Artist Laurie Frick describes her work as being a fine line between art and neuroscience. Using aggregate data gathered from nightly EEG activity as a starting point she creates visual patterns and rhythms which are transformed into sprawling grids of cardboard, wood, and paper magazine fragments.
Formerly an executive in high-technology, she also holds an MBA from the University of Southern California. Using her background in engineering and high-technology she explores science, compulsive organization and the current culture of continual partial attention. The body of work for her upcoming show at Edward Cella Art & Architecture are experiments in rhythm using time studies of daily activity logs and sleep charts. Capturing the way we slice our time, waking and sleeping reflects a familiar human rhythm and replays something inherently unnoticed back into the physical world. […] All are built from modest materials that look and feel familiar and hold a sensibility of time. Materials register with familiar texture we’ve all touched and experienced. Recycled cardboard, hand towels, junk mail, gallery cards, old paper-back book covers, and in this exhibition found wood eyeglass trays from an old warehouse in Omaha, Nebraska.