Stillness in Motion is a sculpture by Cleveland-based artist Olga Ziemska that was installed in 2003 at the Centre of Polish Sculpture in Oronsko, Poland. The piece is made entirely from cut willow branches that have been cut and stacked to create a human figure. (via junk culture, devid sketchbook)
Using a process that could be the new definition of meticulous, Korean sculptor Seung Mo Park creates giant ephemeral portraits by cutting layer after layer of wire mesh. Each work begins with a photograph which is superimposed over layers of wire with a projector, then using a subtractive technique Park slowly snips away areas of mesh. Each piece is several inches thick as each plane that forms the final image is spaced a few finger widths apart, giving the portraits a certain depth and dimensionality that’s hard to convey in a photograph, but this video on YouTube shows it pretty well. Park just exhibited this month at Blank Space Gallery in New York as part of his latest series Maya (meaning “illusion” in Sanskrit). You can see much more at West Collects. (art news, west collects, lavinia tribiani)
Tel Aviv-based artist Shay Aaron constructs incredible miniaturized food sculptures at 1:12 scale that look almost completely edible. You can see hundreds more photos on Flickr and he also makes miniature food jewelry which is available over on Etsy. (via flavorwire)
Scottish sculptor Rob Mulholland creates these eerie mirrored sculptures out of Perspex, a kind of acrylic glass. The pieces create the uncanny effect of blending into their surroundings, at times appearing almost completely camouflaged and yet jumping out at you suddenly as your perspective shifts around them. Mulholland’s largest installation of six figures, Vestige, is currently installed at David Marshall Lodge in Scotland. The artist, via his website:
The essence of who we are as individuals in relationship to others and our given environment forms a strong aspect of my artistic practise. In Vestige I wanted to explore this relationship further by creating a group, a community within the protective elements of the woods, reflecting the past inhabitants of the space. [...] The six male and female figures represent a vestige, a faint trace of the past people and communities that once occupied and lived in this space. The figures absorb their environment, reflecting in their surface the daily changes of life in the forest. They create a visual notion of non – space. A void as if they are at one moment part of our world and then as they fade into the forest they become an intangible outline.
Each year the Transportation Security Administration confiscates countless millions of personal objects from travelers prior to entering airport terminals including guns, knives, foodstuffs, aerosol cans, and yes, even small scissors. Sculptor Christopher Locke has capitalized on this endless supply of in-flight contraband by welding the scissors into pretty terrifying spiders that look like something out of a Tim Burton or Brothers Quay film. What I want to know is how many Christopher Locke sculptures are confiscated by the TSA each year and what kind of monstrosity we have to look forward to. (via endless geyser of awesome)
The Clemson Clay Nest was a public land art installation by Bavarian artist Nils-Udo that was constructed in the botanical gardens at Clemson University in South Carolina in 2005. The nest was built with the assistance of numerous students and other volunteers using 80 tons of pine logs harvested from the local Oconee County pine plantation and hundreds of bamboo stocks that were carefully organized into a circular structure dug in gardens rich red clay. After two years the piece was eventually dismantled and the mulched trees were used to partially fill the large hole. You can see many more of the work in these photos by Dylan Wolfe.
Anatomical Neon is a series of blown glass lights by North Wales-based artist Jessica Lloyd-Jones meant to focus attention on how energy is used by the human body. Describing the four pieces via her website she says:
Brain Wave conveys neurological processing activity as a kinetic and sensory, physical phenomena through its display of moving electric plasma. Optic Nerve shows a similar effect, more akin to the blood vessels of the eye and with a front ‘lens’ magnifying the movement and the intensity of light. Heart is a representation of the human heart illuminated by still red neon gas. Electric Lungs is a more technically intricate structure with xenon gas spreading through its passage ways, communicating our human unawareness of the trace gases we inhale in our breathable atmosphere.
The pieces were funded in part by awards from Arts Council Wales and Wales Arts International and executed at Urban Glass in New York in 2010. (via pinterest)
I just spotted this new work-in-progress by one of my favorite artists Maskull Lasserre (previously). Incarnate (Three Degrees of Certainty II) is nearly perfect rendering of a human skull from a thick stack of outdated computer manuals. Looking at these particular titles I can’t help but think these books have been called to a much higher purpose.