Soundweaving is a recent project by Hungarian design student Zsanett Szirmay that turns patterns used in traditional folk embroidery into music by translating them into laser-cut punch cards fed through a custom music box. The project was partially inspired by actual paper cards used in some weaving looms to easily reproduce patterns for various textiles. Szirmay collaborated with musician and composer Bálint Tárkány-Kovács who helped with audio mapping and the development of each track. Soundweaving was on view as part of Vienna Design Week at MOME Laboratory through last week, and you can see much more over on Dezeen. I’ve had the video above playing in the background for the last 20 minutes or so, it’s surprisingly enjoyable, especially if you’re into Steve Reich or Philip Glass.
In this surprisingly interesting video from Jerobeam Fenderson we watch (and listen) as he explains how to draw images using the visualizations of sound waves on an old analog Tektronix oscilloscope. To be clear: the images you’re seeing here are not being animated through software, instead Fenderson creates waveforms (sounds) using his computer, and those sound waves LOOK LIKE THIS when fed into an oscilloscope. Suffice to say there’s lots of math involved, and it’s all a little bit over my head, but luckily he answers some questions over on his blog about how it all works. Make sure to watch through to the end.
With a host of audio-based science experiments from sine waves blasting through streams of water, to visualizations of audio frequencies using sand, and sound waves traveling through flammable gas, this new video by Nigel Stanford has it all. Titled Cymatics, the music video was created for the first single from his new album, Solar Echoes. If you want to learn more about the science, there’s plenty of behind-the-scenes footage with explanation behind each experiment on his Vimeo channel. (via Vimeo Staff Picks)
The Yaybahar is a new acoustic instrument designed by Istanbul-based musician Görkem Şen that emits music right out of a retro sci-fi movie, a remarkable feat considering there isn’t a bit of electricity involved. The Yaybahar can be played in a variety of different ways using mallets or with a bow, relying on a combination of two drum-like membranes, long springs, and a tall fretted neck to create music. Like any instrument, it’s capable of producing sounds that run the gamut from “beautiful music” to “noise.” Give it a listen! (via The Creators Project)
Update: Here’s a video (in Turkish) of Şen giving a TEDx talk earlier this year where he plays a similar bow and spring-type instrument. (thnx, JR!)
This is a great video of polyphonic overtone singing by Anna-Maria Hefele, where she precisely demonstrates the almost inhuman ability to create a harmony of two notes at a time using a single breath. Overtone singing is the same technique used by Tuvan (or Mongolian) throat singers of which there are several other great videos to watch on YouTube. Also check out this demo by Alex Glenfield, or this clip lifted from I’m not sure where. (via Stellar)
First: put on your headphones or turn up the volume, otherwise the beauty of this clip might be lost. Sounds of Paragliding is a new video from director Shams (previously), and sound engineer Thibaut Darscotte who took special equipment into the skies above France to record the sounds of Théo de Blic’s aerobatic paragliding. Instead of amping up the music and intensity like so many high-speed stunt/wingsuit/skydiving videos these days, Shams instead slows everything down to focus on only the sounds created by Blic’s parasail whipping through the air at incredible speed. It doesn’t really get going until after 2:00, but is completely worth it.
Australian artist Andy Thomas creates what he describes as “audio life forms,” specifically 3D animations that respond to audio input. For these latest pieces he used archival bird recordings from the Netherlands Institute for Sound and Vision (in addition to one of his own recordings) to create these new digital sound sculptures that animate in different ways in reaction to the songs of each bird. Thomas uses more software tools than we could reasonably share here, but you can learn a bit more over on his website.