Artist Janaina Mello Landini (previously) continues to produce dizzyingly complex installations and canvas-based sculptural works comprised of unbraided ropes that branch out like tree roots. The fractal-like artworks have developed over a period of six years as part of her “Ciclotrama” series, a word she coined that combines the root word “cycle” and the Latin word “trama” meaning warp, weaving, or cobweb. Via Zipper Galeria:
Janaina Mello Landini aggregates her knowledge of architecture, physics and mathematics and her perception on time to develop pieces that travel through different scales. The labyrinthine architecture has been the central axis of her research in the “Ciclotramas” series, made with ropes that break down into minimal threading, and “Labirintos Rizomáticos”, works in satin that result in the construction of multifocal perspectives, nullifying the traditional construction.
Landini has created numerous pieces for several shows and installations over the past year, most notably for an exhibition at Galleria Macca last June. You can see more of her recent work on Artsy and Zipper Galeria. (via Visual Fodder)
Cell-Building block, 14 x 14 x 14 inch, 2016
Driven by an interest in the biological process of cell division, artist Jiyong Lee (previously) fabricates translucent sculptural works of segmented glass components fused through coldworking techniques. Some pieces purposefully take the form of organic life with titles such as “White-orange Chromosome Segmentation” or “Geometric cell membrane segmentation” while others are decidedly more geometric in nature. Born and raised in South Korea, Lee has helmed the glass program at Southern Illinois University since 2005. He most recently had a solo exhibition with Clara Scremini Gallery in Paris, and you can see many more of his pieces on Artsy.
White-orange Chromosome Segmentation, 7 x 12 x 16 inch, 2017
Orange Cylinder Segmentation, 5.7 x 11.5 inch, 2017
Geometric cell membrane segmentation, 17 x 14 x 14 inch, 2016
Black & White segmented Cylinder, 5.5 x 13.75 inch, 2015
Gold-Ruby Trapezohedron, 9.25 x 15 x 10.5 inch, 2015
Blue-Yellow cuboid segmentation, 10.5 x 9 x 5 inch, 2015
white Drosophila embryo segmentation, 6.5h x 14.5w x 5.75d (inch), 2014
Korean artist Lee Ji-hee builds paper models of old film cameras, recreating the details of their every mechanism through expertly folded paper. Although his paper cameras match the original in every aspect of their form, the colors he selects for his designs are much different. Instead of matching the black, brown, and grey color schemes consistent with the 1952 Leica IIIf Red Dial or 1938 Super Kodak Six-20, Lee chooses flashy colors and patterns that give each device an updated aesthetic. You can see more of Lee’s folded paper designs (including paper hamburgers, pizza, and chicken nuggets) on the artist’s Behance and Instagram.
Japanese artist Hirotoshi Ito’s sculptural works are a surreal contradiction of materials that seemingly shouldn’t exist, and yet here they are. The smooth stones of variable shape and size are each embedded with zippers that open to reveal hidden objects like collections of coins or marbles, while some of his more popular works incorporate a rather sinister toothy mouth. Ito finds the rocks in a riverbed near his home and works with the natural shape of each object to form the pouch and scene inside.
Ito had a solo show last month at Little High Gallery in Tokyo called “Mysterious Stone!” and you can see more of his ongoing stone carving work on Facebook. (via Geyser of Awesome)
Bordalo II (previously) has created a series of bisected animals, colorful plastics forming one half of the creature while a combination of wood and metal created a muted mirror on the other side. In one piece the Portuguese artist created a turtle with legs that extend to the ground, appearing to crawl along the side of a a low wall in Moncton, Canada. Other works are more monumental, such as a rabbit that extends two stories in Vila Nova de Gaia, Portugal, and a raccoon that seems to dangle head first from a building in Pittsburgh.
The globally-placed installations are the newest evolution of his series Trash Animals, large public works that address the impact our carelessly tossed waste has on the environment around us. You can observe his process for collecting plastic and other waste, as well as follow more of his recent work, on Instagram.
Happy Accident – Mini Happy Face (Pink). Paint bottle, resin casting and enamel. 12″ x 7″ x 5.5″ in.
In this ongoing series of works by artist Joe Suzuki, pools of paint appear like maniacal smiles as they drip from cans and bottles. The colorful sculptures often pay tribute to artists like Warhol, Basquiat, and Keith Haring by referencing symbols used in their own works. The pieces are constructed with resin casting material and enamel, but give the appearance of freshly spilled paint.
“I consider my work to be artifacts of my own particular culture, which is not the generalized Japanese American culture, but that which formed as a direct result of being a first generation immigrant,” Suzuki shares in an artist statement. “Through a long assimilation process, I found myself not fully belonging to either culture, but rather somewhere in between, which I began to call Japamerica.”
You can explore additional works by Suzuki at Reem Gallery and on his website. (via Artsy)