Using materials that for centuries have been reserved as tasty decoration the finest cakes and pastries, Montreal-based artist Shelley Miller attacks brick walls and deteriorating urban surfaces with cake icing to create ornate scrolls and decorative motifs. While the medium itself is purely culinary, her illustrations and patterns borrow heavily from calligraphy and decorative arabesque scrolls seen in ancient temples and mosques. Another added dimension is its impermanence as the works crack, drip, and melt off the wall, potentially disappearing in just a few days.
Most recently Miller presented an interactive piece at Nuit Blanche in Montreal called Throw-Up, and you can follow updates via blog—check out that book sculpture! (via collabcubed)
Street artist ROA was recently in Johannesburg where he created this epic new work featuring six enormous African animals lounging on the side of a building. ROA’s work has been popping up everywhere lately including a stop here in Chicago just last month. See many more photos of this latest piece shot by Martha Cooper over on I Art Joburg.
Borondo is an artist out of Spain whose work is loosely based in classical painting techniques, a somewhat uncommon sight in the world of street art. His lage-scale paintings of human figures appear unfinished and camouflaged causing a double take as you squint to see the full detail of each work. Borondo’s first solo show in Italy opens this saturday at 999Gallery in Rome. (via vandalog)
Since 1997 Brazilian artist Andre Muniz Gonzaga has been turning haphazard, porous, or cracked surfaces into bizarre, misshapen faces in his unique style of street art portraiture. His site-specific paintings have appeared around the world this year in places like Senegal, Portugal, Berlin, Amsterdam and of course his native Brazil, and he’s also known for much more elaborate and polished graffiti murals. You can see much more of his work over on Flickr, and if you liked this also check out the work of Nomerz. (via hi-fructose)
Artist Asbjørn Skou lives and works in Copenhagen where he creates all matter of prints, drawings, and occasionally public light installations. The images above are from a 2010 series called Markeringer where the artist projected a collection etchings at the Sjaeloer railway station. To me it looks almost as is the drawings have been etched into the building’s surface causing the light from the inside to creep through. See much more from this installation here. (via ruines humaines)
Three new works today from artists David de la Mano and Pablo S. Herrero who collaborated on the streets of Stavanger and Sandnes in Norway to create these lovely figures made of trees and people. The duo joined forces earlier this year in Uruguay and I’m glad to see them continuing to explore this style in other cities. Definitely check out their respective websites for more photos.
For the past few months Indianapolis-based artist Tasha Lewis has been traveling around the country creating guerrilla installations using a swarms of 400 cyanotype butterflies printed on cotton fabric (cyanotype is a photographic printing process that results in blue images, just like blueprints). Each blue insect is embedded with powerful magnets allowing her to place them on any metallic surface without causing damage, which as far as impermanent street art goes, is brilliant. Of her work she says:
My current body of work was drawn from an investigation into the cultural/scientific/historical context in which the cyanotype was born. Popularized by scientists, and botanists in particular, the cyanotype is intrinsically tied into the scientific recording boom of the late 19th and early 20th century. These are the times of the curiosity cabinet, the prints of Anna Atkins and a rush of explorers/scientists to colonial lands only to bring back specimens from foreign ecosystems. [.. ] The cyanotype is a process of documenting. The resultant image is a kind of scientific stand-in for the actual object in question. It is the trace of the original. In this way, like cyanotype’s use for building blue prints in more recent centuries, my work is formed as the re-presentation of something real; it is somehow not quite the object itself.”
Tasha has published photos of numerous installations on her Tumblr, definitely worth a look. (via empty kingdom)