Artist Levalet (aka Charles Leval) has been extremely busy this year, bringing his unique brand of nonsensical wheatpastes to locations all over Paris. His temporary interventions show a wide range of disheveled characters caught in a world of mischief and misfortune, as they appear to interact with the building facades onto which they are pasted. Levalet’s artworks first began to appear outdoors in 2012, but he’s since begun to produce entire shows of paintings, sculptures, and various assemblage pieces for display indoors that are no less enchanting.
Levalet’s latest solo show titled Little Boxes opens tomorrow at OPEN WALLS in Berlin, and some of his best work was recently gathered into the book Des illusions comiques.
Barcelona-based artist Pejac (previously) was recently in Rijeka, Croatia where he completed a number of new artworks as part of a residency with the Museum of Modern and Contemporary Art. His most impressive new intervention appeared in the windows of an abandoned power plant where the artist utilized the cracked glass in old windows to form a flock of birds escaping the aim of a boy in silhouette holding a slingshot. Titled Camouflage, Pejac says the work is in tribute to artist René Magritte who famously depicted birds in many of his paintings as silhouettes filled with clouds. You can see more of his work in Croatia on Arrested Motion.
Here’s a fun piece from last April by Norway-based artist Skurk who turned the light fixtures of this stairwell into a creepy anglerfish that lights up at night. You can see more of his latest work on Instagram. (via Colossal Submissions)
Walking the wide streets of Ft. Smith, the second largest city in Arkansas near the Oklahoma border, one might expect to find small businesses, historical landmarks, the occasional live music venue, and few shuttered storefronts. What you might not expect to see are towering murals from international street artists around almost every corner, but that’s exactly what’s happening with The Unexpected, an ambitious local effort to bring significant public artworks to the streets of Ft. Smith in an effort to revitalize the downtown area.
Funded in part by local non-profit 646 Downtown and curated by JustKids, the event is now in its second year and has brought over 20 artworks that blanket old buildings, grain silos, store facades, and even a sculpture in a small park. The initiative has also engaged emerging artists from both the University of Arkansas and students from two local high schools who were invited to create their own murals around the city.
This year saw new pieces by Okuda, Faith47, Dface, Bordalo II, Jaz & Pastel, Alexis Diaz, Maser, Guido van Helten, and Cyrcle. The artworks went up over the first week of September with the aid of countless local volunteers and support staff. If you happen to stop by here’s a handy map, and there’s even an app where users can navigate to different artworks, submit their own photos and leave comments. You can see all of the completed works from both 2015 and 2016 on Instagram and Facebook. Photos by Raymesh.
Alexis Diaz in progress
Jaz & Pastel
Fiath47 in progress
Guido van Helten
Polish artist NeSpoon (previously here and here) focuses on lace motifs that cover the walls, streets, and public parks found in urban environments. The lace works are either painted directly onto the surface or formed from clay, each handmade by herself or the traditional folk artists with whom she works.
“In lace there is an aesthetic code which is deeply embedded in every culture,” says NeSpoon. “In every lace we find symmetry, and some kind of order and harmony. Isn’t that what we all seek for instinctively?”
Recently NeSpoon has created work in Wroclaw, Auckland, Pont-l’Abbé, and Warsaw. You can see more of her public murals and installations on Behance.
In this 2012 installation, street artist Never2501 assembled a variety of found vegetation to form an eerie skeleton at the base of some steps in the idyllic gardens of the Museo Archeologico Paolo Giovio in Como, Italy. The piece was titled “In Cammino Per Trasformarsi Nell’istante Presente” (Moving to Transform into the Present) and could be interpreted as a harbinger of the seasons with the decaying root stumps and limbs pulled from a nearby forest, fit together without aid of any additional materials. Or maybe it’s just an incredibly disturbing thing to stumble onto when walking through the woods? You can see more photos of the temporary piece here, and follow Never2501’s more recent work on Instagram. (via This Isn’t Happiness, StreetArtNews)