Stretched like a digital glitch, these distorted chairs by Dutch artist Sebastian Brajkovic appear more like a product of Photoshop than a physical object. The Paris-based sculptor has been turning heads (and twisting necks) at art museums and galleries for over a decade with his ongoing Lathe series that imparts elements of the digital world onto classical furniture designs. Brajkovic extrudes the seats, backs, and even the designs printed on them to form wild new chairs with varying degrees of functionality.
Brajkovic’s work is now part of the permanent collections at the Victoria and Albert Museum in London and the Museum of Arts and Design in New York. You can see more of his recent work on Artsy. (via Visual Fodder)
Montreal-based artist Guy Laramée (previously) recently unveiled a new body of sculptural work, highlighting his evolving ability to excavate mountainous landscapes, cavernous hollows, and sloping watersheds from the dense pages of repurposed books. One of his favorite mediums are bound stacks of old dictionaries and encyclopedias which he carves using a method of sandblasting to which he later applies oil paints, inks, pigments and dry pastels, crayon, adhesives, and beeswax. When photographed up close the works appear almost realistic, as if the viewer is looking at aerial or satellite topographies of Earth. You can explore more of Laramée’s latest work at JHB Gallery.
Iranian artist Maryam Ashkanian embroiders individuals deep in sleep onto the surface of her handmade pillows, matching the size of her subjects to the area one would physically occupy if they took a nap on her work. The stitched sleepers lay sprawled in different configurations on the white background, some with their arms outstretched, whiles others hold them tucked into their bodies. These sculptures are a way to access the wide subject matter of dreams, a place where Ashkanian feels we can observe ourselves in one of the purest forms. You can see more of her sculptures on her Instagram and Twitter. (via Ignant)
Image via Casart
Spanish sculptor Isabel Miramontes creates figural bronze sculptures that bring a visual movement to ordinary silhouettes. Her works provide unusual shapes within the body of her subjects, opening up torsos to reveal elongated spirals and horizontal bars that seem to reveal an inner turmoil. Often the faces of her sculptures have blank or passive expressions, unknowing participants to the tangle of bronze which twists below. Miramontes is represented by Canfin Gallery in New York and Lucy B Campbell Gallery in London. You can also see more of her work at Galerie De Medicis.
Image via Casart
The Illusive Cat, 2016. Anamorphic sculpture. Oil paint on plaster, stainless steel.
London artist Jonty Hurwitz (previously) revels in the skewed and twisted world of anamorphic artwork, where the meaning of a dramatically warped figures is only revealed when reflected against a viewing device, in this case a cylindrical mirror. While Leonardo da Vinci is credited for creating the first known definitive example of anamorphosis in the 15th century, Hurwitz pieces are infused with modern technology, relying on digital renderings which are painstakingly transformed into physical objects cast from bronze, copper, or plaster. In more recent pieces he’s even begun to apply oil painting as a final touch.
Hurwitz had work on view earlier this year as part of Kinetica 2017 and several pieces seen here are currently at Galerie Médicis in Paris. You can see more of his recent work on his website.
Childhood, 2017. Copper, stainless steel, resin, magnetism.
Anamorphic Frog, 2016. Bronze and stainless steel.
The Hand That Caught Me Falling, 2016. Bronze, wood and chrome.
Working with a mixture of cold porcelain and polymer atop a metal wire armature, artist Ellen Jewett (previously) creates wildly intricate sculptures of animals covered in a tangle of surreal embellishments. The artist describes her works as “anthrozoology meets psychoanalysis,” where tiny clues left in the feathers, fur, and tentacles of each piece lead to a greater story of its meaning. From her artist statement:
Each detail, down to the finest filigree, is free-modeled by hand. Within each piece precision is balanced by chaos. The overarching aesthetic knocks on the door of realism, yet the hand of the artist is never intentionally erased; brush strokes and fingerprints abound. Even the narratives themselves harbor a degree of anarchy as they are rarely formally structured. Rather, I seek to achieve flow states while working to create a fluid progression of unconscious imagery.
Jewett most recently exhibited at Modern Eden Gallery in San Francisco for a group show titled Hindsight, and just wrapped up work on a body of 10 new artworks. You can see some great behind-the-scenes process photos on Instagram.