Belgian filmmaker and illustrator Vincent Bal works within the confines of long shadows of everyday objects resting in the sunlight to create a wide range of whimsical doodles. The shadow of a film canister becomes a forbidding tower, or the filaments of a lightbulb cast a dramatic backdrop as a staircase for a daring escape. Bal makes many of his images available as prints over on Etsy, and if you liked this, also check out the works of Christoph Neimann and Thomas Lamadieu. (thnx, David!)
Last Friday afternoon, photographer Nick Ulivieri was on an aerial photoshoot for a client when the helicopter pilot took a long turn out over Lake Michigan so he could better capture the shadow of the Hancock Center. After reviewing his photos later he quickly realized the exaggerated autumn shadow of the skyline looked fantastic when he flipped the photo. The result is the image you see here. Ulivieri consistently takes some of the best photos of Chicago year-round, aerial or otherwise. Such as this, and this, and this. Well worth a follow.
Captured by Canadian photographer David Burdeny in 2007, this amazing photo of a tabular iceberg rising straight out of the Weddel Sea appears to organize the world into four neat quadrants. Titled “Mercators Projection,” the photo is from his series “North/South” taken while on tour of Antarctica and Greenland. You can follow Burdeny’s most recent work on Instagram. (via PetaPixel)
Artist John V. Muntean (previously) constructs bulky objects that spin on a single axis that when paired with a light source reveal a multitude of projected shadow images. Two of his latest creations were built with tens of thousands of LEGOs, each with three separate images contained within a single sculpture. Watch the videos below to see how the work. (via Sploid)
Using a clever mix of 3D printing and a few well-placed shadows, this sundial designed by Mojoptix projects the actual time as if displayed on a digital clock. The plastic component that casts the shadow—called a gnomon— is printed with extremely tiny holes that create pinpoint dots of light in the form of digits as the sun shines through during the day.
The sundial does have its limitations. The time only shows in 20 minute increments and it only works from 10am to 4pm during the day. Regardless, the results are no less miraculous when you see it in use in the video below (skip to around 13:00 to see it in motion).
Pakistani-American artist Anila Quayyum Agha has installed her impressive shadow sculpture Intersections at Rice Gallery. Inspired in part by her interpretation of patterns and images found in Islamic temples, the laser-cut 6.5′ square wood cube is illuminated from the inside by a blinding 600-watt light bulb that casts a dizzying shadow throughout the gallery. The piece becomes experiential as viewers who move through the space have the shadows cast on their bodies, incorporating themselves into the artwork. From Rice Gallery:
Intersections is inspired by Agha’s visit to the Alhambra, an Islamic palace originally built in 889 in Granada, Spain. Struck by the grandeur of the space, Agha reflected upon her childhood in Lahore, Pakistan where culture dictated that women were excluded from the mosque, a place of creativity and community, and instead prayed at home. As she explains, “To my amazement [I] discovered the complex expressions of both wonder and exclusion that have been my experience while growing up.” Agha translates these contradictory feelings into Intersections, a contemplative space of her own making that is open to all.
While we’ve shared photos of this piece before, Angela and Mark Walley of Walley Films were invited to do this insightful profile of Agha and her ArtPrize-winning installation, providing a deeper and immersive treatment than images alone. Intersections will be on view at Rice Gallery through December 6, 2015.