Last week while visiting Le Mont-Saint-Michel in Normandy, photographer Loïc Lagarde captured this awesome view of the tidal island at night with the Milky Way spanning the sky above, further highlighting the near fairy-tale nature of the historic landmark. The island has held strategic fortifications since the 8th century and is famous for the dramatic shift in surrounding tides that vary roughly 14 metres (46 ft) between high and low and high water marks. Despite being visited by nearly 3 million people annually the island has a population of just 44 permanent residents. Lagarde says the photo was made without multiple exposures or blending and is a ‘true’ representation of the moment. You can see more of his photos on Instagram.
Ellie Davies' studio is the forest, creating magical, fairytale-like stills throughout the UK. Davies has been exploring this terrain for the past seven years, attempting to uncover the complex interrelationships between landscape and the individual.
Davies creates both temporary and non-invasive interventions within each forested scene. By incorporating pools of light, smoke, and craft materials she places the viewer in the liminal space between reality and fantasy, a re-exploration of the natural world around us. In her series Stars, the artist overlays her own photography with stars plucked from imagery taken by the Hubble space telescope. These mystical images are created in order to encourage pause, and provoke thoughts about how landscapes influences our identity.
Davies lives in London and received her MA in Photography from London College of Communications in 2008. She is represented by several international galleries including A.Galerie in Paris, Crane Kalman Brighton, Sophie Maree Gallery in The Netherlands, Brucie Collections in Kiev, and Art Gemini, Singapore. Recently Crane Kalman Gallery Brighton took her work to the Photo London Art Fair at Somerset House from May 21st through 24th, 2015. (via Kateoplis, My Modern Met)
Have you ever left the lid of a scanner open to find that the background of your image was rendered black instead of white? That, essentially, was the impetus behind photographer Navid Baraty’s latest project WANDER Space Probe. Using an Epson photo scanner, Baraty carefully positions various household items, many of which are edible, on the document table.
Cooking ingredients like baking soda, sugar and cinnamon act as distant stars and nebulas while glasses containing milk, water and food coloring create the planets. Once everything is aligned properly Baraty hits the scan button. The photographer describes his project as “Cosmic explorations of an imaginary space probe.” You can follow Baraty’s fictional space probe and its adventures into depths of the unknown on Facebook and Instagram. (via My Modern Met)
Hot on the heels of their new and improved Pillars of Creation image, NASA just published a new photo that appears to be the largest happy face in existence. The eyes alone are two different galaxies, SDSSCGB 8842.3 and SDSSCGB 8842.4, and the smile is an optical illusion caused by something called strong gravitational lensing, a phenomenon where the gravitational pull of an object is so powerful it causes spacetime to warp, effectively distorting the light around it. You can read more about it over on Hubble’s website. (via Hubble)
Michigan-based photographer Vincent Brady uses an elaborate 4-camera rig and lots of software to capture what he calls Planetary Panoramas. These are somewhat similar to the tiny planet videos we’ve seen the last few months, but the results are quite a bit more dramatic. He shares about his technique:
While experimenting with different photography tricks and techniques back in 2012, I was shooting 360 degree panoramas in the daytime and long exposures of the stars streaking in the sky at night. It suddenly became clear that the potential to combine the two techniques could be a trip! Since the Earth is rotating at a steady 1,040 mph I created a custom rig of 4 cameras with fisheye lenses to capture the entire night-sky in motion. Thus the images show the stars rotating around the north star as well as the effect of the southern pole as well and a 360 degree panorama of the scene on Earth. Each camera is doing nonstop long exposures, typically about 1 minute consecutively for the life of the camera battery. Usually about 3 hours. I then made a script to stitch all the thousands of these panoramas into this time-lapse.