Javier de Riba spray paints abandoned buildings, but not in the way you might imagine. Instead of working on the interior or exterior walls of the buildings he finds, de Riba spray paints the floors, mapping out bright geometric patterns both large and small. The patterns de Riba creates look exactly like tiled floors, making it seem like an element of the building’s past has been elegantly restored.
Like a screen printer, de Riba works layer by layer, first painting the entirety of the space he plans to cover, then working one colored stencil at a time to build up the tile-like effect. The end result is a trick to the eyes both with materials and placement, one never expecting that spray paint formed the intricate patterns on the dusty floors.
The artist and creative designer was born in Barcelona and has worked as an art director in various agencies and studios. His current job is at Reskate Arts & Crafts Collective, a company that develops graphics and communication projects with a focus on sustainability and humane treatment. (via Junk Culture)
LATA 65 is connecting art between generational divides, matching older citizens of Lisbon with a relatively young form of art—graffiti (“lata” means “can” in Portuguese). Through workshops attendees learn the history of street art while making their own stencils and tags, ultimately incorporating their work in murals across the city. These bright colors go into run-down parts of the Lisbon, and each new artist is aided by the help of well-known street artists.
The goal of LATA 65 is to eliminate the many cliches that come with street art by widening both its audience and participants. Through introducing the art of graffiti to a different group of makers, the project hopes to create a solidarity between all groups involved while adding some colorful designs to the city along the way. (via mashkulture, Messy Nessy Chic, CollabCubed, and mental_floss)
Artist Bordalo II (previously here and here) uses old tires, bumpers, and other scraps of painted found trash to form towering 3D murals of animals on the streets of Lisbon, Portugal. Collected here are several pieces from the last few months, and you can see much more on Facebook. (via Beautiful/Decay)
Riding atop a paddle board, artist Sean Yoro (aka Hula), paints murals while floating on the waves, placing his works just above sea level. The murals, all portraits of women, have a hyperrealistic quality that appear as if each is existing just above the tide. Due to the works’ position above the water they reflect perfectly into the waves, the image extending out far from the painted surface.
The NYC-based artist paddles out to paint the murals, balancing his acrylic paint on his board all the while. Hula grew up on the island of Oahu, where he spent most of his days in the ocean. Although he grew up dabbling in graffiti, watercolor, and tattoo art, he didn’t take his work seriously until he began to paint the the human body when he was 21. Hula also uses cracked surfboards as a surface to paint his female portraits, more of which you can see on his Instagram, @the_hula. (via Street Art News)
Pneumàtic was founded by artists OOSS, Iago Buceta, and Mateu Targa for the street art festival Ús Barcelona. The idea behind the cut salvaged tire installations was to create works that tested the traditional uses of architecture, playing with the audience’s understanding of what is just beyond their physical grasp.
The works, which are all placed in linear or circular arrangements, also test the viewer’s association with architecture, giving a playful tactility to the spaces they occupy. Although most of the sculptures look as if they are only decorative, many impede walking paths, forcing one to walk around their blockade or traipse upon their back like a bridge. Each installation appears as if the solid structures the tires are adhered to are malleable, the pieces disappearing and emerging from the ground and walls like they are being slowly sucked in by quick sand. (via designboom)
In a departure from his large-scale color field yarn installations, Minnesota-based artist HOT TEA is back in New York and was given the opportunity to transform a swimming pool on Roosevelt Island with whatever colors he saw fit. Apparently he took the ambitious approach and decided to use them all, spread between 120 gallons of paint.
The private commission produced by K&CO and Pliskin Architecture is called Asylum, a title the artist chose “because the act of creating it pushed my mental and physical endurance so far that I wasn’t sure I could complete the task,” he shares with Brooklyn Street Art. For almost a century starting in 1839, the island was also home to the New York City Lunatic Asylum. The vibrantly luminous gradients that define the area around the pool contrast starkly when viewed against the rest of the surrounding landscape, creating a surprising oasis of color.
The pool, located in Manhattan Park, opens for swimming Memorial Day weekend. You can read a bit more about it on Brooklyn Street Art.
Photo by Jamie Rojo for Brooklyn Street Art
Photo by Jamie Rojo for Brooklyn Street Art