Photographer Kanghee Kim juxtaposes day-to-day moments to create scenes that peek into an alternate world, subtly placing faux reflections in coils of cable or in the streak of a rear windshield. The Brooklyn-based photographer’s manipulations come from the desire to manifest magical moments in the mundane, using post-production edits as an additional artistic medium within her work.
“I started to think of [my photography] as a painting and allow the post-production process to act as a kind of mark-making,” said Kanghee to i-D. “Photoshop is widely used in commercial photography to refine the details and make the images look flawless.”
Kanghee decided that she wanted to do the opposite with the tool, keeping the flaws that appeared in her images rather than editing them out. The works’ small imperfections highlight the human quality of each combined moment rather than glossing over it. You can view more of the photographer’s softly edited images and unexpected reflections on her website and Instagram. (via This Isn’t Happiness)
All photos © Denis Cherim
With an eye for unusual juxtapositions and serendipitous moments where the universe seems to synchronize itself just so, photographer Denis Cherim is there with his camera seeing what the rest of us do not. The ongoing series called the Coincidence Project incorporates a wide variety of photographic approaches from landscapes to street photography and occasionally portraiture. Gathered here are some of our favorites from the last few years, but you can see hundreds more photos by Cherim over on Flickr and Facebook. (via Booooooom)
The 32-year old Tao Liu knows the city of Hefei like his backyard. Since 2005 he’s traveled up, down and across the city in Eastern China on his motorbike reading water meters for a local utilities company. The job was tedious, exhausting and unrewarding, until he picked up a camera.
For the past 3 years Liu has used his spare time to capture intimate, witty and humorous street photos of Hefei. “I like taking photos because I can hang around on the streets and capture an image when something interested me but was neglected by others,” Liu told the Global Times. “I want to remind people of the touching moments in life.” He was interviewed after his photos went viral on China’s social network Weibo.
Liu has no formal training in photography but cites Daido Moriyama – often referred to as “the father of street photography” – as a primary influence. “I found him [to be] a very focused photographer,” says Liu in an interview with TIME. “I chose my camera based on what he uses.” Liu’s photos, intentionally or not, seem to poke fun at things like commercialization and urbanization. Liu clearly has a knack, not only for being in the right place at the right time, but for a keen eye that spots charming, serendipitous scenes amongst the hustle and bustle of everyday life. You can keep up with him and his work on Lofter. All photos courtesy the photographer. (via Time)
For the last 20 years, unassuming Dutch photographer Hans Eijkelboom has traversed the world, picking a spot, be it in Shanghai, New York, or Paris, and meticulously photographed what he saw. “I take between 1 and 80 photographs a day, almost every day, 12 months a year,” he says, referring to his “Photo Notes” project, which has now been turned into a book titled People of the Twenty-First Century. The “Photographic Journal,” published by PHAIDON, is the largest, most comprehensive work of his to date, and includes thousands of photos that, together, create a fascinating picture of mankind.
The “anti-sartorial” photographs of everyday people capture specific visual themes – people in red jackets, men with bare chests on roller blades – that are grouped together with the date, city and time range they were taken. And this combination and repetition is what makes the photographs so powerful. Viewed separately, they would hardly even catch our eye.
“I don’t use this diary to show what happens in my life but as a method of visualizing the development of my world view,” writes the artist. Much like the way stalagmites form in caves over hundreds of years, Eijkelboom’s landscape is the result of a methodical fixation to the banality of everyday life. Hans Eijkelboom’s “People of the Twenty-First Century” is available for around $26 (Via Citylab)
When he was 13 years old, New York-based photographer Thomas Prior won a drawing contest and used the money to buy a Pentax K1000 camera. By the age of 20, while still attending SVA, he began assisting on commercial shoots while developing his own direct, almost simplistic approach to photography. Prior relies almost completely on natural lighting and a brilliant eye to capture uncanny images in unexpected places. Gathered here is a selection of photos from the past few years, you can see more on his frequently updated Tumblr, and a recently created Instagram account. (via All of this Is Rocket Science)
It would not surprise me to learn that Polish street photographer Maciej Dakowicz has run out of available pages in his passport. Currently based in Mumbai, the computer science PhD abandoned a career in technology to instead focus on his street photography, a decision that has lead him to far-flung communities around the globe seeking incredible once-in-a-lifetime encounters. Sorting through his staggering library of some 5,500 photos is to take a journey through vastly differening cultures, miraculous visual coincidences, and impropable moments in time both amusing and terrifying.
Dakowicz received much attention in 2012 for his eye-opening book Cardiff After Dark that collected five years of photographs documenting the nightlife fueled by alcohol and emotion in Cardiff, Wales. He also teaches photography workshops where many of his images originate, is one of the founders of Third Floor Gallery, and is a member of the street photography collective In-Public (previously). See much more of his work on Flickr and over on Facebook.