Animator and director Mikey Please of Parabella Animation Studio just released his latest stop-motion animation project, Marilyn Miller. The film screened at numerous festivals like Sundance and SXSW over the last year, picking up plenty of accolades along the way, and is now available online for the first time. Marilyn Miller is a followup to Please’s BAFTA-winning animation The Eagleman Stag, and makes heavy use of tediously sculpted styrofoam models and complex long-exposure lighting to tell a story of creation and destruction. The film was photographed and animated by Mikey Please and Dan Ojari. And you can see a bit of behind-the-scenes footage here. (via Colossal Submissions)
Update: There’s a great writeup by Jason Sondhi about Marilyn Myller over Short of the Week.
As a quick follow-up to our video from Keith Skretch yesterday, here’s a similar concept from two years ago by Laurin Döpfner who used an industrial sander to grind down logs, electronics, and even a skull in thin layers which he then photographed to create this amazing stop motion video. Each object is comprised of about 100 different photos, a process I can only image was extremely labor intensive.
Waves of Grain is a two minute strata-cut animation by filmmaker Keith Skretch who planed a block of wood in tiny increments and took photographs along the way. The final video reveals a strange sense of motion as the camera moves effortlessly through the block revealing the the sinuous curves of wood grain that appears to ripple like water. If you liked this also check out these fruit and vegetable MRIs from Andy Ellison. (via Colossal Submissions)
Animator Marty Cooper creates brief animated shorts by blending traditional cel animation with photos he takes with his iPhone 5. By using transparent layers he’s able to create characters that interact with other objects in the background and foreground in a method similar to stop motion. Above is a three minute collection titled Aug(De)Mented Reality, and you can also see more on his Tumblr.
Moving On is the latest stop-motion video from BAFTA-nominated animator, writer, and director Ainslie Henderson. The clip was created as a music video for British rock band James and tells a story of life and death through characters depicted with yellow yarn. Sad, but wonderfully done. (via Jason Sondhi)
After the death of her grandmother in 2010, animator and illustrator Gemma Green-Hope was called to help sort through some of her remaining posessions. What she discovered evoked not only memories, but also resulted in a new understanding of who her grandmother was by cataloging the objects she left behind. Green-Hope transformed the old books, clothes, jewelry and photos into this touching stop-motion portrait. Also, spoiler: her grandmother shot a spider. (via Vimeo Staff Picks)