and Design in New York. You can see more of his recent work on Artsy. (via Visual Fodder)
Montreal-based artist Guy Laramée (previously) recently unveiled a new body of sculptural work, highlighting his evolving ability to excavate mountainous landscapes, cavernous hollows, and sloping watersheds from the dense pages of repurposed books. One of his favorite mediums are bound stacks of old dictionaries and encyclopedias which he carves using a method of sandblasting to which he later applies oil paints, inks, pigments and dry pastels, crayon, adhesives, and beeswax. When photographed up close the works appear almost realistic, as if the viewer is looking at aerial or satellite topographies of Earth. You can explore more of Laramée’s latest work at JHB Gallery.
Iranian artist Maryam Ashkanian embroiders individuals deep in sleep onto the surface of her handmade pillows, matching the size of her subjects to the area one would physically occupy if they took a nap on her work. The stitched sleepers lay sprawled in different configurations on the white background, some with their arms outstretched, whiles others hold them tucked into their bodies. These sculptures are a way to access the wide subject matter of dreams, a place where Ashkanian feels we can observe ourselves in one of the purest forms. You can see more of her sculptures on her Instagram and Twitter. (via Ignant)
Spanish sculptor Isabel Miramontes creates figural bronze sculptures that bring a visual movement to ordinary silhouettes. Her works provide unusual shapes within the body of her subjects, opening up torsos to reveal elongated spirals and horizontal bars that seem to reveal an inner turmoil. Often the faces of her sculptures have blank or passive expressions, unknowing participants to the tangle of bronze which twists below. Miramontes is represented by Canfin Gallery in New York and Lucy B Campbell Gallery in London. You can also see more of her work at Galerie De Medicis.
The Illusive Cat, 2016. Anamorphic sculpture. Oil paint on plaster, stainless steel.
London artist Jonty Hurwitz (previously) revels in the skewed and twisted world of anamorphic artwork, where the meaning of a dramatically warped figures is only revealed when reflected against a viewing device, in this case a cylindrical mirror. While Leonardo da Vinci is credited for creating the first known definitive example of anamorphosis in the 15th century, Hurwitz pieces are infused with modern technology, relying on digital renderings which are painstakingly transformed into physical objects cast from bronze, copper, or plaster. In more recent pieces he’s even begun to apply oil painting as a final touch.
Hurwitz had work on view earlier this year as part of Kinetica 2017 and several pieces seen here are currently at Galerie Médicis in Paris. You can see more of his recent work on his website.