Artist Bordalo II (previously here and here) uses old tires, bumpers, and other scraps of painted found trash to form towering 3D murals of animals on the streets of Lisbon, Portugal. Collected here are several pieces from the last few months, and you can see much more on Facebook. (via Beautiful/Decay)
Riding atop a paddle board, artist Sean Yoro (aka Hula), paints murals while floating on the waves, placing his works just above sea level. The murals, all portraits of women, have a hyperrealistic quality that appear as if each is existing just above the tide. Due to the works’ position above the water they reflect perfectly into the waves, the image extending out far from the painted surface.
The NYC-based artist paddles out to paint the murals, balancing his acrylic paint on his board all the while. Hula grew up on the island of Oahu, where he spent most of his days in the ocean. Although he grew up dabbling in graffiti, watercolor, and tattoo art, he didn’t take his work seriously until he began to paint the the human body when he was 21. Hula also uses cracked surfboards as a surface to paint his female portraits, more of which you can see on his Instagram, @the_hula. (via Street Art News)
Pneumàtic was founded by artists OOSS, Iago Buceta, and Mateu Targa for the street art festival Ús Barcelona. The idea behind the cut salvaged tire installations was to create works that tested the traditional uses of architecture, playing with the audience’s understanding of what is just beyond their physical grasp.
The works, which are all placed in linear or circular arrangements, also test the viewer’s association with architecture, giving a playful tactility to the spaces they occupy. Although most of the sculptures look as if they are only decorative, many impede walking paths, forcing one to walk around their blockade or traipse upon their back like a bridge. Each installation appears as if the solid structures the tires are adhered to are malleable, the pieces disappearing and emerging from the ground and walls like they are being slowly sucked in by quick sand. (via designboom)
In a departure from his large-scale color field yarn installations, Minnesota-based artist HOT TEA is back in New York and was given the opportunity to transform a swimming pool on Roosevelt Island with whatever colors he saw fit. Apparently he took the ambitious approach and decided to use them all, spread between 120 gallons of paint.
The private commission produced by K&CO and Pliskin Architecture is called Asylum, a title the artist chose “because the act of creating it pushed my mental and physical endurance so far that I wasn’t sure I could complete the task,” he shares with Brooklyn Street Art. For almost a century starting in 1839, the island was also home to the New York City Lunatic Asylum. The vibrantly luminous gradients that define the area around the pool contrast starkly when viewed against the rest of the surrounding landscape, creating a surprising oasis of color.
Italian artist Eron recently completed a stunning pair of murals depicting a seagull and heron taking flight under a viaduct in Riccione, Italy. Each spray painted mural shows a sequence of birds that transition from embossed black and white silhouettes to figures that appear almost completely realistic. Eron is known for his delicately nuanced approach with a spray can which he’s also used to great effect in a series of artworks that depict ghostly figures who appear in the dust beneath exhaust vents. See here, here, and here. You can see plenty more on his website. (via Gorgo, Lustik)
Since we last learned about NeSpoon last year, the Polish street artist has popped up everywhere with new pieces in Perth, Tunisia, Portugal, and elsewhere. NeSpoon translates traditional lace patterns into large-scale murals or stencils, ceramic installations, and even embroidery. The artworks are part of her ongoing series of “public jewelry” that seeks to turn unadorned spaces and surfaces into something beautiful. You can see more over on Behance.
While visiting the Louvre last last year, artist and filmmaker Julien de Casabianca was struck by an Ingres painting of a female prisoner tucked unceremoniously into a corner of the museum. He suddenly had an idea: what if he could somehow free her—both figuratively and literally—by reproducing her figure on a public street. People may not know the painting, or even the artist, but at least the image would be seen by potentially hundreds or even thousands more people who may never visit the Louvre. With that single act, the Outings Project was born.
Since sharing photos of the first artwork online, people in at least 18 cities have liberated similar anonymous characters found in master paintings and pasted them up in public spaces in London, Barcelona, Chicago, Rome, and elsewhere. Casabianca says the global participation was completely unplanned and unexpected but he’s embraced the idea wholeheartedly.
When asked about the possibility of an artwork being taken out of context or without attribution he shares via email, “we don’t want to tell you something that you don’t know, and we don’t want people to feel ignorant. You have just to feel that [the artwork] is ancient and shifted, you have just to be touched by the emotion, by the esthetic, by the art.”
Art enthusiasts aren’t the only ones paying attention to the Outings Project. Two museums in Madrid and Poland have also engaged the artist to “play with their art in public.” Casabianca is now on a 12-city tour around the United States bringing more unknown figures in local museums into the light. You can follow the most recent classical art paste-ups on the project’s Facebook or Instagram. (via This Isn’t Happiness, Slate, Hyperallergic)